Blue Velvet said:OK, my 2 cents... no to the ampersand being yellow. Why put such a strong visual emphasis on an ampersand?
The first thing I immediately noticed was that the top line doesn't look centred even though it may be as measured by a ruler. The amount of negative space to the right of the K outweighs the margin to the left of the S.
The more I look at it, the more it bugs me.
nbs2 said:I have to agree with the comments taking issue with the font. The K just looks way bigger than the S...I would probably feel better if the S was a bit wider. Right now the first thing I think of is Agustus Gloop after going through the pipes - his fat got all smooshed together. Would it be unreasonable or inappropriate to try out the S&K with the same font as CPA?
But, if you compare your TNR with the original, the two are at least somewhat more balanced. I'm not denying that there will always be some imbalance (unless you use terminal...hmmmm), but I just wonder if the two letters will demand something that provides more balanceArnaud said:The problem is that K's are often bigger than S's, especially in bold and more classical fonts with serif... The font of CPA might give the same disbalance! (Compare the P and the C for instance).
S&K
(In bold Times New Roman).
dogbone said:This is the final version. There was much agonising over how to deal with the ampersand.
Arnaud said:On the other hand, the ampersand in yellow would pull the attention to 1) the ampersand, 2) the "accounting solutions" and finally 3) the "S" and "K", hence the name. Isn't it a little backward order![]()
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dogbone said:How about this, I think it is an improvement. I'm never going to be able to do anything about the extra neg space to the right of the K unless I don't use an eclosing box.
dejo said:If you want to draw the least attention to the ampersand, I'd suggest making it white, the same color as the S and K. That way it is blends in and is "camouflaged" by those letters.