It’s a Collection of TRACKS, not necessarily “singles”. My point is, an album like The Wall is conceived as a coherent experience. You should really listen to the whole thing, and you can’t hear it in random order.
The singles approach is not new, you can argue that was the standard before albums were even invented. My point is not that there is anything wrong with singles, my point is that you are not getting the right experience if not listening to The Wall as a whole, whereas with the latest single from Dua Lipa, or Wham’s Last Christmas, it doesn’t matter. It can be alone, on an album, or part of a 200 song playlist. Doesn’t take anything away.
Where in the world did I say that it was?? I just used it as an example.
Do double albums not count as albums? If anything, Der Ring Des Niebelungen is the mother of all albums. The Wall doesn’t fit on one CD either, yet most people would consider that an “album”.
The Wall actually fits better on streaming than any previous format, since it is designed to be circular.
The anecdote is about the 9th, not the 5th.
Hard disagree on pop being better suited. As you say, albums were invented as collections of singles. Most pop music was conceived as singles. That’s what pop music is suited for, singles. There is a reason that some of the most highly regarded albums ARE the concept albums, because they give a larger experience than simply a collection of singles. Making them more similar in concept to a symphony than to a pop single.
Anyway, my point is the list is biased, and is not in fact a reflection of “all time”, regardless of semantics. It’s all a pointless excersize anyway.