Listening to PostModern Jukebox's version of 'Blurred Lines'.
never heard this tune in it's entirety, but i can honestly say that i don't like any version of this song.
Listening to PostModern Jukebox's version of 'Blurred Lines'.
"Logan's Run"?
That is a movie I have heard of, but never saw.
Mind you, I did like the soundtracks to "Midnight Express" and - obviously - "Blade Runner".
The German TV series (also movie) "Das Boot" also had a brilliant soundtrack - Germans, and German culture (Kraftwerk, and so on) mastered good quality synth style music from the 80s; it was very popular there.
Listening to The Who's 'Tommy'.
Perfect song for a Monday.
80's throwback -
New order - Blue Monday.
Damn, does this bring back memories...
Followed by Dire Straits (the group, not the political situation), with classics such as "Sultans of Swing" (now, that was a brilliant song), "Love Over Gold", "Private Investigations", "Money For Nothing", "Romeo and Juliet", "Brothers In Arms", and "Going Home (the theme from "The Local Hero"), among others.
Good call, putting it on now.
Listening to The Who's 'Tommy'.
Not sure why I am listening to Dire Straits for the second consecutive night.
Nothing whatsoever to do with the current situation. Nothing at all.
Just music.......but what wonderful music. Next up, maybe, Madness........
Making Movies is another one of those albums I like to listen to in full, so I did this morning.Not sure why I am listening to Dire Straits for the second consecutive night.
I would have to look up the "Das Boot" scores as I am not familiar with those.
The novel Logan's Run was infinitely better than the movie adaptation (basically the first young adult dystopia novel about the desire to live beyond the government sanctioned year of 30 (movie) or 21 (novel), so I'd recommend reading the the novel first if you're interested (written by two Twilight Zone script writers in three weeks and it feels almost like a Twilight Zone story). It's a ridiculously fast read and filled with a lot of crazy imagery that shockingly mirrored the actual counterculture of the late 60s.
I love synth based soundtracks (coming from my John Carpenter movie filled teens and twenties, and Goblin filled 30s and beyond. Both Carpenter and Goblin were known for their synth rock scores for a variety of movies; Carpenter largely his own work and Goblin with various 70s and 80s Italian genre directors). Of course, there is John Williams whose work on Star Wars and Raiders of the Lost Ark still takes my breath away.