Does LR2 have a clone brush like aperture 2? I know you can clone in LR2 but it is not the brush style that aperture 2 has.... Is there away to do the same on LR2?
I heard people saying that Aperture is more flexible in terms of workflow, Adobe forces LR users to follow it's own workflow.
The two advantages of Lightroom are: 1)all your thumbnails are on your main drive but all your original large files can be on external drives; 2)you can convert all RAW files to Adobe DNG, a universal digital negative format. This is very handy when your camera manufacturer or Apple does not support your RAW format.
While we're dredging up FUD directly from Adobe's prepared talking points, let's look at this from the other perspective...The two advantages of Lightroom are: 1)all your thumbnails are on your main drive but all your original large files can be on external drives; 2)you can convert all RAW files to Adobe DNG, a universal digital negative format. This is very handy when your camera manufacturer or Apple does not support your RAW format.
While we're dredging up FUD directly from Adobe's prepared talking points, let's look at this from the other perspective...
What if Adobe goes under and takes the patent and licensing for the DNG format with it?
After all, the rights to key portions of the DNG patents are revocable at the whim of Adobe or, as the lawyers like to say, its successors or assigns.
I am getting reacquainted with LR2.0 now and one of my biggest pet peeves is the crappy modules. I like an app that lets me just GO and do my work. Not have to stop, switch modules, do the simple task that I needed to do, then switch back.
That's the current license, which defines the current restrictions and remedies. It can be changed at the patent holder's (Adobe's) whim. IANAL, but I have a working understanding when it comes to software licensing and patent law.Talking about Fear, Uncertainty and Doubt, seems like you're not averse to dishing some up yourself. On the page you link to, the only instance in which Adobe threatens revocation is if you start to sue them regarding the DNG standard... which doesn't sound too unreasonable.
Lightroom definitely makes you conform to their workflow, the workaround (if you'd call it that) is to jump into Photoshop. OTOH, parts of Lightroom like the filenaming templates for importing photos are very good (and the bug fixes in the Lr3 beta make it even better), not to mention the enhancements to the develop module in Lr3. But for every Lr feature you'll like there are offsetting annoyances like their predefined workflow or un-Mac-like interface or lack of proofing support or lack of a plug-in style architecture for using other (non-Adobe) raw converters like CaptureOne or DxO.I am getting reacquainted with LR2.0 now and one of my biggest pet peeves is the crappy modules. I like an app that lets me just GO and do my work. Not have to stop, switch modules, do the simple task that I needed to do, then switch back.
Hi All,
I know my question has been asked a 1000 times before, and i apologize for that, but i really need an expert opinion on which one of these programs to get, by someone who used both programs would be fantastic.
I am a hobby photographer and i have 10000+ images on my iphoto library, they are well organized, i know aperture is better for organizing right? but which is better and more powerful for editing?! thats the main reason to buy one of them. I dont have photoshop and i'm not planing to get it. so the program should be efficient without the help of PS
I've read that LR 3 is in public beta, should i wait for it?!
There is no single right answer we can give you in terms of which one will be best for you (and anyone who does is just shilling for their favorite product).
Note these are both vastly more powerful if you are shooting raw than if you are shooting JPEGs. But that's more of an answer to whether you should get an advanced DAM, not which one to buy.
Whether one product is better for editing or for organization or any of a number of other factors is really going to depend on you. Up until last week, I would've given Lr the edge for editing, but with the non-destructive editing enhancements in Aperture 3, I think it's really a toss-up.
Your best best is to download the trial/beta versions of both programs and invest (yes, invest!) the time to get familiar with them and get a feel whether one suits you better than the other. The Lr workflow is pretty structured, some like that while others feel constrained. Likewise, Aperture is more flexible (and is a LOT more Mac-like), some like that while others feel like they are lost in the interface. Both have features that edge the other out, but we can't know if any of those are actually important to you.
BTW, just to further muddy the waters... There is no reason you couldn't use Elements for the lion's share of Ps-type work to start, for that small percentage of edits that go beyond what Lr or Aperture can do. Elements is not the full Photoshop, but a hobbyist photographer doesn't need it to be. The Mac version also comes with Bridge and Camera Raw -- that's still a poor substitute for a DAM, but the price is definitely right.
It's a real shame Apple won't step up to the plate and really challenge Adobe by enhancing Aperture with just the Ps-type features photographers actually need.
You're right, I know each has pros and cons, I wish it was easier to decide which is best.
Do either of these programs have a Vectorscope for getting correct skin tones?
How about a traditional three-way color corrector like in Final Cut Pro or Color?
In After Effects, there are plug in's for a vectorscope and a three-way color corrector (with the three color wheels), such as Colorista. Is there something like these for Lightroom, Aperature, or PH Camera RAW?No - but they do both have other methods of getting correct colour.
Would this require shooting the chart throughout out the photographing session (each time the light around/on the subject changed)?Lightroom, it's possible to shoot a MacBeth Color chart, and then build a custom profile using Adobe's DNG profile editor tool. You then color manage your shoot using that known camera response and the response profile of your monitor and printer.
In After Effects, there are plug in's for a vectorscope and a three-way color corrector (with the three color wheels), such as Colorista. Is there something like these for Lightroom, Aperature, or PH Camera RAW?
Would this require shooting the chart throughout out the photographing session (each time the light around/on the subject changed)?
I'm sure I can get the flesh tones correct if I were to also shoot a grey/white card in every place I shoot a subject, then just auto grey/white balance in the application....A white balance eyedropper tool is provided to enable you to correct temperature in a given shot.
So no, you'd probably do the whole colour chart setup once, but then use a gray/white card periodically through the photo session to establish white balance.
Aperture is nice if you want to move up to something that's comparable to Adobe Lightroom..but Aperture 3 is just not as good as Lightroom 2. The ease of being creative is just not there in Aperture. Just my 2 cents...
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