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Being neutral or flat certainly is not the be-all-and-end-all for studio monitoring (NS10s, anyone?). What's important is not how the monitors sound - it's what they make you do. ;)

Exactly, that's my point. My DM303s are not exactly the greatest speakers ever made (although I swear by them when on a very low budget). I do much better mixes on them than I do on other speakers.

NS10s are the perfect example. A HiFi buff laughed at me once when I said I might get some (still want some), he said "Why would you want speakers which are often used with tape over the tweeter to make them sound better?". :rolleyes: The industry has become obsessed with getting the specs perfect...
 
You could probably send your amplifier into oscillation with that EQ. I would really recommend changing that to something a lot less dramatic.

You mean distortion. It wouldn't be the amp, but in fact the output. Also don't forget that on a Mac, rather than the sound distorting, it's more just compressed. Still sounds appalling though...

I'd take the pre-amp down to about 50% of what it is at the moment.
 
Exactly, that's my point. My DM303s are not exactly the greatest speakers ever made (although I swear by them when on a very low budget). I do much better mixes on them than I do on other speakers.

NS10s are the perfect example. A HiFi buff laughed at me once when I said I might get some (still want some), he said "Why would you want speakers which are often used with tape over the tweeter to make them sound better?". :rolleyes: The industry has become obsessed with getting the specs perfect...

I should point out that it was only the original NS10s where you had to do that , the later "studio" models were revised. It's a shame they're no longer made. Horrible sounding things, but incredibly useful. :)

On a side note, this thread inspired me to load up iTunes' graphic EQ and have a fiddle - and my goodness, it sounds bad! :eek: I would certainly use it only to cut, not boost.
 
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