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In order to get me into the mood for my karate belt test Friday, I watched IP Man probably one of the best martial artists movie out there.


This is one of scenes and while this youtube has no english sub titles, I did opt for them since my Japanese/Mandarin is a bit rusty ;)

 
I just IP Man Its probably one of the best martial arts movies I've seen.


This youtube doesn't have the english subtitles but its based in the man that trained bruce lee.

YouTube: video

Oh that's a fantastic movie and so is the sequel! I totally love that movie and agree it's one of the best martial arts movies out there.

Now I want to watch it again. :D
 
Saw "Notorious" today.

Full disclosure: I don't particularly like Hitchcock, with a few exceptions. Second, I have a mad crush on Ingrid Bergman!

I tend to love Hitchcock. Several of his movies are brilliant. Psycho and Virtigo come to mind. I also like the Birds. Curious as to why you don't care for his movies? And I think I had a crush on Bergman when I first saw her in Casablanca.

Tonight it's The Shawshank Redemption.

One of my favorites. The end of this movie blew me away.

In order to get me into the mood for my karate belt test Friday, I watched IP Man probably one of the best martial artists movie out there.

Although I'm not a big fan of karate movies, IP Man is the best karate movie I've seen.
 
Last night, watched the 1962 version of Lolita on Turner Classic Movies starring James Mason, Sue Lyon, and Shelly Winters. What a strange movie! First because they even made it in 1962. You know the story, about a middle aged man who becomes obsessed with a girl of 14. Sue Lyon was 14 when she made this movie. In the book, she was 12. (I've not read the book.) The only verbal hint they were starting a sexual relationship was when she alluded to "games" and then the scene faded to black. I'm sure the censors controlled this movie with an iron fist.

As she started to rebel against him, they appeared to be a quarreling dad and daughter. It was like "let her go for Christ sakes!" ;)

What made this movie strange was Peter Seller's brilliant, although rambling, maybe adlibbing performance. The host on TCM mentioned it afterwards and he did not like it. He said Stanley Kubrick was enamored with Sellers and possibly just let him do what he wanted to. :) The reason I thought it detracted from the movie was because it was like watching two different movies, a drama and comedy combined into one. He does multiple accents including a U.S. Western accent.

I've been in conversations in this thread regarding Sellers doing multiple roles (could not find it), which he does in this movie, by taking on a disguise, but I started wondering if this was a comedy when he first appeared at the beginning of the movie, reinforced later when he was disguised in a very Dr. Strangelove manner. In any case he was intriguing.

It just stuck me, was this the 1950's version of Fifty Shades of Grey, lol? (which I've not read.) :)

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Also watched Dirty Rotten Scoundrels (1988) probably one of Steve Martin's best comedy films and one of my favorite Michael Caine movies as two confidence men who launch into a competition to see who can fleece $50k out of a rich woman. Love that location too! The villa is what "being rich" fantasies are made of. :)

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Oh that's a fantastic movie and so is the sequel! I totally love that movie and agree it's one of the best martial arts movies out there.

Now I want to watch it again. :D
I heard the second movie was good as well, I'll be getting that off iTunes as well :)


Although I'm not a big fan of karate movies, IP Man is the best karate movie I've seen.
Being a student of martial arts I'm more of a fan of karate movies then I was prior to doing karate. Now that I'm pretty much neck deep in karate I'm finding a new level of appreciation of the action scenes :)
 
I tend to love Hitchcock. Several of his movies are brilliant. Psycho and Virtigo come to mind. I also like the Birds. Curious as to why you don't care for his movies? And I think I had a crush on Bergman when I first saw her in Casablanca

Once again, with a few exceptions (mostly his early British films) I find his stuff bloated and superficial. All gloss, no depth at all. Character development is shallow, and often the acting is below par (only partially the directors fault...you can only work with what you have).

His cinematography is tricky for no particualar reason, other than to call attention to himself. Often, the tricky camera angles (e,g, the early POV shots in "Notorious" of Bergaman lying hung over on the bed looking at the Grant character) carry no useful significance, don't tell us anything about the character, don't particularly do much for mood or anything to carry the story forward...they are just self stimulatory and self indulgent.

I, too, liked "Psycho", but mostly for the fact that Hitchcock broke an unstated agreement between film maker and audience, which created an atmosphere of unpredictability...anything could happen. That unspoken rule he broke was the audiance expectation that big name stars always make to to the end of the movie...and he killed off Janet Leigh in the fist half hour. That created a feeling of unpredictablilty in the audience.

Otherwise, I find his stuff full of cheap tricks, ostentatious, but meaningless, directorial tricks, mediocre acting, uninspired casting (his obsession with the "icy blond" was a big pain in the ass) and with a few exceptions, not particularly suspenseful.

Just one man's opinion...:D
 
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Otherwise, I find his stuff full of cheap tricks, ostentatious, but meaningless, directorial tricks, mediocre acting, uninspired casting (his obsession with the "icy blond" was a big pain in the ass) and with a few exceptions, not particularly suspenseful.

Just one man's opinion...:D

Have you seen Virtigo? I'd say this has to be an exception to your critiques above. An intriguing story about obsession wrapped in a murder mystery. This is his masterpiece imo. :) Great performances in North by Northwest and Rear Window, two of my favorite Hitchcock films, along with Torn Curtain, and The Man Who Knew Too Much. Admittedly I'm too much of a Hitchcock fan. :D

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Have you seen Virtigo? I'd say this has to be an exception to your critiques above. An intriguing story about obsession wrapped in a murder mystery. This is his masterpiece imo. :) I just remembered North by Northwest and Rear Window, two of my favorite films, along with Torn Curtain, and The Man Who Knew Too Much. Admittedly I'm too much of a Hitchcock fan. :D

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I've seen them all, and I didn't like any of them very much, for the reasons stated above. I know mine is not a widely shared opinion of Hitchcock. You enjoyment of Hitchcock is in no way "too much" and I certainly respect the differences of viewpoint...that's what makes it a horse race!:D

I enjoyed "The Rope" for it's use of VERY long takes and invisible editing, although I thought Jimmy Stuart was horrendously and laughingly miscast. I also thought "Strangers On A Train" was OK. Once again, they were in black and white, my preference over color. It was also before his "icy blond" casting obsession, and only the beginning of his "trademark" tricks and shtick.

BTW: The image you included in your post didn't show up...you got that blue box with the ? in it...at least on my computer.
 
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Once again, with a few exceptions (mostly his early British films) I find his stuff bloated and superficial. All gloss, no depth at all. Character development is shallow, and often the acting is below par (only partially the directors fault...you can only work with what you have).

His cinematography is tricky for no particualar reason, other than to call attention to himself. Often, the tricky camera angles (e,g, the early POV shots in "Notorious" of Bergaman lying hung over on the bed looking at the Grant character) carry no useful significance, don't tell us anything about the character, don't particularly do much for mood or anything to carry the story forward...they are just self stimulatory and self indulgent.

I, too, liked "Psycho", but mostly for the fact that Hitchcock broke an unstated agreement between film maker and audience, which created an atmosphere of unpredictability...anything could happen. That unspoken rule he broke was the audiance expectation that big name stars always make to to the end of the movie...and he killed off Janet Leigh in the fist half hour. That created a feeling of unpredictablilty in the audience.

Otherwise, I find his stuff full of cheap tricks, ostentatious, but meaningless, directorial tricks, mediocre acting, uninspired casting (his obsession with the "icy blond" was a big pain in the ass) and with a few exceptions, not particularly suspenseful.

Just one man's opinion...:D

Have to say I pretty much agree with you. Clever, shallow, and extraordinarily unfeeling; there is no heart in his films, and worse, there is an element of creepiness in his attitude to - and portrayal of - women. It is as though what Shrink terms his 'obsession with icy blonds' means that in Hitchcock's world, attractive women have to be punished simply because they were attractive, or punished because certain men found them attractive to whom they were not remotely attracted in turn.

I grew up being told that Hitchcock was 'the master' and so, it took me quite some time to come realise that I really didn't care for his work at all. Actually, there is an unsavoury note and tone to his work that I really don't like at all.



Have you seen Virtigo? I'd say this has to be an exception to your critiques above. An intriguing story about obsession wrapped in a murder mystery. This is his masterpiece imo. :) I just remembered North by Northwest and Rear Window, two of my favorite films, along with Torn Curtain, and The Man Who Knew Too Much. Admittedly I'm too much of a Hitchcock fan. :D

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The basic premise of Rear Window makes it a seriously creepy movie, and the person who could conceive this is a little disturbed. Granted, North by Northwest is interesting. However, if I must watch any of his stuff, I prefer the earlier 'British' period. Rebecca is excellent - and it probably helped that this was not Hitchcock's own story, but one based on, (and constrained by) the contours of the excellent novel by Daphne du Maurier from which it drew its inspiration, and which it closely followed.

It also helped that the casting was excellent - Laurence Olivier as Maxim de Winter was excellent, as was Joan Fontaine as his nameless second wife, and other brilliant British character actors - such as the accomplished C. Aubrey Smith played wonderful roles, not least the brilliant Judith Anderson as the sinister housekeeper, Mrs Danvers.
 
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Huntn, I can recommend The 36 Steps very much (don't know about Shrink and scepticalscribe though ;) - at least there are some strong (almost :D) independent women on screen). This and Torn Curtain are the two by Hitch I watched quite a lot of times.
 
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I've seen them all, and I didn't like any of them very much, for the reasons stated above. I know mine is not a widely shared opinion of Hitchcock. You enjoyment of Hitchcock is in no way "too much" and I certainly respect the differences of viewpoint...that's what makes it a horse race!:D

I enjoyed "The Rope" for it's use of VERY long takes and invisible editing, although I thought Jimmy Stuart was horrendously and laughingly miscast. I also thought "Strangers On A Train" was OK. Once again, they were in black and white, my preference over color. It was also before his "icy blond" casting obsession, and only the beginning of his "trademark" tricks and shtick.

BTW: The image you included in your post didn't show up...you got that blue box with the ? in it...at least on my computer.

No problem on differences of opinions. As far as my images not appearing, sometimes that happens in this forum. I don't understand the mechanism involved.

Have to say I pretty much agree with you. Clever, shallow, and extraordinarily unfeeling; there is no heart in his films, and worse, there is an element of creepiness in his attitude to - and portrayal of - women.

I think "heart" is a very personal definition. His movies either click with you or not. I prefer not to think about his RL feelings regarding platinum blonds. It would stand in the way of my enjoyment of the films. ;) A prime example of a movie with all sorts of director gimmicks but no heart and terrible acting would be David Lynch's Blue Velvet, an abomination of a movie, yeech! I walked away from the movie thinking that Laura Dern was in it only because she was someone's connected daughter. :)

The basic premise of Rear Window makes it a seriously creepy movie, and the person who could conceive this is a little disturbed.

My counter is that this has happened, and regarding creepiness, the film's portrayal is tame by today's standards and much less creepy than a vast array of crime thrillers or the last 30 years. Silence of the Lambs comes to mind. :)

Huntn, I can recommend The 36 Steps very much (don't know about Shrink and scepticalscribe though ;) - at least there are some strong (almost :D) independent women on screen). This and Torn Curtain are the two by Hitch I watched quite a lot of times.

I've seen it. Good movie! The Man Who Knew Too Much featured a strong female character. :)
 
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Because of my rather pleasent Hobbit experience, I checked out LotR again, the extended version this time, and must say, until now, I'm very positiv about it (although I've seen only the first BluRay from the first movie, which had to be split into two).
Much more screen time now for the slower parts (i.e. 'concerning hobbits') which improves it vastly imho since the omnipresence of Frodo is gone and the wit and versatility of some 'minor' characters is shown now (i.e. the greed of Bilbo regarding his 'precious').
 
Because of my rather pleasent Hobbit experience, I checked out LotR again, the extended version this time, and must say, until now, I'm very positiv about it (although I've seen only the first BluRay from the first movie, which had to be split into two).
Much more screen time now for the slower parts (i.e. 'concerning hobbits') which improves it vastly imho since the omnipresence of Frodo is gone and the wit and versatility of some 'minor' characters is shown now (i.e. the greed of Bilbo regarding his 'precious').

Yes, well, as I think I have posted earlier, I much prefer Bilbo as a character to Frodo (more élan, panache, wit, insouciance and so on - just much more engagingly human, than Frodo who becomes a sort of crucified Christ type character in the latter stages of the novel); yes, I agree, I also like some of the 'minor' characters, such as the other two hobbits, Merry and Pippin - in an way, they remind me of a more muted version of Bilbo......
 
I love that movie!!! Jack Nicholson, Helen Hunt, and Greg Kinnear are amazing! I've seen it several times, and I'll still watch it again. It's that good :)

Oh yeah, I've watched it dozens of times too. Gotta love Jack, I mean who doesn't? :D
 
Tonight it's Batman (1989). I don't care what anyone says, but IMO Michael Keaton was the best Batman.
 
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