I agree and disagree with this - I don't think turning a RAW image into a JPG is really that complex, but I do think that it's pointless to shoot in RAW unless you are going to seize the opportunities to turn images that are very close to being good exposures into great ones in post.
It's not complex, but if you shoot RAW, iPhoto is definitely the wrong tool for the job. You
need more complex software. With jpg, you can grab the file and mail it to friends right away. You can connect the camera to your aunts computer and she can directly see pictures of her nephews.
If people shoot RAW, because they are afraid to `lose' something (but don't really know what) and because they think, they could have magically saved that one picture if they had shot in RAW, then perhaps they should start shooting jpg. And there are times when people who usually shoot RAW switch to jpg (e. g. when they want to photograph a longer sequence of photos and dslrs can buffer a lot more jpgs than RAWs).
Wakakanada: If you have a 8GB or 16GB SD Card, I would suggest shooting sidecar (each time you take a picture, you produce one RAW image and one "identical" JPG that's been processed by the camera). Import your JPGs into iPhoto. If you are happy with how they look, or are happy after using iPhoto's editing tools, then you don't need Aperture or Lightroom. If you're unhappy and wished you had the ability to modify things that iPhoto is incapable of changing, download the trial versions of A2 or LR2, import your RAW files, and play around with your images that way.
I don't think that's a good suggestion, it's a `shooting RAW feels safer'-type argument. A big chunk of my library is in jpg and Aperture handles it beautifully -- shooting RAW vs. jpg has nothing to do with whether to use Aperture/Lightroom or not.
My first dslr (an Olympus E-20) was way too slow to shoot RAW, so I did not have any experience shooting RAW when I got my D80. Even then, I started out with jpg and experimented. In difficult lighting, I switched back and forth and finally I think I have an intuition in which situations it matters and in which it doesn't (e. g. shooting RAW gives you a lot more headroom correcting the white balance and skin tones; the differences are very subtle and if I didn't have calibrated screens, I probably couldn't tell the differences anyway). And since I have owned slrs (analog ones) before, I knew how to operate the camera and compose (not saying I'm a good photographer
).
IMO people should start learning their tools first and add complexity
bit-by-bit. If you have just gotten your first dslr, you have enough on your hands as it is.