At the last job I did, i suddenly realized I needed a fast lens to get some stills of the talent at location.
I was in Paris, so I ran out and got the very cheap 50mm 1.8 from Canon, as my only "proper" lens is the Sigma 17-70mm 2.8-4.5.
I did get some descent images with that lens though.
So from what you can see, I don´t have very good glass to go with my camera.
As a camera man I do appreciate good glass, but as stills is not my main line of work I find it hard to spend the money on still lenses.
But I presume you are right and I should put my money toward some L series glass
I was in Paris, so I ran out and got the very cheap 50mm 1.8 from Canon, as my only "proper" lens is the Sigma 17-70mm 2.8-4.5.
I did get some descent images with that lens though.
So from what you can see, I don´t have very good glass to go with my camera.
As a camera man I do appreciate good glass, but as stills is not my main line of work I find it hard to spend the money on still lenses.
But I presume you are right and I should put my money toward some L series glass