Also, it just occurred to me that there aren't very many young professional musicians left in my hometown. They've all moved away, including myself. In retrospect, I made it onto the scene here at the absolute perfect time, when there were others my age doing the same. That's just not the case now.
Of course there are lots of older musicians who have just relocated, which is great. And being around those guys was very formative for me, but so was being around people my age. It's interesting in that way, because obviously in college, I'm playing with people my age all the time, but here, only the older guys now.
I did a series of shows in Arizona and California a few years ago, and so I know some of the people out there. I'd be curious to know how that scene has changed, too. We just got some transplants from Tucson (in Arizona), LA, and San Diego last year.
I've been playing professionally for nearly a decade now (I know, makes me sound old, but it's true), and I've seen a LOT change, both positively and negatively. In the two weeks I've been back, I've played about 10 gigs, and it feels like I'm the only one left. It's weird. Three more youngsters moved away also while I was gone.
This isn't to say the scene is collapsing, because it is certainly not. In fact, it seems very strong to me. Lots of new bands being formed, steady streams of work for many people, etc. I'd argue we have the best scene in the entire southwest. But nearly everyone my age has moved, including me. I'm just back for breaks.
It's still too early to say what these younger (middle/early high school) students I teach in the program will do, but my hope is that they'll continue to develop their musicianship and play professionally. I can see many of them doing that. I've been really stressing for everyone in those classes to participate in one of the many jam sessions that take place in town. This break, I've been playing in the house band for two of them, so there's a familiar face (me) there every week. It's tremendously good exposure for them to see and hear a really tight house band during the first set--and then they can come up and play during the second set. That's the best kind of music education.