LR already has a mobile version.
I can't see a time when your not going to need a Mac or PC anytime soon for serious photography.Canvassing thoughts on the likelihood that RAW editing apps will be released to make the iPad Pro a viable alternative to a Mac?
I can't see a time when your not going to need a Mac or PC anytime soon for serious photography.
If you could edit RAW files, there's still the issue of screen calibration (none of the current options work outside there own native app. In other words have locked the system and aren't about to open it), storage and back ups.
I'd have to disagree with your there mate. If all you do is share on social media, then of course it's not as relevant.I really think that in today's digital world you can throw screen calibration out of the window.
As long as you don't mess with your screen too much after receiving it and have gone through a few basic setup tests then there is no need to tinker.
My dad used to tell me that after full mixing tv commercials in a studio they would pull out some cheap laptop speakers and play it through that because 'that's how 99% of people are going to watch it'.
I'd have to disagree with your there mate. If all you do is share on social media, then of course it's not as relevant.
But if you print your images, you can see a world of difference.
I use the works ColorMunki Photo, so no issues with printer calibration here either. That's if I don't just print them at work!I work at HP. I give mine to the boys in the printer division and they re-calibrate the dye printers TO MY images...
You need a Mod book then. http://www.modbook.com/modbookproMy hopes were never going to be met...but I was hoping for a true competitor to the Surface 3/4. If iPad Pro could run a second monitor and edit RAW files I'd line up today for one. Honestly, what I want is a Macbook in an iPad. Maybe this is closer than I think but more than likely Apple doesn't see a OS X iPad as a good business decision. (with expandable storage and at least 2 USB slots.)
My hopes were never going to be met...but I was hoping for a true competitor to the Surface 3/4. If iPad Pro could run a second monitor and edit RAW files I'd line up today for one. Honestly, what I want is a Macbook in an iPad. Maybe this is closer than I think but more than likely Apple doesn't see a OS X iPad as a good business decision. (with expandable storage and at least 2 USB slots.)
You need a Mod book then. http://www.modbook.com/modbookpro
I doubt it. Although there are some annoying iOSish things that have crept into OS X, I think any merging would have already taken place.The iPad Pro as a Cintiq type editing device might be useful/interesting. Everyone use to say that Apple was headed towards unifying OS X and IOS. The Pro could've been a real first step to that. I wonder if that's really part of their plan like it was for Microsoft and Windows?
I wish, however, that I could use some iOS apps in OS X, even in just emulation. Sort of a replacement for dashboard widgets. Even that's not happening though.
I really think that in today's digital world you can throw screen calibration out of the window.
As long as you don't mess with your screen too much after receiving it and have gone through a few basic setup tests then there is no need to tinker.
My dad used to tell me that after full mixing tv commercials in a studio they would pull out some cheap laptop speakers and play it through that because 'that's how 99% of people are going to watch it'.
There are other reasons to use RAW, even to produce a crappy low res JPEG. Any JPEG out of the camera is just the camera-computer's decision about some development. Look at the "art filters," or say a "vivid" setting. Even the standard default makes choices. You might wanna make other choices, say to bring out shadows and dim highlights. Even if you distributed the result in awful uncorrected color to people on 640x480 monitors.It is hard for me not to sound a bit hostile but I'll try -
Why use RAW at all then? Maybe just do everything jpeg. After all, it should be lowest common denominator to look at based on your argument. Then again, when mastering CDs, why bother with 44.1/16 and simply just make them all MP3s since that is the most common (next to acc) way people store music. In fact why make any master file have quality at all?
I'll go with AppleFanBoy on this one. As someone who does do photo work, has used decent monitors, used both true calibrators and "soft" calibrators (proiles) as well as the Cintiq, you are completely off base with your comment. Even those that prepare in Photoshop "for the web" start with a fully correct original to make the output for web purposes. One of the best things about a good RAW file is the flexibility to have various output including printing, variations on a theme of correction (types of b/w prints come to mind that emulate sepia, selinium, split tone etc.).
I think you should use an iPad for your photo work and shoot lowest quality jpeg. After all, most people don't pay attention.
This is from the developer of Filterstorm...
Make sure under settings that you turn the option to scale large images to off. This option defaults to on for speed concerns on slower devices (I should really put in a hardware check to adjust the default accordingly). Also make sure the option to use DCRaw is turned on.