If you haven’t already we would appreciate more signatures to get bitstream support on Apple TV to be able to stream local Dolby Atmos/DTS:X content.
FWIW, local Atmos content works already.If you haven’t already we would appreciate more signatures to get bitstream support on Apple TV to be able to stream local Dolby Atmos/DTS:X content.
I think around tvOS 11 or maybe earlier it actually supported bitstream but then they removed it. Later they added back lossy Atmos.In order to bitstream, the entire audio chain from the source to the player must have a protected audio path if I remember correctly. I'm not sure that the current Apple TVs include this hardware requirement.
Yes, just lossless TrueHD+Atmos is what we are asking.FWIW, local Atmos content works already.
Try with original Dolby demo MP4 files, for example.
Its the lossless formats, that are missing.
Also, at least for TrueHD Atmos, bitstreaming is not needed. Apple could decode it internally and use the MAT to send it over to AVR, just like it does today.
FWIW, I think it will only happen when iTunes/aTV+ starts streaming lossless audio.Yes, just lossless TrueHD+Atmos is what we are asking.
I'm with you on that Prilitv8.FWIW, I think it will only happen when iTunes/aTV+ starts streaming lossless audio.
They could do it already using their ALAC codec. Bitrates will remain well under the 10Mbps.They introduce lossless for Apple Music and tie that in with ATV+ whilst they are at it with Apple TV automatically selecting lossless audio if it detects a strong, fast broadband speed.
Audio
ID : 1
Format : ALAC
Codec ID : alac
Codec ID/Info : Apple Lossless Audio Codec
Duration : 4mn 41s
Duration_LastFrame : -3ms
Bit rate mode : Variable
Bit rate : 5 432 Kbps
Channel(s) : 2 channels
Sampling rate : 192 KHz
Bit depth : 24 bits
Stream size : 182 MiB (100%)
Language : English
Default : Yes
Alternate group : 1
Encoded date : UTC 2010-04-28 08:52:32
Tagged date : UTC 2017-01-26 06:00:38
They could do it already using their ALAC codec. Bitrates will remain well under the 10Mbps.
That still does not give any hope for lossless audio in movies.
Code:Audio ID : 1 Format : ALAC Codec ID : alac Codec ID/Info : Apple Lossless Audio Codec Duration : 4mn 41s Duration_LastFrame : -3ms Bit rate mode : Variable Bit rate : 5 432 Kbps Channel(s) : 2 channels Sampling rate : 192 KHz Bit depth : 24 bits Stream size : 182 MiB (100%) Language : English Default : Yes Alternate group : 1 Encoded date : UTC 2010-04-28 08:52:32 Tagged date : UTC 2017-01-26 06:00:38
I agree with you on the 5.1 mixes on SACD. When properly done, they sound awesome. Although I still tend to think, that surround mix does not add that much expression to music, as it does to a movie.I wonder if Apple could update their ALAC codec to support at least 5.1? SACD multichannel audio is phenomenal with properly mixed.
I wonder if Apple could update their ALAC codec to support at least 5.1? SACD multichannel audio is phenomenal with properly mixed.
I agree that 5.1 adds much more to movies than music but these 5.1 mixes can really up the "fun" level in my opinion. I have also found that some 5.1 mixes can increase the separation of instruments in a very complex mix.I agree with you on the 5.1 mixes on SACD. When properly done, they sound awesome. Although I still tend to think, that surround mix does not add that much expression to music, as it does to a movie.
However, at current state of tvOS affairs, it only reproduces multichannel audio from movie files (i.e. at least black video stream also needs to be present). No such luck with plain audio/music files (m4a).
That is why I had to create a movie from Pink Floyd's quadraphonic mix of Dark Side of the Moon (AC-3 only back then), using album cover art as a static visual.