johnnyjibbs said:
It would be interesting to make a CD of one song, but with each track in a variety of bitrates (as someone mentioned earlier) - e.g. AIFF, Apple Lossless, 192 MP3, 128 MP3, 128 AAC, 192 AAC, 320 AAC, etc - shuffle them around and then ask an "audiophille" which one is the AIFF (best quality). I bet you 9/10 times they wouldn't get it right.
I agree! The key here is to do a blind listening test. Anything else is inherently biased. Why? If you go through and listen to a song at 128kbps, 192, 320, lossless, and know which one you're listening to, your brain will trick itself into thinking the higher quality ones
sound better. I found this to be true when I was first trying to determine my optimal bitrate. I complimented myself on the great ears I must have, to hear all those subtle differences.
Then I did a blind listening test. For each bitrate, I converted it back to AIFF. Then I wrote a little program to randomly pick one of the compressed/converted AIFFs along with the original source, and randomly name them "A" and "B". Then it randomly made a copy of one of those and called it "C". I had my program keep track of which was which, but you can just have a friend do it in the Finder while you're not looking. Then I listened to all three AIFFs (A, B, and C) and tried to guess which was the original and which was in there twice.
I found the 128 kbps AAC stumped me often but not always. With 160 kbps, my answers were no better than random guesses. This is with a good pair of headphones, but no audiophile stereo. So that's what I use, and my 370-CD collection takes up about 23.5 GB. Perfect for my 27.9 GB iPod.

This was after I was
sure I could hear a difference between 320 kbps and the original! Guess I was wrong. I mostly listen to my iPod in the car, and I couldn't be happier with the 160 kbps. I've never had a problem with the quality of my iTMS purchases either.
If you really want to choose the best bitrate, I suggest you go through this procedure. Pick a few songs you love and really know well, preferably from a few different genres. Try to listen on the equipment you'll be using most, as that definitely makes a difference too. Perhaps if I had a really good stereo, 160 kbps would have audible flaws, but I guess I'm happy being ignorant.
