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Re: Re: Acid?

Originally posted by ChrisH3677
I looked at Acid a few times in my Windows days but it just confused the crap out of me. I found it very difficult to learn ditto Fruity Loops. I could never get anything decent out of any Windows music app.

personally, i think Acid is very simple and easy to use (except for the MIDI sequencer, which is awful and not worth bothering with). it pretty much does one thing, though they're starting down the slippery slope that Cakewalk (RIP) followed, wanting to be an end-all one-stop music app.

on the other hand, Fruity Loops is very complex and can be difficult to understand, but i never feel that it has a case of featuritis. and it does manage to be everything and the kitchen sink when it comes to making music under Windows, and it's really annoying that there's not a true FL alternative on the Mac. Reason is not an alternative to FL. you can't use VST synths or your own effects in Reason, for example. i've been using FL for a long time on the PC and still don't know everything about it. it gets a lot of flack, maybe because it only costs $99, but there's no difference in using Reaktor in FL and using Reaktor in Logic, except for elitism amongst Logic users.

i would even suggest that FL is a lot more complex than Live or Reason, which i also own and use. it takes a lot of audio apps to get things done, on either platform.

if anyone here is a Nine Inch Nails fan, just keep in mind that Trent Reznor (die-hard Mac user) and some of his bandmates bought PCs during the recording of The Fragile to run applications that don't exist on the Mac.

http://www.9inchnails.net/remix-files/keyboard_mag.htm

platform loyalty is no different from political loyalty, really, it just takes away options that might actually work pretty well for you. that's not "PC propaganda."

With GarageBand I didn't even need a manual. And I'm creating better music than I've ever been able to.

but but but... you're not really creating music, you're just picking loops that sound good together. it's sort of like clip art. the people at Apple, Sonic Foundry/Sony, or wherever have gone to great lengths to make sure that you can pretty much put together any combination of loops and have it sound good. when i got Acid 2 back in like, 1998, i told my roommate that i wanted to show him this new software... he sat down, with no prior musical experience besides a huge CD collection, and put together a pretty decent track (as far as clip art goes) in about five minutes.

this is not a criticism of Garage Band (or a criticism of the thread's author, who actually did a pretty cool thing with the built-in loops). i'm sure Garage Band it can be a great tool for people who are making their own music and want to quickly mock up certain loop-based compositions... but to download Garage Band and click around on the screen and put A + B + C together doesn't mean you're any more of a musician than someone who uses stock photos and calls herself a photographer. would you spend $15 on a CD if you knew that the "creator" had put it all together with sample CDs and loops from the internet? you might, because it might be something you enjoy. and i'm sure a lot of the music out there draws from such commodity sources. but it doesn't have very much credibility, nor is it what i would call "creating music."
 
Re: Re: Re: Acid?

Originally posted by 603
but but but... you're not really creating music, you're just picking loops that sound good together. it's sort of like clip art.

Yes, yes, absolutely. I'd been trying to avoid using that word (creating). I should have said I'm making better music. Although - if you listened to some of my stuff it does take some creativity to cut the loops up right.

But the next step for GB for me is using it more creatively - recording my own stuff and just using GB to color it a bit, and add drums tracks.
 
Re: Re: Re: Re: Acid?

Originally posted by ChrisH3677
Yes, yes, absolutely. I'd been trying to avoid using that word (creating). I should have said I'm making better music. Although - if you listened to some of my stuff it does take some creativity to cut the loops up right.

But the next step for GB for me is using it more creatively - recording my own stuff and just using GB to color it a bit, and add drums tracks.

i did listen to your stuff and thought it was pretty good. (i'm downloading "The First Time" right now, it wasn't there the other day when i posted.) i'm glad you didn't come back with a flame, because i meant no disrespect, and it was possible to take my comments as an ad hominem argument. i'm just wondering what Apple's got up its sleeve with this... and i'm concerned that it will turn music into even more of a commodity, just like cheap digicams have made it harder for photographers to earn a living.

doing what you're doing is actually a really excellent way to start making music. it's easy to get bogged down in the minor complexities when you're starting out - and besides, it's a lot of fun to play around with stock loops. you will know what sounds good to start with, so that when you start making tracks that only contain your own material later, you will have the ability to pick out what sounds bad. and you're absolutely correct that there is some skill involved in the pacing and cutting up the loops - i've heard some insane remixes on AcidPlanet that only used the original loops provided by a band. so, good luck with GB, and with making your own all-original stuff in the future.
 
Re: Re: Re: Re: Re: Acid?

Originally posted by 603
i'm just wondering what Apple's got up its sleeve with this... and i'm concerned that it will turn music into even more of a commodity, just like cheap digicams have made it harder for photographers to earn a living.

Sorry, but I don't think I understand your analogy. How have cheap digital cameras made it more difficult for professional photographers to make a living? It seems that their proliferation has opened up photography to huge numbers of people for whom it would have been an expensive hobby just a few years ago. That doesn't exactly infringe upon the realm of the professional, even though he or she may be tired of hobbyists beaming over their so-so snapshots as though they were all the second coming of Ansel Adams. But that's nothing new. An optimistic view may be that the ability to take dozens of pictures, pick just the perfect one, and delete the rest increases the appreciation of the amateur for the work of the professional, understanding just how difficult it is to get that single outstanding shot.

It seems to me that Garage Band is going to do something similar. People are going to fiddle around with it, combine some loops, be very pleased with themselves, and the professional musicians and composers will roll their eyes and offer faint praise through clenched teeth. But few Garage Band users will be under the illusion that they are real musicians, or that they're really creating something more than a collage of sound, and many more will gain a greater understanding of music and composition and learn just how difficult it is to create something out of nothing.

Unless you're arguing that cheap(er) cameras have created more photographers and increased competition among those who've chosen it as a profession. More people taking more pictures, but without an increase in the number of markets buying them. Which is just a hazard of any job, really. It's lousy if you're caught in it, but I don't know if it's all bad. I guess it's like saying that increased literacy is a bad thing because more people knowing how to write makes it more difficult for writers to make a living. Inexpensive software like Garage Band might do the same thing, but having a word processor doesn't make anyone a writer, iPhoto doesn't make anyone a photographer, and Garage Band doesn't make anyone a musician. All of them take talent, practice, and dedication, and the quality of the output make them stand out from any amateur efforts.

I didn't mean to rip on you or anything, it's just that your statement made me start thinking about all of this. It stood out from all of the other encouraging things you were saying and seemed a little peculiar just standing there. That, and the fact that I can't imagine music becoming any more of a commodity than it already is, or seems to be.
 
Re: Re: Re: Acid?

Originally posted by 603
if anyone here is a Nine Inch Nails fan, just keep in mind that Trent Reznor (die-hard Mac user) and some of his bandmates bought PCs during the recording of The Fragile to run applications that don't exist on the Mac.

http://www.9inchnails.net/remix-files/keyboard_mag.htm

platform loyalty is no different from political loyalty, really, it just takes away options that might actually work pretty well for you. that's not "PC propaganda."

here's the section if anyone is to lazy to find it:

"Trent's studio complex has no shortage of Macintosh computers, but PCs were integrated into the studio setups along the way. "About halfway through the album, a couple of us bit the bullet and got Windows machines," Charlie says, "because there is a lot of shareware-level audio software for PCs that we wanted to try. Programs like AudioMulch and, on the professional side, [Native Instruments] Reaktor, Generator, and Transformator, which are modular synthesizer-type situations in software that offer a different set of module choices that what you get in a Nord Modular. We also got the Pulssar audio card from Creamware, and I believe on one song we actually used the simulated Minimoog that comes with the Pulsar. We mostly used the PCs for audio processing and drone creation. Basically it was a whole new world. I mean, we didn't learn most of these programs from top to bottom; it was more like, plug it in, bring it up on the console, and see if anything interesting comes out. You know, you're putting in a vocal, and what's coming out is a small crackling sound. The PC< with all these strange shareware programs, provided just another color to the spectrum. But we still did all our sequencing and audio recording on the Macs. The Logic Audio/Pro Tools combo is a lot more evolved on the Mac, and many more plugins exist. Plus, we kept breaking our PCs' operating systems by installing audio drivers and shareware stuff, so we didn't rely on them too much."

two sides to every coin:

Nailed to their Macs
“Everybody in our camp is Mac and that’s it,” stresses Reznor, “We’ve adopted a pretty purist attitude. There have been some software companies who develop PC-only software who’ve approached us — the people who make Acid, Sonic Foundry, for one.

“It may be a nice program, but I’m not going to endorse it if it doesn’t run on a Mac, and I told them that,” he adds.

“Even if it does run on Virtual PC, I tell them, ‘Wake up and do the right thing.’” he says “With Web integration stuff, there have been companies that are like ‘use our player’ but it only runs on a Windows machine, and I’m like, ‘No, I’m not going to help the enemy.’”

“I’ve just always had a soft spot in my heart for Macs.” admits Reznor.

“Someone bought me an iMac for Christmas, and it’s just something as simple as plug-in the DV and the first time ‘Oh wow! it works.’ I mean, here I was expecting to have to hunt down a cable, but ‘Woah, it’s in the box.’ That’s what I think a lot of the PC people don’t understand,” Reznor concludes, “the pleasure of not having to worry about compatibility issues.”


from this excellent audio page:
audiohead


peace.
 
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