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Good brands for lighting equipment?
- Thread starter pdechavez
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A lot of my friends have been using Alienbees and swear by them.
They are sturdy but not expensive.
http://www.alienbees.com
They are sturdy but not expensive.
http://www.alienbees.com
Best Studio Lights
The best American studio lights (used by commercial photographers):
Dynalite - http://dynalite.com (very high quality - light weight - expensive)
Norman - http://normanlights.com/ (an industry standard)
Speedotron - http://www.speedotron.com/ (big power - low cost)
Novatron - http://www.novatron.com/ (light weight - lower end)
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Alien Bees are not bad but cater mostly to traveling portrait photographers and amateur photographers (no offense intended).
My personal favorite is Dynalite and I can vouch for their quality, having dragged them all over the world for more than 20 years.
George
The best American studio lights (used by commercial photographers):
Dynalite - http://dynalite.com (very high quality - light weight - expensive)
Norman - http://normanlights.com/ (an industry standard)
Speedotron - http://www.speedotron.com/ (big power - low cost)
Novatron - http://www.novatron.com/ (light weight - lower end)
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Alien Bees are not bad but cater mostly to traveling portrait photographers and amateur photographers (no offense intended).
My personal favorite is Dynalite and I can vouch for their quality, having dragged them all over the world for more than 20 years.
George
A lot of people swear by Profoto stuff recently. They also seem to be available at a lot of rental houses meaning you could easily expand the setup as needed for individual shoots.
http://www.profoto.com
http://www.profoto.com
All I use is Profoto, I have four of their lights. Really good lights but they are pricey. But I have to say, they are worth their price.
Crawn
Crawn
You should decide first if you want a pack and head unit or monos. I have a Novatron pack and head system and Alien Bee monolights. I prefer the Bees, since they're relatively consistent temperature-wise but much more adjustable than the pack system. Given the cost difference, the Bees were a good decision for me- though PCB also sells the more expensive White Lightening brand that's supposed to be more resilient. PCB has some new lights either coming out or out called Einsteins that look very interesting as well- if your space is small, just make sure that whatever you get isn't overpowered or can adjust down pretty far.
My choices for Studio type lighting;
My choices for portable type lighting that encompass all types of Photography & videography;
JTL Everlight Kit
Norman lights for Continuous Lighting
Bowens for strobe
Broncolor if you have the money
My choices for portable type lighting that encompass all types of Photography & videography;
JTL Everlight Kit
The above is correct (I use a Norman power pack system) but you don't have to stick with US brands. (Do you use a US made camera?) One of the absolut best lighting systems is made by "BronColor", a Swiss company.
http://www.bron.ch/bc_pd_en/index.php
Don't forget about Calumet Photo's "house brand"
http://www.calumetphoto.com/Lighting/Strobe/
You can buy any of these top brands used. The equipment will last "forever". Some of my Norman stuff is about 30 years old and if it ever fails the factory is local. Hunt the ads used stuff sells for 1/2 the price of new and works as well
If cost is an issue then look at some of the light duty monoblocks such as Allen Bees, White and the like. But these do not compare with the like of Speedotron and the others.
Light is light for the most part. There are a few instances where you get color shifts, but it's no brand-based as much as it is strobe-design-based. I've yet to see a picture taken with a Speedtron that couldn't be taken with something from Paul C. Buff, Inc.
Speedtrons are built like tanks, but that doesn't make a bunch of difference if (a) you don't do a lot of travel and (b) when you do, it's not all that uncivilized. Also, the price difference gets you more heads, which gives you more redundancy if you're not traveling all that light, or if you're in a single studio. I also think these days you're not going to get the same level of resiliency as the number of capacitor manufacturers and capacitor quality isn't what it was in the days when a lot of the units gained their reputation.
My Novatron pack and head system is probably 10-12 years old, and my Bees are about a year old, neither of them have caused me any issues so far. If the ABs didn't have their own fans, I could see a better argument against them, but the fact is that PCB has fully 50% of the strobe market- way more than any of his competitors, and if they sucked then there wouldn't be many successful weekend warriors using them and it'd be plastered all over the Internet.
The fact that the next set of ABs will work on non-sine wave inverters says a lot about PCB to me- since they make really good money off of their battery packs with the sine wave inverters.
YMMV