128GB Laterthat 128gb storage is is going to be a killer
128GB Laterthat 128gb storage is is going to be a killer
Phones will NEVER replace DSLRs.
It's not a technology problem, it's a physics problem. You'll ALWAYS be able to get more light onto a larger sensor. It's the same reason medium format digital cameras exist, sometimes you just need more than a 35mm-equivalent sensor can possibly capture.
And a news conference isn't really where anybody cares about the best possible image quality anyway.)
That last line is actually pretty mind blowing.While there it is likely that DSLR and mirrorless interchangeable lens cameras will be made for a while, just as people still shoot movies on film (Twisters comes to mind as a recent example), according to PetaPixel, over 90% of photos are taken on phones, and the vast majority of people have never shot a picture on a standalone camera.
Yeah, during those years Danny Boyle shot 3 films on digital and they all looked crap even then, imagine how badly they aged.“28 days Later”, the first movie, was shot with a prosumer digital camcorder. So they have done something similar before.
Oh, with a little cash-cow mindset, a trilogy may be just the start.Am I the only one that saw they’re making this into a trilogy?
Most of the people I know in filmmaking would think it was pretty cool. They got their start with some pretty minimalistic tools.Did they have to round up all the crew on day 1 to explain this gimmick and tell them not to complain about it?
Could you shoot a movie on me, Greg?you can shoot a movie on almost anything.
If we are going to do that (take a clearly British-made movie and say it’s a Hollywood movie because it’s co-produced by Columbia Pictures):It’s being produced by Columbia Pictures.
Making it, by definition, a Hollywood production.
Tony (and Chelsea) know what they're doing as far as photography (and running a small business), but they have definitely gotten way into the influencer mode over the past few years, posting click-bait videos and projecting a lot more outrage and hyperbole than is necessary to get a legit point across. Hard to watch their stuff now.This video is misleading. He does a comparison at 4.9x zoom. Yes well you’re not using the 5x zoom lens at that level so of course it’s going to look bad.
28 weeks later was shot mostly on super 16mm film, and used video just for the zombie POV.First and second movies were great. I'll be ready to download the third when it comes out.
28 Days Later
28 weeks later
In case you don't know the previous titles.
I see at least a dozen versions of 28 Days Later on just one torrent search site (1137).28 Days Later is also completely unavailable online. You can only watch it if you get the DVD or BluRay.
I have it digitally on movies anywhere.28 Days Later is also completely unavailable online. You can only watch it if you get the DVD or BluRay.
Major films are all shot with trucks load of lighting gear and camera rigs, worth millions of dollars, no matter what camera is used.
It is not the gear but rather is the talented creatives who work on the set with imaginative lighting and composition techniques to bring the director's vision alive.
iPhone alone, with a tiny sensor, is not going to cut the picture.
Give me a "shot on iPhone film" shot solely using an iPhone, without hundreds of thousands of $ gear involved, to make it convincing.
Nonetheless, it is still big marketing tool for to brag about iPhone's camera capabilities.
I said decades ago that CCDs would replace film, and they wouldn't take long to do it.
Phones will NEVER replace DSLRs. It's not a technology problem, it's a physics problem. You'll ALWAYS be able to get more light onto a larger sensor. It's the same reason medium format digital cameras exist, sometimes you just need more than a 35mm-equivalent sensor can possibly capture.
That is just a PR stand.
Tony Northrup recently broke down how bad an iPhone camera is compared to a professional camera. From a professional filmmaker's or photographer's standpoint with a big budget it does not make sense to use an iPhone, if you could afford a real camera.
Here is the video:
It’s a cost reduction / aesthetic decision justified by the “gritty horror” genre. They wouldn’t have done this if it were a romantic comedy (or at least not 5-10+ years ago).Hollywood productions shot on iPhone don't make a lot of sense to me, but it's interesting nonetheless. If we look at the huge lens rigged up on the right side of the image, they might as well have attached a camera with a bigger sensor.
Northrup is just a shock jock style photographer. He should know better, but let’s face it, he’s a pixel peeper, not an artist.That is just a PR stand.
Tony Northrup recently broke down how bad an iPhone camera is compared to a professional camera. From a professional filmmaker's or photographer's standpoint with a big budget it does not make sense to use an iPhone, if you could afford a real camera.
Here is the video:
Also the battery life^^that 128gb storage is is going to be a killer
An artist will disagree. The best ever photographs were shot on cameras that were not as 'good' as what you have now.I said decades ago that CCDs would replace film, and they wouldn't take long to do it.
Phones will NEVER replace DSLRs. It's not a technology problem, it's a physics problem. You'll ALWAYS be able to get more light onto a larger sensor. It's the same reason medium format digital cameras exist, sometimes you just need more than a 35mm-equivalent sensor can possibly capture.
(You still hear shutters because DSLRs still have shutters. Oh, and because idiots can't be bothered to turn off the stupid shutter click noise on their phones. And a news conference isn't really where anybody cares about the best possible image quality anyway.)