Early morning on the rocks.
/QUOTE]
Awesome shot. The colors are so warm and beautiful.
Early morning on the rocks.
/QUOTE]
Awesome shot. The colors are so warm and beautiful.
Hi Chef... Food photography is quite an art. The pix you see in books and magazines have generally been produced by a whole team of cooks, food stylists, nutritionists, assistants and photographers, in a studio setting (plus they're creating dishes specifically to photograph... not to eat). Each shot will be accessorised with colour coordinated crockery, cutlery, tableware and tablecloths... maybe with some arfully out-of-focus details in the background, to give the impression the shot's been taken in a Spanish bodega, or English pub or American diner, etc.
The stylists will make sure that everything looks not just good... but perfect (which may mean fake 'ice cubes' that don't melt under lights, drops of glycerine to add 'freshness, etc). All I'm saying is that it's no surprise that your flash-on-camera shot fails to bring out the look and flavour of the food you cook. There are books you can buy, detailing the tricks of the food photographer's trade. Until you're able to produce top-notch pix, maybe think about paying an experienced photographer to do some shots for you... 'cos the shot you posted will not attract customers to try your food...
I am somewhat space constrained in the restaurant, and I am sure the fluorescent overhead lights do not help.
I imagine you have tables at this restaurant, and even windows? Why not show the plate at a set table? perhaps with the drink of the night as well....
NeGRit0, oh DUH. I do not know why I did not think of that before. Actually I was thinking about it right before I saw your post this afternoon. I did not actually get a chance to try it as the weather today was pretty bad, although I did play around with my speed light a bit to see if I could get better results. I think I got some improvement, but not enough to try to share here. I did find some websites with tips and a couple of books that look good on Amazon. I am going to hit up the library next week on my day off for a book on photography basics I think.
Thanks again for everyone's help. Hopefully next week I will have a much improved picture to post. The rest of this week is going to be a bit hectic preparing for Valentine's Day, so I am not sure when I will have much chance to do anything photography related.
Chef Jay
What sort of speedlight do you have? I'm not sure but I think a coopix 5700's pop up should be able to trigger an off camera flash like an sb600 or above. I might also play around with bouncing the flash and maybe some warmer colored paper as a diffuser. Also shoot in raw for the added flexibility.
As for Raw shooting, I have the problem that Aperture does not support raw pictures from my camera. I am going to try using the .tiff format and see how that goes. I think I tried that a while back, and for some reason stopped, it was either because my memory card at the time would only hold a few pictures, or because the buffer in the camera filled up really fast, and caused a major delay. If it was the card, that has been resolved as I got a 2 gig card a few months ago. If it was the slow saving, well then I will cross that bridge somehow. I plan to start using my tripod more, so that should help. I seem to recall that I could take 3 pictures before the camera would fill the buffer, so with a tripod, it may not be such a problem.
Thanks!
Chef Jay
yummy piece and bacon
I just wanted to mention that I appreciate the brief descriptions you pass along with your photos. Of course, I enjoy the photos as well, but its good to read what some call the "cut line". Keep 'em comin'. Barry
Playing about with depth of field. Two spiders webs, one behind the other. Again, I seem to have the focus just slight of sharp where I'd want it, but don't notice until I get it off the camera (despite doing it manual and checking twice.) Any tips or is it just experience?
I think I'll have some lunch now.
Shipreck in Point Reyes Seashore National Park, CA
Olympus E-3 with Zuiko 7-14 @ 7mm, ISO 100, F8, 1/320s