Orlando Furioso said:
This should be an interesting thread. Being new to this, and having only been exposed to Indesign + Adobe suites, I am curious to know what advantages (other than being the industry standard for such a long time), Quark has over Indesign. What features support Quark as a good alternative, especially in light of CS2's overall tight integration across multiple apps (for example, the ability to enable/disable comp/versions directly within Indesign without having to open up the original PSD file in Photoshop).
There probably are very few advantages that Quark possesses over InDesign apart from being the industry standard for so long.
There are a number of InDesign vs. QuarkXpress threads out there. Hell, there's even a website:
http://quarkvsindesign.com/news/index.php
The main advantage to me is that I've spent years in this program and can make it do more or less what I want, efficiently and quickly using keyboard shortcuts that are so ingrained that I could probably do them in my sleep.
Our setup and workload at work is such that migrating to InDesign is a problematic affair for various reasons and it is this inertia, repeated across countless studios and publishers across the globe, that Quark is banking on to keep it in business. Also, having years worth of templates and libraries as Quark files just makes it even more headache-inducing to contemplate when all you see before you is a production schedule that stretches on for 18 months. All of our temps are also Quark users...
To be honest, it is my opinion that serious design professionals are less wooed by headline-grabbing features such as drop shadows than by overall stability and the ability to RIP/print/distil correctly. The features I'm more personally interested in relate more to typography so InDesign's paragraph composer is certainly an advance on Quark's antiquated H&J setup options.
On a cursory and entirely subjective level, I dislike InDesign's palette bloat and find its interface awkwardly Illustrator-like. Quark has a simplicity about its interface that I find appealing -- but that's just me. I also despise Quark to bits because of its price, bugginess, poorly implemented tools and poor support. Why they decided to spend countless R&D person-hours and money throwing it at virtually useless web design tools is completely beyond me...
One day, if I can get some serious time with InDesign and work my way up to a level of proficiency with it that enables me to create work as quickly and efficiently as I can using Quark, I will certainly contemplate switching or addding it to my armoury of production tools.
What irritates me though, is that any mention of Quark will usually bring some flippant comment out of the woodwork about InDesign. It adds nothing to the conversation at all and to me, is just akin to obnoxious trolling.
Furthermore, I suspect that many of these throwaway lines come from individuals who haven't been within an inch of a busy production environment and have little clue about the nature of transition involved for even the smallest studio.
Use the software tool that suits you and within which you can be creative and productive.