I'm curious about honest opinions on the real-world benefits of professional lenses for non-professionals.
The party line on this site (and most others) is that it is better to invest in pro-quality lenses rather than in bodies. The obvious justification is that a good lens will last for many years while bodies become *obsolete* within a year or two as technology advances.
I'm not necessarily saying this is false, but just wanted to hear opinions as to why this is really a good policy for non-professionals (i.e. those who aren't making their living with the images they shoot).
Professional lenses (especially zooms) usually offer two advantages over consumer grade lenses: (1) they are faster and (2) they *may* offer better image quality (sharpness, contrast, etc.). This depends on the individual lens in question. The downside is that they are: (1) much more expensive than consumer lenses, (2) are usually larger/bulkier than consumer lenses, and (3) are universally much heavier than consumer lenses.
Does the speed really matter? For shooting lowish-light action shots the answer is obviously yes. Larger aperture means you can use a faster shutter speed to freeze action. The larger aperture may also help the auto-focus work better which results in sharper images. I just have to ask though, how often do most people really need to shoot at 2.8? Honestly? For non-sports photographers, how many of your images are taken at apertures larger than f/5.6 or f/4? For non-action low light work, aren't you using a tripod anyway? If you are hand-holding, wouldn't VR offset the smaller aperture? If most of what you shoot is action, then a fast lens is clearly worth it. But if not....
Large apertures give you more options with depth of field. So one could argue that a 2.8 telephoto is justified because it gives you more creative options. I would argue that even with f/5.6 you get a fairly shallow depth of field with acceptable background blurring at most telephoto angles of view. The longer the lens, the more this comes into play. For wide-angle lenses, you are going to get a fairly large depth of field regardless of the aperture. Not saying there aren't times an f/2.8 wideangle wouldn't be more useful from a creative standpoint than an f/4, but I'm not sure they are that common.
I don't shoot action photography. Looking through my photo library I have relatively few shots with apertures larger than f/4 and most are f/5.6 or smaller. Even looking at shots with my 50mm f/1.4 this is the case (unless it was a low-light scenario that I needed to hand-hold).
Why *not* get a fast pro zoom if you can afford it? The bulk and the weight of these lenses may actually limit the shots you take. For vacation shots or walk around shots, the extra weight may make you not want to bother with the gear at all. Lugging around a larger, heavier bag may not be worth it at times. So you may miss shots.
The issue of lens quality is a separate one. It depends on what you are ultimately planning on doing with the image. And it varies quite a bit from lens to lens. Sometimes the extra quality is worth it, sometimes it may not matter.
I have both pro and consumer lenses. There are times that a consumer lens makes more sense for what I am planning to shoot. On vacation, lugging around several pro lenses while I am exploring a city on foot is a major PITA. My 18-200 VR actually serves me quite well much of the time.
In sum, is it really the best advice to tell amateur photographers to invest their money on pro glass? Are you really doing them a favor by advising this? If they aren't shooting scenes that really require a fast lens, might they be better off with consumer lenses? And maybe getting a more expensive body that can better handle high ISO with less noise? Just a thought....
The party line on this site (and most others) is that it is better to invest in pro-quality lenses rather than in bodies. The obvious justification is that a good lens will last for many years while bodies become *obsolete* within a year or two as technology advances.
I'm not necessarily saying this is false, but just wanted to hear opinions as to why this is really a good policy for non-professionals (i.e. those who aren't making their living with the images they shoot).
Professional lenses (especially zooms) usually offer two advantages over consumer grade lenses: (1) they are faster and (2) they *may* offer better image quality (sharpness, contrast, etc.). This depends on the individual lens in question. The downside is that they are: (1) much more expensive than consumer lenses, (2) are usually larger/bulkier than consumer lenses, and (3) are universally much heavier than consumer lenses.
Does the speed really matter? For shooting lowish-light action shots the answer is obviously yes. Larger aperture means you can use a faster shutter speed to freeze action. The larger aperture may also help the auto-focus work better which results in sharper images. I just have to ask though, how often do most people really need to shoot at 2.8? Honestly? For non-sports photographers, how many of your images are taken at apertures larger than f/5.6 or f/4? For non-action low light work, aren't you using a tripod anyway? If you are hand-holding, wouldn't VR offset the smaller aperture? If most of what you shoot is action, then a fast lens is clearly worth it. But if not....
Large apertures give you more options with depth of field. So one could argue that a 2.8 telephoto is justified because it gives you more creative options. I would argue that even with f/5.6 you get a fairly shallow depth of field with acceptable background blurring at most telephoto angles of view. The longer the lens, the more this comes into play. For wide-angle lenses, you are going to get a fairly large depth of field regardless of the aperture. Not saying there aren't times an f/2.8 wideangle wouldn't be more useful from a creative standpoint than an f/4, but I'm not sure they are that common.
I don't shoot action photography. Looking through my photo library I have relatively few shots with apertures larger than f/4 and most are f/5.6 or smaller. Even looking at shots with my 50mm f/1.4 this is the case (unless it was a low-light scenario that I needed to hand-hold).
Why *not* get a fast pro zoom if you can afford it? The bulk and the weight of these lenses may actually limit the shots you take. For vacation shots or walk around shots, the extra weight may make you not want to bother with the gear at all. Lugging around a larger, heavier bag may not be worth it at times. So you may miss shots.
The issue of lens quality is a separate one. It depends on what you are ultimately planning on doing with the image. And it varies quite a bit from lens to lens. Sometimes the extra quality is worth it, sometimes it may not matter.
I have both pro and consumer lenses. There are times that a consumer lens makes more sense for what I am planning to shoot. On vacation, lugging around several pro lenses while I am exploring a city on foot is a major PITA. My 18-200 VR actually serves me quite well much of the time.
In sum, is it really the best advice to tell amateur photographers to invest their money on pro glass? Are you really doing them a favor by advising this? If they aren't shooting scenes that really require a fast lens, might they be better off with consumer lenses? And maybe getting a more expensive body that can better handle high ISO with less noise? Just a thought....