Any recommendations for slide/negative scanners? Looked on Ebay and see a wide variety of prices. Main thing I want to scan are color slides and B&W negatives. All 35mm.
How many will you be scanning? Suggestions are going to depend on that.
Probably less than 100 slides and 200 or so negatives. If I ever print drom the scans I doubt that I will go above 5x7.
Are you thinking I'm better off sending to a scanning service?
Probably less than 100 slides and 200 or so negatives. If I ever print drom the scans I doubt that I will go above 5x7.
Are you thinking I'm better off sending to a scanning service?
Probably less than 100 slides and 200 or so negatives. If I ever print drom the scans I doubt that I will go above 5x7.
Are you thinking I'm better off sending to a scanning service?
Any recommendations for slide/negative scanners? Looked on Ebay and see a wide variety of prices. Main thing I want to scan are color slides and B&W negatives. All 35mm.
If you can find one: The Minolta Elite II is a legend. But it costs second hand the same as new back in the days. I experience much better dust removal than with the Nikon ones, which IMO is quite important, as you want as little aftercare as possible.
It produced gorgeous 5400dpi 16 bit files.
That is quite a testimonial. I have the Nikon CoolScan 5000 and with the 4th light source... it essentially eliminates all dust, fingerprints, and even scratches.
Prior to the Nikon, I had an HP photosmart scanner and it was nearly impossible to use. I had one of those radioactive brushes to reduce the ability of dust to stick to the negative, plus filtered canned air, plus white lintless gloves... and still, the scans came out with specks all over. It was especially bad with dark backgrounds. A black background would look like a "star trek star field".
With the Nikon, and with the extra UV light source, plus ICE4 (or whatever it is called)... I get essentially zero artifacts. I don't bother with any of that crap anymore (except some canned air for really bad items)... and I dont wear gloves, or ever try to keep my fingers off of the emulsion. It just works.
BTW: For anyone considering the Nikon... you probably need to buy VueScan software, as I do not think the older supplied software from Nikon work anymore on newer OSs.
Back to my original comment... I would love to try the Minolta because it must be fantastic... but I would also not disuade anyone from going the Nikon route either.
When I first bought my Nikon Coolscan... I was looking at multiple other options. I came to the conclusion that for the amount of work that I had... buying a crap flatbed with illuminated cover would be horrible. I already knew that a cheap consumer slide scanner (HP Photosmart) was impossible to use with good results (i.e.: ton's of photoshop cleanup on every scan)... and I was in a quandary about what to do. I finally realized that by buying a very expensive pro-model scanner essentially was free... as long as you could afford the initial purchase price... because the resale market was so strong. When I originally paid (I think in the $1200-$1500 range)... the new vs. use pricing was within $100 because supply was so limited. Once Nikon discontinued production (as did just about everyone else), then the price skyrocketed. This is the first piece of electronics that I will actually make money on... so the total cost was "less than free". I would guess that I am about $1K to the good.
/Jim
Nikon Coolscan was king of the hill in its day even though a couple of other makers had as good if not better film scanners (Minolta 5400 and 5400 II as well as their medium format able version and one of the Polaroid scanners that was properly tweaked). These all sat at prosumer level and to this day are used in some labs (Coolscan).
I think the software worth investigating is Vuescan and Silverfast. The latter is a far more polished software but Vuescan gets you right into the mix very quickly. As for dust suppression - it is a mixed bag given that ICE and others can do a great job at the cost of some 'visual sharpness.' These dust removers should be played with until you get the right combination that works for you with suppression and 'visual sharpness.' For me, I tend to go light or not at all on dust suppression and spend the time doing the removal in a post file software such as Photoshop. It can be time consuming but I use the time removing spots as time to think out what things I may do to adjust or modify the image (contrast, luminance, various layer related items and of course - colour correction). - Thinking out steps often leads to gaining an understanding of logical order of corrections/changes.
Plustek OpticFilm 8100.
$300, 3800 dpi (and that's a true 3800, not an inflated number like all flatbeds).
Drawbacks are that you have to manually load each frame (from a 6 frame holder), and it doesn't have dust/scratch removal. But if you use a rocket blower, dust wont be an issue.
It's the scanner I use for all of my 35mm work (I'm 100% film; 35mm and medium format).
Probably less than 100 slides and 200 or so negatives. If I ever print drom the scans I doubt that I will go above 5x7.
Are you thinking I'm better off sending to a scanning service?
I think the software worth investigating is Vuescan and Silverfast. The latter is a far more polished software but Vuescan gets you right into the mix very quickly. As for dust suppression - it is a mixed bag given that ICE and others can do a great job at the cost of some 'visual sharpness.' These dust removers should be played with until you get the right combination that works for you with suppression and 'visual sharpness.'...
Don't buy a scanner for such a small job. Send them to a scanning service. They will use very high-end equipment and charge well under $100 for the entire job. Also, you can NOT expect this to be 100% automated. You need to LOOK and CORRECT each scan
...
Only two reasons to buy a scanner (1) you need very fast turn around on one of two images and can't wait for a scanning service. (3) you don't have a job or anything else to do and can spend days on end doing what will become a boring and repetitive task.
Don't buy a scanner for such a small job. Send them to a scanning service. They will use very high-end equipment and charge well under $100 for the entire job. Also, you can NOT expect this to be 100% automated. You need to LOOK and CORRECT each scan
Also it is NEVER worth your time to do it yourself. Each slide or negative needs to be handles and at leas some minimal corrections done in Photoshop.]
I second this proposal, the Plustek 8100 is a great scanner, though slow if you intend to scan large quantities of negatives / slides.
If I were you'd I'd use a bulk scan service. As Phredd says, there are a few than can provide decent scans at a good price and don't send to India. If it is not going to be an ongoing thing for you, then the hassle and cost of getting the machine, setting it up, learning the scan software (getting a good scan is a nontrivial exercise), etc. is not worth it.
Why do people fare India? The cheap services in the US are more risky because they use autometic feed machines. These can and do jam. The scan cafe service in India uses hand feed which never jams and crunches the film.
Also because of the cost of labor is low they can afford to have a person look at each and every images and correct it for color balance, straitening and to remove some of the dust and scratches. This hand work is always needed but you don't get it with automation.
If you are worried about loosing slides in the mail, that is likely were they will be lost, in the US mail so do NOT use a US based service unless it is local and you hand deliver the package
If you only have a small batch of 200 images, don't even think about buying a scanner. It is not worth it. Any service will do this for way less then the price of a scanner and do a better job than you can. (yes unless you have a long experience in this, the technicians in India are going to do a better job and they use better equipment.)
That is quite a testimonial. I have the Nikon CoolScan 5000 and with the 4th light source... it essentially eliminates all dust, fingerprints, and even scratches.
With the Nikon, and with the extra UV light source, plus ICE4 (or whatever it is called)... I get essentially zero artifacts. I don't bother with any of that crap anymore (except some canned air for really bad items)... and I dont wear gloves, or ever try to keep my fingers off of the emulsion. It just works.