Hmm, I guess it isn't. Well Stravinsky is a good choice, anyway!not on iTunes....?
Hmm, I guess it isn't. Well Stravinsky is a good choice, anyway!not on iTunes....?
Hmm, I guess it isn't. Well Stravinsky is a good choice, anyway!
Queen Greatest Hits 2 at work today. Who wants to live forever?
Actually there are so many good tracks on that album.Love Queen, - have (and play) that particular album, it's on my iPod - and that is an especially awesome track. Love it. Just love it.
I saw that, although they are sonatas (can't go wrong here, even so). They do have another collection of unaccompanied cello solos performed by Yoyo, which ought to be good too.There is another title similar to that though and the album art is also similar.
Well... I read the news of Sir Neville Marriner's passing at age 92. Increasingly I find myself shocked that conductors and performers who became familiar names in my youth have had the temerity to depart the planet of old age when in my (aging) mind they're all still at most 39-agains.
http://www.nytimes.com/2016/10/03/a...ician-and-acclaimed-conductor-dies-at-92.html
https://www.theguardian.com/music/2...-dies-academy-st-martin-in-the-fields-amadeus
Anyway here come the memories of scraping up money to buy recordings of music performed by the Academy of St. Martin in the Fields. So I've been listening to what I have in digital format and thinking for the nth time I need to convert some old LPs that are in excellent condition and need to come over so they'll get more of my attention!
Man, I hate math -- except when used to construct music.
Spectacular quilt!I can often enough share that feeling but for me the exceptions extend to quilts... pardon the off topic drift but surely the glimpse is worth it. The photo below is of a quilt from a vast collection of red and white quilts acquired by Joanna S. Rose; six hundred and fifty of them were installed in the Park Avenue Armory in NY in March of 2011 as "Infinite Variety: Three Centuries of Red and White Quilts". It's amazing how women with little knowledge of math past arithmetic, and no access to the tools and acrylic templates we use today came up with some of the patterns they managed to translate to fabric using no more than the fabrics themselves, some paper and cardboard, string, pencils (two tied together with a length of string in lieu of a compass!) staight edges, small circular items to trace like plates or cups. some scissors, pins, needles and thread. And Singer sewing machines if they could afford them when those came along. Today our machines are computerized so practically anything is possible for a determined quiltmaker but I admit to holding a place in my heart for those older quilts sewn with the simplest of resources.
Anyway this "vortex" quilt from 1890-1910, I am very sure, "took some doing":
View attachment 662609
http://folkartmuseum.org/exhibitions/infinite-variety-three-centuries-of-red-and-white-quilts/
It's hard for me to imagine someone of my great grandma's time turning this thing out. But there it is.
Note: there's even an app available on the site's resource page, versions for iOS and Android,
that lets you virtually revisit the exhibition. I am not 100% sure they've updated if necessary
but when I downloaded it for my iPad it was just stunning to wander through.
Again sorry for the topic drift. Math, music and quilts all run together for me... but I realize I'm really off on a tangent with this post.
I can often enough share that feeling but for me the exceptions extend to quilts... pardon the off topic drift but surely the glimpse is worth it. The photo below is of a quilt from a vast collection of red and white quilts acquired by Joanna S. Rose; six hundred and fifty of them were installed in the Park Avenue Armory in NY in March of 2011 as "Infinite Variety: Three Centuries of Red and White Quilts". It's amazing how women with little knowledge of math past arithmetic, and no access to the tools and acrylic templates we use today came up with some of the patterns they managed to translate to fabric using no more than the fabrics themselves, some paper and cardboard, string, pencils (two tied together with a length of string in lieu of a compass!) staight edges, small circular items to trace like plates or cups. some scissors, pins, needles and thread. And Singer sewing machines if they could afford them when those came along. Today our machines are computerized so practically anything is possible for a determined quiltmaker but I admit to holding a place in my heart for those older quilts sewn with the simplest of resources.
Anyway this "vortex" quilt from 1890-1910, I am very sure, "took some doing":
View attachment 662609
http://folkartmuseum.org/exhibitions/infinite-variety-three-centuries-of-red-and-white-quilts/
It's hard for me to imagine someone of my great grandma's time turning this thing out. But there it is.
Note: there's even an app available on the site's resource page, versions for iOS and Android,
that lets you virtually revisit the exhibition. I am not 100% sure they've updated if necessary
but when I downloaded it for my iPad it was just stunning to wander through.
Again sorry for the topic drift. Math, music and quilts all run together for me... but I realize I'm really off on a tangent with this post.
Until your post I assumed they were a one-off. Nice to see they have a few other releases. This is the only song I know by them. It's become my favorite version of the widely covered song, "Malagueña Salerosa". Sounds great when turning the volume up to 11. Their version is sort of mariachi meets surf rock. Easy to see why Robert Rodriguez and/or Tarantino chose it.Some modern Mexican music from Chingón.
Until your post I assumed they were a one-off. Nice to see they have a few other releases. This is the only song I know by them. It's become my favorite version of the widely covered song, "Malagueña Salerosa". Sounds great when turning the volume up to 11. Their version is sort of mariachi meets surf rock. Easy to see why Robert Rodriguez and/or Tarantino chose it.
90s cheese is funny.