A piece of music (well, a CD that is now on my iPod) - a lovely CD - recommended and suggested by @mobilehaathi to mea few years ago. The wonderful "Rome" (by D. Luppi & R. Burton).
Terrific listening on a flight.
Oh, and, by the way, if you have any similar suggestions, I am - to put it mildly - all ears.
Is it instrumental, or mainly singing?
However, there are slightly more immediate demands on my time: My colleague made a present to me of several CDs he had prepared for himself, so I will have to set some time aside and listen to them.
Reciprocity (and possibly feedback) may well be in order.
Listening to 'Exit on Main Street' by the Stones.
You made me fire up "Clandestino"Manu Chao on my iPod on the train - some sunshine music for a autumnal wet day.
That album cover looks absolutely amazing; does it sound as intriguing - and interesting - as it looks?
Is the music pure traditional, or a more modern interpretation - a fusion of modernity and older forms? What countries are featured on the album?
You made me fire up "Clandestino"
B
It is traditional music. I think you'd really enjoy it. Here is a write up from the Smithsonian about the album.
At the end of the 13th Century C.E., Marco Polo set out on a legendary journey from Europe to eastern Asia. Looking at rich musical traditions present along the Silk Road (the epic trade routes of Central Asia), music scholars beg the question, "What if Marco Polo had carried a tape recorder?" From that question comes an expansive collection of central and western Asian music: The Silk Road: A Musical Caravan.
In conjunction with the 2002 Smithsonian Folklife Festival program about cultures along the historical Silk Road, producers Jean During and Ted Levin, along with renowned cellist Yo-Yo Ma as Artistic Director, collected 47 tracks spanning from Xi'an (formerly Chang'an), the capital of ancient China, through central Asia to the Mediterranean and the Black Sea.
During and Levin concentrated on Turco-Mongol and Persiante cultures because they represent not only a coherent musical realm, but also a general mystery to most Western audiences. While the musical traditions of India and the Middle East are relatively well documented, those of the remote peoples of Central Asia and north-western China are not.
The collection is divided into two discs: the first, Masters & Traditions, concentrates on program music and classical music—music written to be enjoyed by connoisseurs or courts. This music is from sedentary peoples and is highly structured and, unlike the music of nomadic cultures, it features very technical drumming and is deeply affected by Islam and its texts.
The second disc, Minstrels & Lovers, is divided into three sections: The Nomadic Sound, Traditions of Festivity, and Spiritual Music. This is music traditionally meant for broader audiences. The music is by folk artists who do not always make a living from their art. It features lyrical bards of nomadic cultures and mystical music performed as a means of approaching transcendence.