Pffff.... You don't need a Mac Pro for pro audio. Logic can't even use more than two cores. Right? Right!?!?!
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Windows 7 is lovely. A lot of the creative stuff runs as good or better on Windows 7 than Mac OS X these days. Adobe and Avid products have come a long way on the Windows side.
If you do not need Final Cut or Logic, a 6-core Windows 7 machine is rather appealing these days.
Understandable.Well, my thinking is I would like this for a Macbook Air. I've been thinking about switching from my Macbook Pro to an Air, but the lack of GPU power is making me second guess that. A display with a higher end GPU would solve that problem when I'm tethered to it (which is probably when I'd be doing my most intense work anyway.)
My Mac Pro does a great job now, but it would still be nice to have a display I could plug into in my bedroom in case I have company over or something and can't use my home office. Or, if I'm at work, and I need a machine that's light enough to haul around for meetings/notetaking, but takes a jump in performance when I sit back down at my desk for coding.
Think Duo Dock.![]()
Hi...if you think the Mac Pro is dying, or at least that the high-end PCI-supporting-mac is dying, then you just plain don't understand WHO THE MAC PRO IS FOR....
Hi
The Apple of the last decade (ending 2010) is a thing of the past, and the Apple going forward from now doesn't feel it needs to concern itself with the workstation-using professional workflows of the past.
As of 21st June many tens of thousands of Final Cut Studio using businesses were just abandoned in an instant
Apple in the future feels it can redefine its own 21st century professional workflows - ones appropriate to its new "the truth is in the cloud" mobile-device user-empowering identity - and as the world's biggest company (give or take) who's to say their business planning isn't right? For them...
With Steve Jobs stepping back from the helm, I guess he's decided that the forward planning for his company in the future is now set in place.
Don't expect your legacy high-end resource-hungry audio production workflows to be in any way a part of that future.
You may think its good business to support such high-end big-spending professional users, but Apple have demonstrated their changing focus and their complete happiness to leave such business to other parts of the industry.
FCP X is definitely focussed on future professional workflows - but ONLY in as much as it fits in with Apple's future iPad/iCloud/iTunes Store ecosystem. I can't see any way in which professional music production won't similarly get a complete Apple ecosystem workover...
Here's a Steve Jobs quote:
"Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. ...someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition."
With Steve Jobs stepping back from the helm, I guess he's decided that the forward planning for his company in the future is now set in place.
Don't expect your legacy high-end resource-hungry audio production workflows to be in any way a part of that future.
Um...
All of which, of course, lead me to want a new Mac Pro - as all those complaints become much less of an issue when working with a computer that is actually MORE powerful than I need. There's a concept in audio, "headroom", that is a very apt analogy - it is possible to record audio right to the limit of what a medium can support, but what is the point? Having the ability to work with anything, without thought or worry as to overuse of resources, or having to come up with workarounds, is essential to good workflow. Can I do pro level work on my MBP? Yes, but it is A LOT HARDER, since there is so much more to think about - should I create this Aux track for 'verb, or will it crash the system? Should I start freezing tracks? Should I bounce down this comp? Do I use the better sounding delay, or the one that won't eat up so many resources? Can I use Melodyne in Plugin mode, or do I have to launch the external editor? Etc...
I've always wondered why Apple never catered to engineers and technical designers with such items as Solidworks/CATIA/ProE
I wonder if Bootcamp 'solves' that
I've always wondered why Apple never catered to engineers and technical designers with such items as Solidworks/CATIA/ProE
I wonder if Bootcamp 'solves' that