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baypharm

macrumors 68000
Nov 15, 2007
1,951
973
I have two cameras that I'll never part with. One is a Mamiya 7 II and the other is a Leica M3. They are both rangefinders, the first 6x7 and the second 35mm. I like rangefinder cameras, which are generally not inexpensive, but as far as I know they are not the exclusive preserve of rich amateurs.

Indeed, the Leica was made in 1956 and cost me about US$700 several years ago. I also have five Leica prime lenses, the most recent of which was manufactured in 1992.

It is far and away my favourite camera, both ergonomically and from the point of view of how the lenses work, both mechanically and aesthetically. For digital photography, I have a six year old Leica M 240, which cost quite a bit more money, but made it possible to continue using a rangefinder camera and those same lenses in a digital era.

I am so tired of people who know exactly nothing about these cameras getting on their high horse to dismiss their users as "rich amateurs".

Furthermore, what exactly is wrong with being interested in, and indeed enjoying, well-crafted tools? Am I supposed to be embarrassed because I use a beautifully made 63 year old camera that works as well as the day that it was made, and that gives me pleasure every time that I use it? Do you get your kicks from denigrating people if their cameras and lenses won’t be obsolete, if not falling apart, in four or five years?

Oh wow. The Mamiya 7 II. The best 6x7 camera ever made. I used one extensively. Just wish it had come out a couple of decades earlier. I had all 5 prime lenses made for it. Wonderful to hand hold and I ran a variety of film emulsions through it and always got the shot I was after. Made many great wall sized prints. Just a lovely camera in every way.
 
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redshifted

Cancelled
Oct 10, 2014
490
2,078
Oh wow. The Mamiya 7 II. The best 6x7 camera ever made. I used one extensively. Just wish it had come out a couple of decades earlier. I had all 5 prime lenses made for it. Wonderful to hand hold and I ran a variety of film emulsions through it and always got the shot I was after. Made many great wall sized prints. Just a lovely camera in every way.

The Mamiya 7II rangefinder focusing never worked for me. I preferred the clunky (literally) Pentax 67. I did many challenging location assignments using that behemoth and never had a problem. The Mamiya 7 always felt like a toy by comparison. The 67 ground glass focusing was so much more sure and precise. I had a waist level finder by just popping off the prism finder. You could pound nails with the 67. My 75mm Shift lens for my 67 was awesome. The only feature I liked on the 7II was the 35mm pano adapter. My 67 was a workhorse for a location pro. The 7II just never convinced me I should carry one. I took some great pics with it but I sold it as soon as I could. I miss the 67 but don't miss the 7II at all.
 
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