This came up on my FB newsfeed today from nine years ago, so I thought I'd post it up just for public musing.
No I'm not wanting to re-hash a film vs digital debate from 2003, but I think it serves to show a point that in 2013 iPhones still had a way to go in terms of nailing shots with difficult lighting. I know today's phones would do a better job.
This is a sunset silhouette shot of 12ft tall shell sculpture, taken on 28 September 2013, on a local beach near my then-home in NW England.
iPhone 4S (RHS cropped to give similar aspect ratio to the film equivalent):
Olympus OM4Ti + Fuji Sensia 100 (sadly now NLA), home-scanned on a Epson V850:
The iPhone-shot was taken five minutes later than the film-shot. I waited for the sun to just sink behind the low cloud visible in the film-shot, because an attempt to directly replicate the film-shot failed due to the sky being completely blown-out by the setting sun. If I adjusted the exposure to prevent blow-out, the foreground basically disappeared. So I had to compromise. There is still evidence of blow-out at the top of the iPhone frame, but I remember not wanting to wait any longer for it to get darker.
Still, it's good to see 'where we started'.
No I'm not wanting to re-hash a film vs digital debate from 2003, but I think it serves to show a point that in 2013 iPhones still had a way to go in terms of nailing shots with difficult lighting. I know today's phones would do a better job.
This is a sunset silhouette shot of 12ft tall shell sculpture, taken on 28 September 2013, on a local beach near my then-home in NW England.
iPhone 4S (RHS cropped to give similar aspect ratio to the film equivalent):
Olympus OM4Ti + Fuji Sensia 100 (sadly now NLA), home-scanned on a Epson V850:
The iPhone-shot was taken five minutes later than the film-shot. I waited for the sun to just sink behind the low cloud visible in the film-shot, because an attempt to directly replicate the film-shot failed due to the sky being completely blown-out by the setting sun. If I adjusted the exposure to prevent blow-out, the foreground basically disappeared. So I had to compromise. There is still evidence of blow-out at the top of the iPhone frame, but I remember not wanting to wait any longer for it to get darker.
Still, it's good to see 'where we started'.
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