Single streams of it maybe but this thing isn’t designed for single streams. If you’re running a large Multicam production you could have easily 4+ streams at one time. That’s gonna choke most computers. I’m cutting 6 streams right now, if that were 4K or any kind of raw format I wouldn’t stand a chance.
I've never touched ProRes RAW in the workflow so far so I have no clue how does it behave, if it has any kind of GPU support at all on Windows. Any kind of info would be great, I didn't have any of such footage come in my way and our cameras can't output it so I'm in for the surprise. I'm aware of the fact RED has finally came to their senses to support mainstream GPU for decoding but we don't work with RED at all. If R3D footage comes in great but again we don't shoot RED. When it comes to RAW we only do X-OCN because of F5 and Venice with XAVC 480 or ProRes 422 "as proxy" but most of the time "proxy" is good enough for final delivery with X-OCN being used for VFX flexibility but those are rarer occasions. I work on non visible VFX, that's my expertise besides setting up color and mood. Sometimes clients insist on RAW workflow but most of the time they just ask for it for archiving purposes. In many occasions we've finished the project with XAVC instead of RAW without them even knowing or seeing the difference because stuff we did was not feature film demanding. We do short promo pieces for internal purposes and b2b and we do work with multicam but never with 6 streams or something extreme like that but then again I'm not the one cutting it Thank god for that lol.
Bottom line ProRes RAW is a mystery to me cause none of the pieces I use support it, even Cion which outputs strictly to ProRes doesn't have it (yet). So it's a waiting game for us.