...for people with obsessive compulsive disorders.
ha, I get that feeling sometimes
...for people with obsessive compulsive disorders.
You really believe that skill, subject matter and equipment mean nothing?
I'm guessing that's for the minimum DOF you need. You don't want to shoot wide open for journalism?I don't quite get the 'f8' part about photojournalism..
Anyone care to explain?
I don't quite get the 'f8' part about photojournalism..
Anyone care to explain?
I once read a quote from one of the great street photographers - Henri Cartier-Bresson perhaps - who was being challenged by a non-photographer. The non-photographer was adamant that "being lucky", that is, being in the right place at the right time was all that was needed. The photographer agreed - that you had to be in the right place at the right time - and added that it was amazing how often the good/professional photographers got lucky.
Sorry to be so vague with the quote (perhaps someone can attribute it?) ... I'm not at home and can't check my books for the quote.
The original question can be/should be reworded though. I think there needs to a distinction between Good Photography, and Not Good Photography. And of course this is a spectrum of possibilities from one to the other.
Good Photography is at least 90% passion and dedication. I can show you 'knock your socks off' photographs made with a homemade pinhole camera, or a 30 year old Polaroid camera with a plastic lense.
Not Good Photography (and I would classify a lot of professional photography here, its not necessarily "snap shots") is about efficiency. Its about getting as many competent shots for the least amount of time and money. In this case its about equipment. Think about department store portrait studios. I don't think there is a lot of passion there.
One of things I am most thankful for is that I run a photo gallery on the Canadian West Coast, in a community full of very good and very dedicated photographers. Photographers who are very generous with their time, help and insights. I get to look at, discuss, and help create some amazing images. For me, Photography is... my life.
That's a really good quote..
And may I ask where on the west coast is the gallery you run?
gear is crucial - otherwise you could take any image with any camera, which you definitely cannot. Want to make a 2 meter gallery print of a construction site - try doing that with a 400D. want to shoot racing cars, not going to happen with a view camera. So a good photographer has to understand advantages and limitations of equipment, and choose based on that, even down to the right lens. The art and craft and creativity of photography relies on equipment, it is after all a technology based medium - so 70% gear, 30% skill and creativity [although i have not broken that down to factor in the importance of understanding the equipment].
Equipment matters... of course it does. But obsessing about equipment is, IMO, a creative cul-de-sac.
Yes, a pity about those canucks..
Salt Spring Island is a very beautiful place, and I often enjoy trips out to that region..
Who knows, maybe one day I will wander through your gallery doors
See, I'm ambivalent about that. I was shooting a dance show in very poor light last Sunday, using both my D300 and D80. I had planned to leave my 24-70 f/2.8 on my D80 while using the 70-200 f/2.8 on my D300, but by the end I simply found myself rotating the lenses on my D300 because, at ISO>800, the noise difference between the two bodies is ridiculously apparent.
Honestly, I feel great about my equipment right now and don't see myself desperately needing anything that costs more than 100 bucks for a while. But saying that equipment matters 1% is the teeniest bit egotistical. When you're shooting people dancing/singing/movingwithspeed inside without flash, having a good camera body becomes important.
My photography teacher made a joke about photojournalism once:
90% showing up
8% f:8
2% skill and everything else
Of course it wasn't meant to be disparaging to photojournalism. It was just to show how important unexpected shots tend to be to any given photojournalist's body of work.
The good aspect is that I can buy their surplus gear on eBay - second-hand yet barely used.
Yes, Salt Spring is quite nice. We started off by visiting (from Vancouver) - then visiting more often - then before we knew it I forgot to go back to Vancouver.
I don't know if I'm allowed to promote the Gallery in the forum - but Google Galleons Lap and Salt Spring - hint hint. If you are on the island, call or email first as I'm keeping "Salt Spring Hours", which basically means I open when I'm expecting visitors, or when I feel like it. There are some photo shows coming up at ArtSpring (the community arts centre). One show in June ,and the other in August - if you want details let me know, but its a great excuse to visit the island - there are some internationally known photographers who will be showing. I always have photos on the walls of my Gallery.
This is an interesting thread. I think there needs to be distinction made between "Art" photography, and "Commercial" photography. The first is photography one creates, then hopes a client will buy it. The second is photography that the client wants, that they hope you can create. And of course, there can be a lot overlap. Hmmm.