The benefits of RAW aren't limited to making colour changes.
You can be colourblind and still adjust your exposure, white levels, black levels, etc. Even when doing monochrome conversions to black & white, you can take advantage of the extra information contained in the RAW file.
Do a simple test ... shoot something with bright highlights or deep shadows. Shoot the same subject in RAW and JPEG.
Open them both in your favourite RAW-friendly editor.
Adjust the exposure up and down. See how the JPEG starts to block up and get grainy right away when you adjust the exposure? That's because the file doesn't have any more information than you can already see in the initial file.
Now adjust the RAW file. You can push the shadows and highlights further before they break down and get grainy. I usually see one to two f/stops in additional range VS a plain JPEG. That means I can reveal a little detail in my shadows, or salvage a picture which looked completely blown-out.
None of those adjustments directly messes with the colour palette.
As a red-green colourblind person, I will have someone sit with me as a "colour co-pilot" when I want to go crazy on the white balance or tints!