panoz7 said:The background to the business cards is actually part of that flower image. I really want to link the two but I can't seem to get it to work out right. More fiddiling is in order I guess.
I got that they were linked. It doesn't matter that you can't "get" what the picture is in the card. It's an abstraction, so it's OK. The unifier is the abstract nature of the image and the typography. Also, I know someone else in the thread said they liked the color version of the card. (I said I liked the grayscale background.) Another reason for the grayscale card is that a commercial printer can produce it in two inks: black and green. The other would require a at least four-color process, and likely a fifth color of the green (that is, if you really want it to pop). Lots cheaper to go with the grayscale. BTW, if you're planning to print them yourself, don't. Cards are cheap a couple hundred bucks for two-color for hundreds of them and they so much better. You don't want you're calling card to say "cheap."
I have had no design training at all. Its really a shame. I didn't appreciate art as much when I was in high school. I think I only took one true art class in high school... and it was required. That's the extent of my formal training.
Design isn't about art. It's about presentation of information. Some artists are wonderful designers, but it doesn't have to be that way. So, I wouldn't worry about the lack of formal training.
I'm a science person (or at least I was). I'm currently a Biomedical Engineering major at Carolina. Lets just say my schedule doesn't leave much time for an art class, or really anything beyond physics, chem, calc, and bio.
My interests have been changing, and recently (at least with finals coming up) I've become disgusted with what I'm studying and really have no true interst in pursuing a career in science any further. This is really strange for me. It used to be I enjoyed spending my free time reading about science and working physics problems (heck... I even learned lightwave just so I could model an engine and learn the physics behind it). Nowadays I'd rather spend my time drawing or taking pictures.
I'm also a science guy. It helps me when doing medical illustrations and science pieces. It's great when I go talk to some scientist at Duke about genetics or cellular biology and they assume that I'm going to be some idiot, and I understand the basics of the subject and how his research fits into it. LOVE lightwave. I started picking it up about a year ago.
I'm thinking of applying to the design school at state. I've heard its very hard to get into and I'm really doubting that my work is good enough. The whole process is kind of intimidating to someone with no formal art experiance.
Go talk to a professor in the program with a selection of your five best clips. See what they say. Experience means a lot, but so does raw talent. If you'd like, you can send me some clips and I can critique. (You can IM me files. I'm MrDrennan on iChat (and AIM).)
I really want to learn indesign and illustrator this summer. I'm usually pretty quick at learning computer stuff, so hopefully it won't be that bad.
Yup, you've got to know the entire Adobe suit through and through. Quark Xpress wouldn't hurt, although it's becoming outmoded. Don't worry about speed yet, only mastery of at least 80 percent or so of what the program can do. Speed comes later. I reread the manuals of all my industry standard aps at least once a year. That helps ensure that I remember the capabilities of the programs when I need to use a super-obscure feature. But, then again, I'm a dork.