This thread needs a little light.
Going back to the original question - yes, Aperture SUCKS for sharpening, that's why digital photographers use Photoshop or a companion product - Noise Ninja, or whatever tool you like. Aperture is NOT a digital darkroom, if you think of it like a digital light table and organisational tool, and just one part of your digital photography workflow, you'll find it operates exactly as claimed.
Reviewers have been pretty careful to point out to readers that neither Aperture or Lightroom replace Photoshop, and Apple is also clear on this point, so I'd say this is a case of caveat emptor.
Making the transition from film to digital is greatly aided by a serious film photographers' understanding of the underlying physics and chemistry of their craft. However, they must be willing to learn the new lexicon of digital imaging and integrate it with their existing knowledge - and their is a lot to learn even for seasoned film pros.
File formats are the film emulsions of the future. Understanding what different formats mean, how colour and print management works are the darkroom fundamentals of the future. RAW files, though wildly varying in exact specification, are meant to stay unchanged - the modern-day analog to a film original.
You must remember the first law of digital image processing - any change to the original data is destructive. Any image you produce from the RAW file will be a subjective product of the original data. Sharpening is an entirely arbitrary process - there is no such thing as a universal "properly" sharpened image - every unique usage will require unique processing. This principal should be familiar to film photographers who, after all, had to do the same thing with their old photochemical process.
Isn't that the first law of ALL photography - get it right in the camera?
Keep learning!
dmz
Going back to the original question - yes, Aperture SUCKS for sharpening, that's why digital photographers use Photoshop or a companion product - Noise Ninja, or whatever tool you like. Aperture is NOT a digital darkroom, if you think of it like a digital light table and organisational tool, and just one part of your digital photography workflow, you'll find it operates exactly as claimed.
Reviewers have been pretty careful to point out to readers that neither Aperture or Lightroom replace Photoshop, and Apple is also clear on this point, so I'd say this is a case of caveat emptor.
Making the transition from film to digital is greatly aided by a serious film photographers' understanding of the underlying physics and chemistry of their craft. However, they must be willing to learn the new lexicon of digital imaging and integrate it with their existing knowledge - and their is a lot to learn even for seasoned film pros.
File formats are the film emulsions of the future. Understanding what different formats mean, how colour and print management works are the darkroom fundamentals of the future. RAW files, though wildly varying in exact specification, are meant to stay unchanged - the modern-day analog to a film original.
You must remember the first law of digital image processing - any change to the original data is destructive. Any image you produce from the RAW file will be a subjective product of the original data. Sharpening is an entirely arbitrary process - there is no such thing as a universal "properly" sharpened image - every unique usage will require unique processing. This principal should be familiar to film photographers who, after all, had to do the same thing with their old photochemical process.
Isn't that the first law of ALL photography - get it right in the camera?
Keep learning!
dmz