Using Premiere and After Effects on the new Mac Pro has been a real wake up call for me, as neither one has seen any real major advantages over my 2017 MacBook Pro, which is sort of insane.
Premiere has been a problem ever since Al Mooney left a few years ago. Between 2011 and 2016, right after the collapse of FCP, Al whipped Premiere into an extremely viable alternative. Updates were bold and aggressive, with each new release seeing powerful features that we NEEDED, in order to capture the market that FCP had sway over. But since he left, Premiere has mostly stagnated, especially in performance.
Now what other company right now is boldly progressing its NLE each year? What other company is hungry for growth? Black Magic. I and every other editor I know is eyeing Resolve. Resolve takes the best of both worlds: the slick interface of FCPX, combined with the open architecture of Premiere/FCP7. Moreover, Da Vinci Resolve isn't some new kid on the block; it has been used to grade video for decades, and thus has a very solid, stable foundation for efficiency. Add to that the absolute best color grader in the world, and the switch is a no-brainer.
Yes, FCPX is insanely stable and reliable on a Mac, but for me, it still doesn't cut it. For instance, I recently imported an MTS file that looked great in Premiere and Resolve into FCPX, and it looked terrible: washed out and desaturated. I played around with the CC and the controls were pretty bad. Why would I use this rather than Resolve, which is going to get it right the first time, and if it doesn't, will give me much finer control in doing so? I also still dislike the closed architecture and to this day I hear nightmares about how badly it collaborates, particularly in audio.
I feel like this NAB is going to be HUGE for the direction of many editors. If Resolve 17 is a knockout, and Premiere is business-as-usual, expect much migration.
As for Photoshop and Illustrator, I feel like there's viable alternatives on the market, but the question is can they be used while working with other companies?
As for After Effects, we're screwed. There's really no other good options. Render Garden helps, but the situation is ridiculous.
Thus, I feel Adobe is safe is some regards, in danger in others. The major problem with their subscription model is it forces them to release two major updates a year, and often these updates are worthless, buggy and laggy. I would MUCH rather have less frequency with more meaningful and stable updates, as I'm sure most people would. But does the corporate business model allow for it? Can they even do a much needed re haul of these programs under it?
Premiere has been a problem ever since Al Mooney left a few years ago. Between 2011 and 2016, right after the collapse of FCP, Al whipped Premiere into an extremely viable alternative. Updates were bold and aggressive, with each new release seeing powerful features that we NEEDED, in order to capture the market that FCP had sway over. But since he left, Premiere has mostly stagnated, especially in performance.
Now what other company right now is boldly progressing its NLE each year? What other company is hungry for growth? Black Magic. I and every other editor I know is eyeing Resolve. Resolve takes the best of both worlds: the slick interface of FCPX, combined with the open architecture of Premiere/FCP7. Moreover, Da Vinci Resolve isn't some new kid on the block; it has been used to grade video for decades, and thus has a very solid, stable foundation for efficiency. Add to that the absolute best color grader in the world, and the switch is a no-brainer.
Yes, FCPX is insanely stable and reliable on a Mac, but for me, it still doesn't cut it. For instance, I recently imported an MTS file that looked great in Premiere and Resolve into FCPX, and it looked terrible: washed out and desaturated. I played around with the CC and the controls were pretty bad. Why would I use this rather than Resolve, which is going to get it right the first time, and if it doesn't, will give me much finer control in doing so? I also still dislike the closed architecture and to this day I hear nightmares about how badly it collaborates, particularly in audio.
I feel like this NAB is going to be HUGE for the direction of many editors. If Resolve 17 is a knockout, and Premiere is business-as-usual, expect much migration.
As for Photoshop and Illustrator, I feel like there's viable alternatives on the market, but the question is can they be used while working with other companies?
As for After Effects, we're screwed. There's really no other good options. Render Garden helps, but the situation is ridiculous.
Thus, I feel Adobe is safe is some regards, in danger in others. The major problem with their subscription model is it forces them to release two major updates a year, and often these updates are worthless, buggy and laggy. I would MUCH rather have less frequency with more meaningful and stable updates, as I'm sure most people would. But does the corporate business model allow for it? Can they even do a much needed re haul of these programs under it?
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