Oh right! Wow, what a slip. It's been a while since I've been in the studio as you can tell.You mean Yamaha NS-10s. Sony haven't made a decent pair of speakers for 40 odd years. The last 'good' speaker they made was a re-badged B&W.
Oh right! Wow, what a slip. It's been a while since I've been in the studio as you can tell.You mean Yamaha NS-10s. Sony haven't made a decent pair of speakers for 40 odd years. The last 'good' speaker they made was a re-badged B&W.
Being neutral or flat certainly is not the be-all-and-end-all for studio monitoring (NS10s, anyone?). What's important is not how the monitors sound - it's what they make you do.
You could probably send your amplifier into oscillation with that EQ. I would really recommend changing that to something a lot less dramatic.
Exactly, that's my point. My DM303s are not exactly the greatest speakers ever made (although I swear by them when on a very low budget). I do much better mixes on them than I do on other speakers.
NS10s are the perfect example. A HiFi buff laughed at me once when I said I might get some (still want some), he said "Why would you want speakers which are often used with tape over the tweeter to make them sound better?". The industry has become obsessed with getting the specs perfect...