... Well, characters actually.
I'm sure we all have our favourite fonts, but I tend to find that there are a few specific characters within a given face that ... I dunno ... kind of encapsulate what I think looks good about that font.
I love the not-quite-closed capital P in Stone Sans. I love the point at the peak of Futura's capital A, and the fact that it rises slightly higher than the all the other uppercase characters; the flick of the serifs on the lowercase m,n and p in Palatino Bold Italic; the lower case j in Gill Sans Light and the uppercase G in Antique Olive Nord.
Am I freak, or does anyone else have the least clue what I'm talking about?
Cheers!
Jim
I'm sure we all have our favourite fonts, but I tend to find that there are a few specific characters within a given face that ... I dunno ... kind of encapsulate what I think looks good about that font.
I love the not-quite-closed capital P in Stone Sans. I love the point at the peak of Futura's capital A, and the fact that it rises slightly higher than the all the other uppercase characters; the flick of the serifs on the lowercase m,n and p in Palatino Bold Italic; the lower case j in Gill Sans Light and the uppercase G in Antique Olive Nord.
Am I freak, or does anyone else have the least clue what I'm talking about?
Cheers!
Jim