This isn't a political thread so no need to make any political points. It's just a look at how the campaign's logo evolved through its various stages to end up as it did, emblazoned across millions of flyers, buttons, web and print ads, and TV spots.
I've pulled these from here. The titles are my own.
Option 1: A wet floor
Option 2: Geometric transparency
Option 3: The first big 'O', gradients and a settling upon a bold sans, American Gothic for other branding
There were others... but the final three that got into the next round to be comped up:
The optimism and sunny future theme with the 'O'
The conversation and buzz theme
The O as a rising sun
I've pulled these from here. The titles are my own.
Obama logo ideas that werent chosen
Sol Sender, who led a design team for the Obama 08 logo, was recently interviewed about the project.
Heres a walk through the various logo options, with some of Sols thoughts. The full interview videos can be watched on the website of VSA Partners (where Sol is now a strategist).
Option 1: A wet floor
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Option 2: Geometric transparency
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Option 3: The first big 'O', gradients and a settling upon a bold sans, American Gothic for other branding
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We did see the O as standing for something beyond just the first initial of the candidates name.
There were others... but the final three that got into the next round to be comped up:
We developed a lot of logos. Usually we only develop two to four, maybe five. There were fifteen, sixteen options, and we focused on three.
The optimism and sunny future theme with the 'O'
This masking of different photos with the O shape became an opportunity to say different things in different moments The O could contain all these different ideas, possibilities and feelings.
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The conversation and buzz theme
There was a lot of excitement about this. People felt this was really something new, something different. It was a kind of populist expression everyones excited about Obama, people are talking (but) it was a little too far out of the box. We felt that having a little more tradition in the mark was the smart way to go.
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The O as a rising sun
For me personally, this was always the one.
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Originally the stripes were kind of symmetrically expressed across the horizon, and as we went into final refinements we felt that giving it a little bit more dimension, a little bit more motion, ways to enter into it a little bit more for the viewer was a better way to go.
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