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A Leica MP for me with the Summilux-M 50 mm f/1.4 lens (I aspire to be like Cartier-Bresson someday.)

1584.jpg
 
I had $166,000 -- sadly, selling my body on the weekends didn't work out :p

Yeah, I would have around that, but I've got "top honors scholarship" that pays half. :| They only give athletes full rides. Isn't that a crock? At an art school!:mad:
 
A Leica MP for me with the Summilux-M 50 mm f/1.4 lens (I aspire to be like Cartier-Bresson someday.)
Yes, that really is a thing of beauty!
Many moons ago, one of my first film cameras was a second-hand IIIg with an f2.8 (I think!) Summicron lens. In spite of its age it was still superb in every way.

Happy memories!
 
1d mIII, 500mm L f4, 1.4x convertor, 24mm f1.4, wouldn't mind the 400mm DO and 70-300mm DO (just to see what they were like)

probably would get a series of L zooms, but not sure which ones, have just bought the 17-40mm and have use of the 24-105mm and 70-200mm f2.8 IS
 
It depends, right?

Unless you mean an unlimited amount.. Then I would indulge my dream of trying out large-format photography.

Large format isn't expensive. Anything over 35mm will give outstanding results (since the next step is already in the 6x... realm. You can buy a 4"x5" camera for cheap, and use a d-slr as a lightmeter.
 
The only things that irritate me about my current D70/lenses are:

• Water resistance.
• Size.
• Lens speed.
• Chimpability of the 1.8" screen.

Sometimes noise, but really I like the grainyness.

What does drag is the speed of post processing in aperture on my stock mini. As such a faster computer, a water-resistant body and a couple of lenses, and something small would be the order of the day. Compacts are pants for me because of the MASSIVE DOF as a result of the small sensor, more so than the noise.

I guess a D300, some fast primes and a 70-200 f/2.8 would be nice. Maybe a small E-410 olympus and 25mm pancake would be small enough. I'd also add a decent flash, probably the SB-600 to the nikon kit, a solid, light tripod, filters and a big printer!

Oh, yeah, and a studio...
 
Lots of interesting items in this thread ... my needs are somewhat more modest.

I'd like a new 40D.
An EF 50mm f/1.2
An EF 16-35mm f/2.8L super wide angle
An MP-E 65mm f/2.8 Macro
An EF 70-200mm f/2.8
An EF 24-70mm f/2.8
A new tripod
A macro ringlight flash

and a few bits and pieces ...

nothing much :)
 
How about $200k? (med school is so expensive nowadays)

Oh, I know. My girl is in med school. :) (Or should I say :()

But at least that career will help pay off the loans.
I mean, I think I'm pretty good, but I've got a lot more to learn, and the pay is not nearly as good starting out-- no matter where you start.
 
If somebody gave me any of the white Canon lenses, a really big smile would come on my face.

The funny thing is, if I told my wife I got one of these gems for half price, the sticker would still get me a life sentence............
Take a look at a whole bunch of white lenses. Please note that this is a sort of joke, since the lenses are all Canon, except for one or two (the black ones may be Nikon):
http://www.slrclub.com/bbs/vx2.php?id=work_gallery&no=435970

I had to post it, because it's quite funny.
 
  • A second 5D
  • 24L
  • 45 TS-E
  • 50L
  • 85L II
  • 135L
  • 200L (2/IS)
  • 300L (2.8/IS)
  • and a lot of lighting equipment.

Yeah, that would be real dreamy.
 
See if I had unlimited money I'd hire a photographer....

But in all practicality, probably a 5D and a 40D and then all the lens.
 
Probably a D3 and use my D200 as a back up. I'd also add some lenses and expand my strobist setup + add a real studio at home.

If there is no limit to the budget I'd just let Nikon engineer a one-off D300 with the FF sensor from the D3 in it.
 
Canon 5d II (unreleased, of course), and some nice new EF lenses. Nice and light for working out in the field. Honestly I'm pretty happy with my own setup, but it's always fun to dream about what's next.
 
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