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Actually at this point I would like Apple to consider a desktop version of the Mac Pro so that new features don't have to wait for Intel to bring up the rear. Either that or negotiate something with Intel to get new platforms earlier in the cycle. Something . . . . I suppose that Apple is trying to migrate us on to top of the line imacs. Not exactly the same... :(

Migrating from a high-dollar, high margin platform to a lower cost platform with lower margins doesn't make a lot of sense frankly.

My personal opinion on the FCX thing is it is far more of a symptom of Apple's desire to innovate rather than a calculated move to marginalize a market segment. Apple like to be a thought leader, e.g. ditching the floppy back when iMac's came out and now ditching the optical drive in the Mini and Air. I think they sometimes do things that are premature or not universally applicable in the rush to be perceived as the visionary.

I think the days of large tower-type systems to acommodate multiple drives and PCI cards will come to an end for everyone at some point. The availability of large SSD's, very high speed busses (internal & external) and single chip CPU's with large numbers of cores will pretty much eliminate the need.

Imagine something like a "super Mini" with a 8 core CPU, 32GB RAM and a couple SATA3/? 1 TB SSD's and a Thunderbolt type external bus for connecting specialized I/O (video capture, audio I/O, special gfx rendering engines). The MP largely exists because folks need multiple CPU's, large numbers of DIMM's (due to low chip density) and large numbers of HDD's (due to the modest throughput, thus requiring RAID).

I bought a MP for multiple HDD/SSD's, eSATA card and UAD DSP cards. Thunderbolt will eventually replace the eSATA need, a TB version of the UAD firewire Satellite will probably replace the PCI cards, and a combo of TB and/or larger/cheaper SSD's will fix the drive space issue.

I don't think we will even want something like a MP in 5 years.
 
Not to interrupt the "OMG APPLE HAETZ PROS" baaaw-fest, but isn't it fairly reasonable to assume the launch is likely going to happen after the Xeon E5 series starts shipping (Intel says 2H2011/1Q2012)? Those chips are positioned to be the Sandy Bridge successor to the Xeon 5600s that Apple currently uses, and goodness knows we'd get a whole 'nother feast of butthurt (from the same people, oddly) if they shipped a "new" MP with the same processor as before...
 
Not to interrupt the "OMG APPLE HAETZ PROS" baaaw-fest, but isn't it fairly reasonable to assume the launch is likely going to happen after the Xeon E5 series starts shipping (Intel says 2H2011/1Q2012)? Those chips are positioned to be the Sandy Bridge successor to the Xeon 5600s that Apple currently uses, and goodness knows we'd get a whole 'nother feast of butthurt (from the same people, oddly) if they shipped a "new" MP with the same processor as before...

Amen brother, you're right on the money.
 
Migrating from a high-dollar, high margin platform to a lower cost platform with lower margins doesn't make a lot of sense frankly.

Except that I would buy one in an instant.

Imagine something like a "super Mini" with a 8 core CPU, 32GB RAM and a couple SATA3/? 1 TB SSD's and a Thunderbolt type external bus for connecting specialized I/O (video capture, audio I/O, special gfx rendering engines). The MP largely exists because folks need multiple CPU's, large numbers of DIMM's (due to low chip density) and large numbers of HDD's (due to the modest throughput, thus requiring RAID).

So making a lesser version of the Mac Pro doesn't make sense but making a greater version of the Mac Mini does? Both would be a mid range headless computer which is what many of us want.
 
There are a lot of apps that can use 8 or more cores. Video editing, pro audio, development... I mean, I keep naming categories, I can start naming apps if you want.
Go back and calculate the % of truly threaded applications vs. all of the developers professional applications (i.e. parts of various suites that are truly n core multi-threaded vs. are not).

I've evaluated professional suites we've been talking about, and the percentage of threaded applications is usually under 50%, so no major change from what I've had access to (reports, colleagues, and personal experience in my industry). Not a majority, which your posts are insinuating.

Quite a difference IMO between some vs. most. And this is exclusively with the professional market.

I think the confusion here is that people who don't really need the Mac Pro can't tap the Mac Pros power. That's entirely different than the Mac Pro not having a market.
I'm not confused, as I've repeatedly explained I'm only considering professional users.

Of professional users, some can use the cores. Others must have the slots, even if their software isn't threaded (i.e. storage and GPU requirements).

Photoshop is a great example. It only uses 2x cores. But they need better storage options than what FW800 or USB 2.0 can offer, as well as the ability to upgrade their GPU. So the consumer systems offered by Apple = not viable, even if the CPU and max memory capacity are fine for the specific use.

I think a lot of people here are realizing they don't need a Mac Pro, which is different than no one needing the Mac Pro.
What I'm talking about, are those that have had to buy the MP for the slots. Newer tech is out now (TB), that can remove the interconnect barrier that existed in previous consumer systems.

As a result, they now have a less expensive alternative that will could fit their needs. Continuing with the MP becomes more a matter of choice and economics than anything else.

For example, think of those that will indicate things like "I don't want a fixed monitor"/"I can't deal with a glossy monitor" (it may be valid for some). But the actual CPU, memory capacity, GPU chip, and even screen size are sufficient for what they're doing.

Now considering the current economic situation, some may have no choice but to get the less expensive alternative so the entire solution will fit their budget (system, software, peripherals such as storage, ...).

Again, Pro users frequently have very high budgets. You're talking about a group where one piece of software might be $1.5k. $5k on a Mac Pro? Not a big deal.
The creative software used is actually inexpensive vs. other professional industries.

But the assumption that budgets are always very high is a mistake. Particularly with independents and small shops (stress the S = small in SMB).

Even large entities in the enterprise/professional market have tightened their belts from what I've seen (and read as well, so my experience doesn't appear to be a limited case). Which means they're taking a harder look at any cost/benefit analysis performed on potential purchases, and may extend the upgrade schedules on their existing equipment as a result (i.e. originally planned for a 3yr upgrade cycle, and extended it to 5).

Again, I strongly disagree on this. At times, Apple has shipped laptops with the exact same processors as the tower and the tower has survived.
Because the tower offered something else that was critical to their specific use, such as slots (purely professionals, not prosumers with sufficient funds to buy one).

TB has the ability to change this for some users, so systems not previously purchased may now be substituted. Consider the financial implications, and it could actually be attractive enough that current MP users will buy a one of these alternatives instead (= reduction in MP sales).

The Mac Pro is not targeted at Photoshop users anyway. It was always a great photoshop machine, but the consumer machines always ran Photoshop very well too.
For a professional photographer, it was a necessity due to their storage and graphics requirements (need more storage than can be handled internally + FW or USB externals to handle paying clients, and need fast GPU's as time = money).

As per a home user/hobbyist, the consumer systems were fine for Photoshop.

But this is a critical distinction you seem to be missing IMO.

iOS? You don't need a Mac Pro for running the iPhone simulator, but a Mac Pro cuts through compiles and debugging real nice. And the iOS SDK can use all 12 cores.
Where did you pull iOS from?

I was talking solely about OS X development and how it related to other platforms (what runs on the laptops, Mini, iMac, and MP vs. the Linux and Windows software). Not the gadgets.

Since this appears to be small vs. the Windows market in particular, the MP sales attributed purely to OS X development would be small. Most of the MP sales actually seems to go for creative professionals from what I've seen (not just here in MR either). Of these, most do seem to be independents to SMB's, not large entities, which have actually gone to farming out their work to contractors.

You are ignoring the point about volumes - or should I say turnover. 50% of a $600 phone is $300. 30% of $5,000 is $1,500. It takes 5 phone sales to make the profit made in a Mac Pro sale. If the ratio of IOS to Mac Pro sales goes over about 8:1 (I haven't looked at the sales figures to work out what it currently is) then the phones become more profitable (read: more effort should be spent there) than the Mac Pros. Don't forget there's a whole community of people (check afp548.com) for which neither the Mac Pro nor the mini server replaces the xserves.

Bottom line: it could happen.
Exactly.

The sales volume of the various gadgets blows the MP out of the water, and is why the profit % for this segment is so much higher than the total computer sales (all of them combined only generates 18% of the total Gross, according to teh front page).
 
My personal opinion on the FCX thing is it is far more of a symptom of Apple's desire to innovate rather than a calculated move to marginalize a market segment. Apple like to be a thought leader, e.g. ditching the floppy back when iMac's came out and now ditching the optical drive in the Mini and Air. I think they sometimes do things that are premature or not universally applicable in the rush to be perceived as the visionary.

Interesting thought.
 
Composers who use large orchestral sample libraries habitually bring a maxed out MacPro to its knees without much effort. There is quite a bit of evidence out there indicating that similarly spec'd Win7 machines handle this much better and at lower latencies to boot.

The issue could be with OSX, although it might just as well be that apps are primarily developed for Windows and ported to OSX as an afterthought.

:

So I reckon the future of the MacPro very much depends on how Apple deals with pro-app developers. If they can convince them to rewrite their apps for OSX in a way that takes full advantage of the hardware, the MacPro will remain a solid investment for the professionals.

:

OK, I'm not a Logic user, so, I'm missing some of the details here. What functionality and and packages are you comparing?
 
Well, the two main cross-platform pro-audio apps are ProTools and Cubase/Nuendo. This guy has done some pretty intensive testing and although he certainly has an anti-Apple bias, I cannot find fault with his methods and don't think he'd rig the outcome of his tests.

You could say that he does stack the test in subtle ways because he runs OSX on a hackintosh with the BIOS tweaked to optimize Win7's performance, but some people who know more than I do argue that those tweaks actually help OSX as well. There are a few more inconsistencies, but in general I do think the tests give a pretty good indication of what is going on.

I would not call this sort of evidence conclusive (far from), but I find it interesting that there has not been any rebuttals from the Apple-proponents. I think their silence on the matter speaks volumes in this regard.
 
For one thing, you don't buy a Mac to run freakin Cubase on it. I hate that daw. Terrible. Pro-tools is what it is. Some like it better on the Mac. But it would be cheaper on a PC. The real issue is compatible outboard gear. No Metric Halo for PC users unless you run in a VM. That alone keeps me Apple centric. Oh and the fact I can't really look at windows too long without wanting to throw up. That is a bigger factor. Just long enough to launch a video game so it seems to go away after. In the end I don't care frankly. I run Logic and Metric Halo gear. It sounds better than a $30,000 HD system with all Avid HW for a fraction of the cost. I also don't make Katie Perry records so I don't need all the TDM anyway.
 
For one thing, you don't buy a Mac to run freakin Cubase on it. I hate that daw. Terrible. Pro-tools is what it is. Some like it better on the Mac. But it would be cheaper on a PC. The real issue is compatible outboard gear. No Metric Halo for PC users unless you run in a VM. That alone keeps me Apple centric. Oh and the fact I can't really look at windows too long without wanting to throw up. That is a bigger factor. Just long enough to launch a video game so it seems to go away after. In the end I don't care frankly. I run Logic and Metric Halo gear. It sounds better than a $30,000 HD system with all Avid HW for a fraction of the cost. I also don't make Katie Perry records so I don't need all the TDM anyway.

I'm gonna have to disagree here. Cubase/Nuendo trumps ProTools (and Logic) in many ways, not least in terms of VI efficiency. RTAS has a lot of catching up to do there. PT9 has finally added ADC for non-HD users, something that has been available on Cubendo for so long (10 years?) I actually forgot it was there.

But PT9 and Logic trump Cubendo for sound content. Steinberg's instruments are just bleh. I don't care that the whole Motif team worked on them, they obviously kept the best stuff for the hardware synths.

But with 3rd party instruments Cubendo rules.
 
As a result, they now have a less expensive alternative that will could fit their needs. Continuing with the MP becomes more a matter of choice and economics than anything else.

Not anytime soon. have you checked out the prices on Thunderbolt accessories (or the lack thereof)? Maybe some day, but not yet.
 
I'm gonna have to disagree here. Cubase/Nuendo trumps ProTools (and Logic) in many ways, not least in terms of VI efficiency. RTAS has a lot of catching up to do there. PT9 has finally added ADC for non-HD users, something that has been available on Cubendo for so long (10 years?) I actually forgot it was there.

But PT9 and Logic trump Cubendo for sound content. Steinberg's instruments are just bleh. I don't care that the whole Motif team worked on them, they obviously kept the best stuff for the hardware synths.

But with 3rd party instruments Cubendo rules.

I never felt like I needed ADC in anything I was doing. No latency/delay to speak of. I run at 64 or 32 samples. Super tight. Usually with EQ, compression and effect on every track. Usually 20+ tracks. 3-5 virtual instruments and the rest audio. Lots of Waves console strips (API, Neve, SSL, Helios). Granted the Mac I have is pretty darn fast atm.
 
Not anytime soon. have you checked out the prices on Thunderbolt accessories (or the lack thereof)? Maybe some day, but not yet.
I'm talking in the not too distant future (Haswell), which is about 2 years or so.

By then, there will be more TB peripherals available, and the prices will have lowered to some extent.
 
This thread comes up periodically. As others have said already, the issue is with Intel, which hasn't released Sandy Bridge Xeon chips.

The interesting question will be if/when Intel releases a 6-core Sandy Bridge desktop (Core) chip, and if Apple puts it into an iMac. If so, you'd have a pro-quality iMac that would rival a Mac Pro in terms of performance (though not upgradeability).
 
I never felt like I needed ADC in anything I was doing. No latency/delay to speak of. I run at 64 or 32 samples. Super tight. Usually with EQ, compression and effect on every track. Usually 20+ tracks. 3-5 virtual instruments and the rest audio. Lots of Waves console strips (API, Neve, SSL, Helios). Granted the Mac I have is pretty darn fast atm.

I think Logic has had ADC for many years as well, but I could be wrong.

I don't doubt that Logic runs better on OSX than Cubase, as the engine was developed for Windows and ported to Mac. But there's a lot of things it does that Logic doesn't do as well for me, so I stick with it.

If the performance disparity is not addressed soon, I might just get a dedicated DAW-PC for Cubase alone. From what I've read, 64-bit works a lot better on Win7 as well as most European software (NI, VSL/VEP etc.) and even PLAY3.

But I'll definitely keep a Mac around for everything else!

BTW, I hope that FCP-X is not a harbinger of what is in store for the next iteration of Logic.
 
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My 2011 MacBook Pro despite being the top end configuration is still only 60% of the performance of my 2009 Mac Pro in most of the content creation work I do. So any 2011 Mac Pro will be even faster in all tasks. I see no reason for Apple to discontinue the Mac Pro which is still the workhorse model.

Not to interrupt the "OMG APPLE HAETZ PROS" baaaw-fest, but isn't it fairly reasonable to assume the launch is likely going to happen after the Xeon E5 series starts shipping (Intel says 2H2011/1Q2012)? Those chips are positioned to be the Sandy Bridge successor to the Xeon 5600s that Apple currently uses, and goodness knows we'd get a whole 'nother feast of butthurt (from the same people, oddly) if they shipped a "new" MP with the same processor as before...

So you are suggesting users who are buying Mac Pro machines right now would not want an intermediary Mac Pro that's faster than last year's model (and will be slower than next year's model) while paying the same price as everyone as before.
 
I hope they just drop the pro and focus on making the top end imac more scaleable to accommodate most non high end work.

There is almost no reason to be on a mac for high end production professionals, everything works the same on a PC (actually much better when it comes to adobe). Much more choice and easier/cheaper to upgrade.

Go to any decent creative forums ie Video Editing, 3D, Music, Compositing, Adobe ones too, and ask whether you should get a mac or a pc almost all will say pc with windows/linux.

Operating Systems are almost irrelevant from my experience. Most workstations are set up to run one maybe two programs and never leave that window in their entire lives except for some maintenance or file browsing.
 
I hope they just drop the pro and focus on making the top end imac more scaleable to accommodate most non high end work.

There is almost no reason to be on a mac for high end production professionals, everything works the same on a PC (actually much better when it comes to adobe). Much more choice and easier/cheaper to upgrade.

Go to any decent creative forums ie Video Editing, 3D, Music, Compositing, Adobe ones too, and ask whether you should get a mac or a pc almost all will say pc with windows/linux.

Operating Systems are almost irrelevant from my experience. Most workstations are set up to run one maybe two programs and never leave that window in their entire lives except for some maintenance or file browsing.

Definitely not the case for music - Logic, Metric Halo and Apogee are very compelling reasons for many to use Mac's.
 
I hope they just drop the pro and focus on making the top end imac more scaleable to accommodate most non high end work.

There is almost no reason to be on a mac for high end production professionals, everything works the same on a PC (actually much better when it comes to adobe). Much more choice and easier/cheaper to upgrade.

Go to any decent creative forums ie Video Editing, 3D, Music, Compositing, Adobe ones too, and ask whether you should get a mac or a pc almost all will say pc with windows/linux.

Operating Systems are almost irrelevant from my experience. Most workstations are set up to run one maybe two programs and never leave that window in their entire lives except for some maintenance or file browsing.

Why don't you just not concentrate on anything "Pro" and effectively it will be out of sight, out of mind for you. Even with all this supposed Apple Professional stumbling, my users are not going anywhere, they are die hards. And everything does not work "the same" on a PC vs. a Mac. There are a myriad of key commands that are slightly different. Specific OS API's that allow for an uninhibited workflow, etc. 3D and Java development may suck on a Mac but Audio/Video/Pint is still going strong. It is not black and white.
 
I hope they just drop the pro and focus on making the top end imac more scaleable to accommodate most non high end work.

There is almost no reason to be on a mac for high end production professionals, everything works the same on a PC (actually much better when it comes to adobe). Much more choice and easier/cheaper to upgrade.

Go to any decent creative forums ie Video Editing, 3D, Music, Compositing, Adobe ones too, and ask whether you should get a mac or a pc almost all will say pc with windows/linux.

Operating Systems are almost irrelevant from my experience. Most workstations are set up to run one maybe two programs and never leave that window in their entire lives except for some maintenance or file browsing.

today i had the unfortunate opportunity to finish up a large project on a 27" i5 imac and i literally stood up after 5 mins of struggling and told the client i will just finish this on my MP.

note: this isnt some 2 layered project for titles, its a ~40ish layered 30sec promotional project.

so yes. MP's are _needed_ no matter what avarage ppl say.


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