I've been evaluating Capture One Pro over the past few days as a possible Aperture replacement. The more time I spend with it, the more I like it and feel it's actually an upgrade rather than a replacement.
One thing I noticed when I was playing around with C1 was the difference in how it rendered RAW images, particularly with red tones.
This morning I actually spent a few minutes evaluating DPP, C1, Aperture, and LR5 RAW conversion with a few recent photos from Paris that had some serious red tones in them. No adjustments were applied to any of the images.
Notes:
- The app used is in the title bar of each image... from Left to Right: DPP (Faithful), DPP (Standard), Aperture, C1, LR
- DPP is Canon's software, so ought to reproduce the RAW file the most accurately of the bunch. I used the "Faithful" picture setting for the first image in each series which offers no adjustment, and then used the "Standard" picture setting for the second image in each series which shows how Canon likes to render their JPEG images for reference.
Comments (to my eyes):
- Aperture is significantly more saturated than the DPP Faithful or Standard but a bit towards orange
- C1 is less saturated and offers slightly better contrast and detail (see the design on the coat in the 2nd series) - it looks great in the shade, but I don't like the look in the sun
- In the two shade shots, Aperture and C1 look closest to Canon's standard JPEG setting
- LR is saturated to a similar extent as Aperture but towards magenta to the point it almost looks a bit purple
- Most people probably wouldn't know the tones were off except in a side-by-side comparison.
- I'm actually amazed at how much different there is between RAW conversions.
Here's the results. Click through for larger sizes...
Shot 1 by Virtual.Rain, on Flickr
Shot 2 by Virtual.Rain, on Flickr
Shot 3 by Virtual.Rain, on Flickr
I'll do some more comparisons later in the weekend if I get some time.
(EDIT: Updated the images to include a DPP RAW rendered in both "Faithful" and "Standard" picture mode)
One thing I noticed when I was playing around with C1 was the difference in how it rendered RAW images, particularly with red tones.
This morning I actually spent a few minutes evaluating DPP, C1, Aperture, and LR5 RAW conversion with a few recent photos from Paris that had some serious red tones in them. No adjustments were applied to any of the images.
Notes:
- The app used is in the title bar of each image... from Left to Right: DPP (Faithful), DPP (Standard), Aperture, C1, LR
- DPP is Canon's software, so ought to reproduce the RAW file the most accurately of the bunch. I used the "Faithful" picture setting for the first image in each series which offers no adjustment, and then used the "Standard" picture setting for the second image in each series which shows how Canon likes to render their JPEG images for reference.
Comments (to my eyes):
- Aperture is significantly more saturated than the DPP Faithful or Standard but a bit towards orange
- C1 is less saturated and offers slightly better contrast and detail (see the design on the coat in the 2nd series) - it looks great in the shade, but I don't like the look in the sun
- In the two shade shots, Aperture and C1 look closest to Canon's standard JPEG setting
- LR is saturated to a similar extent as Aperture but towards magenta to the point it almost looks a bit purple
- Most people probably wouldn't know the tones were off except in a side-by-side comparison.
- I'm actually amazed at how much different there is between RAW conversions.
Here's the results. Click through for larger sizes...
Shot 1 by Virtual.Rain, on Flickr
Shot 2 by Virtual.Rain, on Flickr
Shot 3 by Virtual.Rain, on Flickr
I'll do some more comparisons later in the weekend if I get some time.
(EDIT: Updated the images to include a DPP RAW rendered in both "Faithful" and "Standard" picture mode)
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