What is wrong with you?
Sorry too much Barrens Chat, Adam Carolla podcast, and posting to the Fox News forums (my bad).
What is wrong with you?
She is a filmmaker, well that sucks for her because I am a filmmaker and in the industry 90 percent of the software we use is Final cut pro.
If this ad was supposed to be geared toward filmmakers than in was a waste of money. Film editors and know about computers and they would never prefer pc over a mac
.....does Sheila realize that she's gonna have to spend about $3,000 to put AVID editing software on that machine?
And probably another $2,000 for Pro Tools if she wants to sound design?
I guess she could go with Adobe Premiere Pro, but that's a good $1500 or so, as well --- better off with a MBP and Final Cut Express....
Although it's sort of off-topic, most feature films are made using Avid.
From an Avid press release: "All of the nominated and award-winning films in the Best Motion Picture, Directing, Film Editing, Sound Editing, Sound Mixing, Visual Effects, Documentary Feature and Original Score categories at the 80th Annual Academy Awards® were created using at least one Avid®, Digidesign®, Sibelius® or Softimage® system." (note that all those companies are owned by Avid)
Where Are You Getting This Figure ?
I Am A Religious Mac Fan, But I'd Say About 25% Of "Our" Industry Use Final Cut, About 23% Use Adobe Premier But the Overwhelming Majority Use Avid Systems
Only because I don't want people to get wrong information, 90% of the film industry uses AVID editing systems, at least, in Hollywood they do.
Tell me about it. Xpress Pro has serious problems on a laptop, especially while using two FW devices simultaneously, i.e. camera/deck and external HD. FCS is far more stable, versatile, has a much cleaner interface, feels more responsive, and is less convoluted than either Avid's or Adobe's solutions. Also, OS X handles large files and performs memory management better than does Windows. For those who need to, or choose to, stay with their PC's, Avid and Adobe seem to offer reasonable, albeit traditional, solutions. For those who do have Macs, FCS is optimal.No, it's just that nearly every feature film is sound designed using ProTools (a digidesign program), so Avid gets to say that one of their products was used. It's not really the Avid line itself in many cases. High end film video editing is a fairly even split between FCP and Avid, though Avid may have the edge, but 95% of all indies are edited on FCP, as FCP is the standard in top film schools (including my own), where many Indie filmmakers have attended. That being said, even the half dozen Avid machines they have are 24" iMacs.
Yeah, um, no. I live in Los Angeles, and the only Avid software I've ever seen anyone own for filmmaking is ProTools, excluding one guy that has Media Composer so that he can convert files to work in FCP. Avid for the independent filmmaker is on its way out, as the Xpress version is barely usable. But even if it was the better software line, it's still most commonly used on Macs. Most PC editors choose Adobe.
I LOL'd at this. Where were you for the last 3—wait; 4 years? (G5s? iBooks?)I use Avid on PCs because they are cheaper to build. G5s are not cost competitive, that's the major reason I do not use them for film editing. Let me also point out that I grew up building computers for a government firm starting at the age of 13. I know hardware pretty well. I do not by computers by television advertising nor by case material. I don't give a crap if it's plastic. (Clever try at a fake commercial but aren't iBooks plastic?)
(Clever try at a fake commercial but aren't iBooks plastic?)
FYI, Movie Maker was used to edit 5 of the Academy Award winning films (Youtube division) of 2009.What does she expect to edit on?? Movie Maker???
(Clever try at a fake commercial but aren't iBooks plastic?)
I really hate when they throw tech jargin into commercials in order to impress people.
The amount of included RAM is really a deciding factor for someone who is supposedly mildy tech savvy? Really?
4 gigs of RAM for the Macbook is $45. It should be not be an issue AT ALL when dropping $1500+ on a comp.
$45 RAM: http://www.newegg.com/Product/Product.aspx?Item=N82E16820146724 ($40.99 after rebate)
I LOL'd at this. Where were you for the last 3wait; 4 years? (G5s? iBooks?)
Especially since they're now, quite cost competitive.I caught that too. Kind of takes the wind out of the sails..
The "Video Card" part made me LOL so hard.
Especially since they're now, quite cost competitive.
TVBEurope said:According to research specialist SCRI, in 2007 Apple took 49% of the US professional editing marketing with Avid trailing on just 22%.
(Actual percentages irrelevant—"80/20" is a nickname of the Pareto Principle, which correctly applies here.)Final Cut Pro is often said to be an 80/20 solution – 80% of the features (of a system like Avid, in theory) at 20% of the cost.
Another way to look at it is found in blogger Robert Cringely’s “The Five Percent Solution”. His premise is that a new product only has to be 5% better than the previous product in order to replace it in the minds and hearts of users. According to Cringley, a 5% improvement is good enough to force that shift. Of course, most Avid loyalists will argue that Avid is clearly better than FCP, but I’ve used both for years at this point and I don’t agree. Avid’s strong points are the robustness of media management, very responsive editing dynamics and advanced performance. Final Cut’s strengths are its easy timeline editing functions, the ability to mix many media types due to the QuickTime architecture and the embrace of third party hardware. You can certainly tally even more points on each side, but the value any of these has to your personal editing style and system demands is going to vary with every editor.
It's the same card as is in your MacBook Pro, except she got it for a lot less money.
Not that much of a difference when you're shelling out $1500.Wrong RAM. Not DDR2. It's about $58 for the correct DDR3.
However, she'll pay a lot more in the form of downtime due to large file transfer errors, constantly needing to close other running apps due to Windows memory management, and purchasing editing software capable of handling film editing, Windows Movie Maker notwithstanding. (iMovie, which is essentially as functional as Final Cut Express, is more than capable of HD editing and compositing student film projects, and is included with OS X at no additional cost)It's the same card as is in your MacBook Pro, except she got it for a lot less money.
Please, understand what he is talking about before you reply.
He's referring to a dialogue in the ad:
Is this graphics card going to be powerful?
Mmhm.
"Wow..."
However, she'll pay a lot more in the form of downtime due to large file transfer errors, constantly needing to close other running apps due to Windows memory management, and purchasing editing software capable of handling film editing, Windows Movie Maker notwithstanding. (iMovie, which is essentially as functional as Final Cut Express, is more than capable of HD editing and compositing student film projects, and is included with OS X at no additional cost)
FYI, Movie Maker was used to edit 5 of the Academy Award winning films (Youtube division) of 2009.
It's the same card as is in your MacBook Pro, except she got it for a lot less money.
Do you really expect them to go into detail in a TV ad?
At least she won't have to stare at a spinning beach ball all the time.
This clearly illustrates the concept of resale value in regard to Macs.Actually, I think one PowerMac G5 tower that is in a decent state might cost more than a Mac Pro you might like to take a look in the antique section of eBay...
(not meant to insult Power Mac users, this is just an exaggeration and joke; but on a serious note, G5s are 4 years ago. Time to move on.)
Excellent references and comparisons between Avid and FCS - FCS is cost effective, has lot's of flexibility when it comes to file types, QT especially, equipment, and 80/20% seems to be an accurate assessment in terms of features/overall cost.As for the thread, allow me to dig out this figure in favour of Final Cut
http://tvbeurope.com/index.php?option=com_content&task=view&id=1269&Itemid=46
As well as these attributes of Final Cut Pro that may make it appealing:
http://digitalfilms.wordpress.com/2008/08/16/avid-vs-fcp--market-dominance/
(Actual percentages irrelevant"80/20" is a nickname of the Pareto Principle, which correctly applies here.)
And for the people saying that it's not really used by hollywood and "top" professionals, just take a look at this page:
http://www.apple.com/finalcutstudio/action/
(The fact that these are posted there means that they're used by these companies/production crews)