the 500D and 50D do not share the same sensor. the only Canon SLRs that do are the 20D and 30D.
Was that really
all you took from the previous post?
But fair enough; they're likely not the same exact sensor. But...
T1i = 15.1MP
50D = 15.1MP
Might not be the same sensor, but same pixel pitch. T1i has lower noise than the 50D, which was in direct response to the OPs question of whether Rebel Series < xxD series <xD series in terms of noise. This is an example that shows that at the same pixel pitch, a Rebel series camera can outperform an XXD camera.
But again, this is really nitpicking at this point. I will say this one more time; unless you're shooting the fastest glass you can and STILL bumping into noise issues, then concerning yourself with which camera has marginally better high ISO noise performance is misguided. Buy the camera you need in terms of resolution, performance, IQ, handling, etc (all of which make more difference in real world, everyday use than does ISO performance), and then buy fast glass.
Let's say you have a 17-55 f/3.5-5.6 kit lens on your T1i, and need to shoot something moving at 50mm (so IS doesn't help you), in very low light. At this focal length, you're looking at f/5.6 as max aperture.
So...
1/50, f/5.6 @ ISO6400
1/100, f/2.8 @ ISO3200
1/200, f/1.4 @ ISO1600
All of these give the same exposure. But because I invested in a fast 50/1.4 prime, I'm able to shoot at ISO1600 and I get very useable images (with a motion-stopping 1/200 shutter speed). If my DOF is too small at f/1.4, I can move to 1/200, f/2, ISO3200, and I'm still getting decent noise performance.
On the other hand, your kit lens is limited to f/5.6 and you've got motion blur @ 1/50 AND your images are noisy. With your slow zoom, you can get 1/200, but you're going to have to use ISO 25600; good luck with that.
Forget about noise performance. All modern DSLRs are good enough unless you are earning six figures as a photographer. Buy the cheapest body that serves your purposes and spend the bulk of your money on fast lenses, and preferably fast primes. That's the way people dealt with low light in the film era, and the same should hold true for digital. High ISO does not replace fast glass (nor, it should be said, does it replace proper flash photography).
Forget about noise.