Welcome to our P52! This project is designed to get you out with your camera once a week in a meaningful way. Each week I will post a prompt for you to consider. The prompts are merely suggestions, and you are free to shoot off topic if you wish. All images posted must be taken by you, be safe for work, and be taken with this project in mind. Please do not post archive photos. For a further discussion of the guidelines, please refer to this thread, and you can find the previous weeks linked there if you missed them. Feel free to join in at any time of the year, and you may go back to missed weeks if you still wish to participate.
Week 7: Negative Space
Negative space is a powerful way to draw attention quickly to your subject. Surrounded by “emptiness” the subject’s lines, shape, and colors stand out quickly and focus the viewer’s attention. This concept gives the subject room to breathe and hold visual weight in an image. Like most other photography techniques, there are multiple ways to achieve negative space within an image.
A simple headshot or still life against a plain backdrop is an easy way to begin. If you don’t have a human subject, feel free to use a canine or feline stand-in, or find a vase or other knick-knack. Be mindful of your composition here. A fully centered composition will often feel very flat with a negative space image, and you will want to take care to compose on the rule of thirds or other dynamic composition lines.
As we learned in Week 2, using a shallow depth of field is a great way to isolate your subject from the background. The deep blur of the background using a shallow DOF is a great way to introduce negative space to your images, and especially when used in conjunction with a macro or other very close focusing lens, you can nearly blur the entire background all together.
But if shooting macro or close up isn’t your thing, there are still plenty of ways to incorporate negative space. Images involving the sky are a great way to frame a subject, whether nature or structures. A wide angle lens can help with this, but certainly not necessary at all.
Other ways to make a negative space image to work is to have a relatively monochrome background, even if it isn’t fully blurred out.
To be honest, I added this challenge in because negative space is not something I often seek out, unless it is a side effect of shooting macro. However, I do follow a couple of photographers who do amazing negative space work, and I would encourage you to browse their images for more inspiration. Note that these artists use more than just negative space in their work, but much of their work falls into this category. You’ll notice that the black and white treatments in particular really help with the negative spacing and it is something that you could consider when setting up your own photographs.
https://www.instagram.com/philpenman/
https://www.instagram.com/alan_schaller/
https://www.instagram.com/jomartindale/
https://www.instagram.com/mandalynrenee/
Can't wait to see what you come up with this week.
Week 7: Negative Space
Negative space is a powerful way to draw attention quickly to your subject. Surrounded by “emptiness” the subject’s lines, shape, and colors stand out quickly and focus the viewer’s attention. This concept gives the subject room to breathe and hold visual weight in an image. Like most other photography techniques, there are multiple ways to achieve negative space within an image.
A simple headshot or still life against a plain backdrop is an easy way to begin. If you don’t have a human subject, feel free to use a canine or feline stand-in, or find a vase or other knick-knack. Be mindful of your composition here. A fully centered composition will often feel very flat with a negative space image, and you will want to take care to compose on the rule of thirds or other dynamic composition lines.
As we learned in Week 2, using a shallow depth of field is a great way to isolate your subject from the background. The deep blur of the background using a shallow DOF is a great way to introduce negative space to your images, and especially when used in conjunction with a macro or other very close focusing lens, you can nearly blur the entire background all together.
But if shooting macro or close up isn’t your thing, there are still plenty of ways to incorporate negative space. Images involving the sky are a great way to frame a subject, whether nature or structures. A wide angle lens can help with this, but certainly not necessary at all.
Other ways to make a negative space image to work is to have a relatively monochrome background, even if it isn’t fully blurred out.
To be honest, I added this challenge in because negative space is not something I often seek out, unless it is a side effect of shooting macro. However, I do follow a couple of photographers who do amazing negative space work, and I would encourage you to browse their images for more inspiration. Note that these artists use more than just negative space in their work, but much of their work falls into this category. You’ll notice that the black and white treatments in particular really help with the negative spacing and it is something that you could consider when setting up your own photographs.
https://www.instagram.com/philpenman/
https://www.instagram.com/alan_schaller/
https://www.instagram.com/jomartindale/
https://www.instagram.com/mandalynrenee/
Can't wait to see what you come up with this week.
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