I'm surprised to read how many people would rather go to Windows than use an iMac. For me, the productivity gains of Mac OS X are more than any potential losses in terms of processor speed. (Then again, I have a farm of Linux machines when I have huge needs in terms of processing).
I could probably replace a lot of stuff in Windows, but I don't know what I would do without Automator. Is there a Windows equivalent to that?
True, but I still believe that many users that switched to the Mac originally switched for something that Windows just didn't offer . . . not that imaginary belief that Macs don't get viruses.
For me it was because of the smoothness of Avid Express DV on the PowerMac G4s of that time. Then it was iWork, now it's all of those and Aperture. Everything else to me is moot, but I just couldn't get work done without those three; the rest of the Mac ecosystem is just icing on the cake.
Yeah.... anything like illustration, graphic design, cgi for print (mentioned print due to the resolution) would be absolutely brutal on an imac display. I've owned NECss and Eizos. I recall the Sony and Mitsubishi crts before them. Really displays superior to the one used by the current imac have been available even since the 90s. The imac display is not exactly revolutionary. It uses a decent panel, but the really high quality displays aren't defined as much by panels these days. They're all basically LG commodity parts, but there are some implementations that are vastly superior to those offered by Apple.
True, which is why those displays tend to be thicker than their counterparts. I've toned images on NECs, the 30" ACD, the 22" ASD before it and the 21" ASD (CRT) before that. I've toned images on monitors that were blue only and in ones that were B&W only.
I say that to say that the complaints about the iMac display are moot. There are plenty of pros toning on laptop displays (and at the time that aweful 20" ACD), which are the crappiest displays I've ever had to tone with, and no one seems to be mentioning how much garbage they are. The only thing wrong with the iMac display is the glare.
Other than that, once again, if a user is in the market for an EIZO or a NEC . . . one that can be used for pro-level toning, then they have the budget for a Mac Pro anyway.
It's still designed as a consumer grade computer. I'd feel uncomfortable setting it to render tasks overnight on a regular basis. If it was really designed for professional use, the back would come off easily to facilitate things like hard drive replacement. As it is your only real option is to boot from firewire until you can haul the machine in if you lose a drive. I've seen complaints of hard drive and gpu failure on imacs many times. I've personally seen display problems. Any one of those things means taking your entire computer in as opposed to a quick component swap or sending in a display only (many people work with multiple displays or have an older backup).
There will be trade-offs for every machine. The only machine in Apple's lineup that wouldn't have to be sent in as a whole is the Mac Pro. And let's not forget about logic board failures. This issues is something that all types of machines would have to go through, it's not a plague that only affects the iMac.
In terms of raw power though, yeah they're fully capable, but they're only that much cheaper because Apple has heavily inflated mac pro pricing and gutted hardware year over year to the point where the starting configuration often comes in slower than the imac while costing more.
True . . . 100% agree. Apple has done that price gouging with ALL of their machines. Like many users have already said, they prefer building their own PC workstations over either the Mac Pro or iMac.
I've said it before: You can connect an iMac to an external display.
True.
Not an ideal setup. For serious editing, you will want a 30" display. 30" + 27" takes a lot space and everyone may not have the space that it requires. Better yet, you may want multiple displays for editing purposes. Where are you going to put that 27" mirror then?
Meh, to each their own with what a "serious editor" would edit with. I personally prefer the setup I had at a small local paper . . . two 24" NEC LCD2490WUXI2 displays. They were connected to a Mac Pro and still took up plenty of space on a large desk. I had a single 30" ACD at the Baltimore Sun for photo, and preferred a 30" ACD for editing and a 23" ACD set to a lower resolution for my bins when I did video, and now have dual 23" ACDs at a local university.
Back in my freelance days, I had 17" MBP almost always attached to a 23" ACD for accurate toning. I like the resolution of the new 27" displays from NEC, DELL, and Apple . . . with Apple only getting 4 of 5 stars due to that glare.