But one of the main "features" of the Mac Pro is being able to upgrade it yourself, so even if you get the lowest-specced "low-end" model it'll still last you for years; probably until a new Mac Pro design comes out.
I'm considering the purchase of the base Mac Pro and I have no intention to upgrade it (at least not initially). Does this mean I have to pick up an Audi A7 too?Buying the base Mac Pro without planning any upgrades is like buying an Audi A7 without an airconditioning. You're buying into the platform.
I'm considering the purchase of the base Mac Pro and I have no intention to upgrade it (at least not initially).
It will probably be the fastest Mac I'd own (I think my fastest Mac I currently own is my 6,1 Mac Pro).I think it all depend on the performance boost vs your actual machine.
It will probably be the fastest Mac I'd own (I think my fastest Mac I currently own is my 6,1 Mac Pro).
I won't need the capabilities of the 2019 Mac Pro. In fact my 6,1 doesn't see much use. My primary Mac is my 5,1. I'm just interested in buying one to complete my collection (I have a 1,1, 3,1, 5,1, and 6,1)If I look at the geekbench value the base model is around 37% faster than my 6.1MP in single core, but only 6.8% in multi-core where I use it more. Not for me. I have to go to almost 12 or 16 core to see a real performance boost.
This is anecdotal but my friend has worked on films including The Dark Knight, Marvels Avengers, Iron Man, Captain America etc - He works for a big visual effects place where they do the CGI. I asked his opinion of the new Mac Pro, in-fact we talk about Apple stuff regularly as he is a Mac and iPhone user as am I.
His opinion is this system doesn't fit their needs. It's not powerful enough. They want systems with dual processors and NVIDIA GPU's with CUDA for their software, not rendering they have a server farm for that but for actually design artist work on films they're not at all interested in these new Mac Pro's.
I asked him what about buying them and putting NVIDIA cards that have CUDA in them. He said that Apple still hasn't signed any of NVIDIA's driver packages for Mojave let alone Catalina so it's a no-go.
And this is one of the exact industries this system has been designed for. Now again anecdotal it's one guy who is my friend but he is not a grunt in the place he works, he's worked there for 10 years, he saw the moment they got rid of their old dual-processor Mac Pro's and went to systems from Apple's competitors, he went through their transition from macOS to Windows and Linux when there were no capable systems for their work scenarios from Apple etc
He still uses a 15" MacBook Pro as his personal laptop though, he is not an Apple hater by any measure.
That is not entirely true. The low to low-mid of the pro lineup has always been priced to be obtainable by enthusiasts. In 2003 I was a college student, working mostly full-time and I was able to scrape enough cash to buy a new Dual 1.8GHz G5 tower for about $2,100 (edu discount) that I used to learn Final Cut Studio and the Adobe Suite. A semester internship turned into a number of paid freelance opportunities because, not only did I have experience with the software and as an editor, I had direct experience troubleshooting the hardware and OS and knew how to eek out every last bit of performance editing DV, DVCAM and early HD on those systems. My $2,100 Mac at home, afforded me the knowledge on how to keep their $5k-$8k Macs running. It was knowledge that you could never get without having your own system to poke at and learn how to break/fix as much as possible. There is no school or internship that would ever let a student get that intimate with their shiny expensive workstations.
All along until the 2013 base nMP, which came in at a still justifiable $2,999, there was what you could call a pro Mac for enthusiasts. Something that was expandable, moderately powerful and, most importantly, a valuable learning tool. $5,999 is way out of enthusiast territory though... at least Final Cut is cheaper now I guess?
And/Or a non XDR option. I've yet to hear what the benefit of the XDR is outside of editing HDR content.
One issue I see on the 7.1MP case is that I have to pull out all the cables to open it... Very annoying.
If Apple and Nvidia dropped their sticks, Nvidia and CUDA could be back on any Mac Pro in a week. But this anecdote is kind of pointless anyhow as Apple hasn't really been in the Hollywood effects business for more than ten years. A shame? Perhaps. But the flip side is that the Hollywood effects business is dying, as I'm sure your friend must have told you. All those expensive post houses with Autodesk Flame machines are falling like dominoes.
And dual processors means Xeon -SP, which are even more expensive than the Xeon -W line for comparable clocks. So again, how does this lead to a cheaper entry-level price for the Mac Pro, which was the original point of this thread?
Your arguments about obsolescence have no basis on the real-world, practical use of these machines. This isn't a machine for spec-fiends or hot-rodders, and the Mac Pro never was.
At no point did I say "The Mac Pro is designed for every professional user out there". That's not me moving the goalposts, that's you not understanding what I've written. You're the one with a myopic understanding of what professionals means.Well you're just moving the goalposts now because my message was a reply to you where you said this:
My friend says, it's not fast enough. Once again they made a single-CPU Mac when they want Dual Processors. They've focused once again too much on graphics like the trash can Mac Pro which is not what they want. They've gone with AMD GPU's which is not what they want.
I was not answering the cost question in my reply to you because you were making out this Mac Pro is not for common people and that is why the price is so high. I countered that by saying even the professionals don't want it because while it is very expensive it doesn't offer them all* what they want.
Also my friends work place is doing very well, they just worked on the new James Bond
* And by all I'm speaking specifically to visual effects artists here. I'm personally a software engineer and I too am not interested in this Mac Pro. I'd rather build something for 1/4th the cost with superior performance.
At no point did I say "The Mac Pro is designed for every professional user out there". That's not me moving the goalposts, that's you not understanding what I've written.
This isn't a machine for spec-fiends or hot-rodders, and the Mac Pro never was.
You're the one with a myopic understanding of what professionals means.
And working on the latest James Bond isn't really an indicator of anything. Effects houses are going under even when they win Oscars on successful films. I hope your friend keeps his job, but it's not a market I'd envy being in right now.
We're having to read between the lines because you don't speak clearly. If you don't want to be misunderstood write exactly what you mean so there is no room for the wrong interpretation.
To me given the context this Mac Pro has been released under (Apple saying it's for professionals) combined with what you said in that sentence to me you meant it's for professionals who get work done and not people who obsess over specifications. If you didn't mean that then please clarify who is the Mac Pro for in your opinion?
Okay guy, tone it down a bit.
They're doing fine, they have to refuse work they're doing so well. And as I said he's worked there for over 10 years already, his job is perfectly safe. As for the studio that won the Oscar and then had to shut down, that's due to poor business decisions, they negotiated poorly with the studios to get the work on Life of Pi for example, that's their own fault, no one forced them to agree to unfavourable terms but themselves.
I'd like to add that in the entertainment industry it's very volatile in general. Hollywood studios, Game Studios, Music Studios, Visual Effects, Practical Effects etc all of these areas have very high turnover for employees and the companies often are on the brink of collapse. Creating media you hope will resonate with audiences is a huge gamble and one bad production can sink a studio if they put everything on the line.
Also I think it's childish to dismiss what I said with you inferring "well your friend might not even have a job soon!" like what does that have to do with this topic at all? Again moving the goal posts. I don't think I have to say any more.
If your time is that valuable, then the price of the Mac Pro isn't an issue. But again, you're deflecting. No one is arguing that you can't get more performance than a ten-year-old computer. The point is that the ten-year-old computer is still viable, and hence the nonsense about how this Mac Pro is already useless is ridiculous hyperbole.
And I haven't had a hardware failure on twenty Macs in as many years.
Yes, it does! Go ahead and get one. Without airco, of courseI'm considering the purchase of the base Mac Pro and I have no intention to upgrade it (at least not initially). Does this mean I have to pick up an Audi A7 too?
I'm already in camp BMW for my German vehiclesYes, it does! Go ahead and get one. Without airco, of course
It'll get upgraded but not initially. Those will come in time. As for why I'd be buying it well, to add it to my collection. I have one of each of the prior versions (save for a 2,1 and 4,1 which are essentially a 1,1 and 5,1 respectively). Kinda of want to keep that train going (though I guess I could wait until they're available used).I'm sure you'll be very happy with it. But it's borderline iMac Pro and even mac mini territory, except for the expandability. Expanding the Mac Pro, for me, belongs under upgrading it, e.g. AV cards, RAID, GPU, ... That's why for me, it's strange to get an expandable machine then to use it like an all-in-one. But who am I to judge
It's kinda laughable to even sell a workstation with only an 8-Core CPU and a 256GB SSD. And yet here we are with that option being $5,999.
People keep saying this is for professionals but they stuck a gamer GPU in it, the RX 580 rebranded as a Pro Radeon card. It's the same exact card with a different driver and firmware. It should have come with a Vega with 16GB of HBM2 as standard with an upgrade option to a 32GB card.
The base spec makes no sense, please no one buy the base. Either get the upgraded spec or look at another system entirely in my opinion.
It's kinda laughable to even sell a workstation with only an 8-Core CPU and a 256GB SSD. And yet here we are with that option being $5,999.
People keep saying this is for professionals but they stuck a gamer GPU in it, the RX 580 rebranded as a Pro Radeon card. It's the same exact card with a different driver and firmware. It should have come with a Vega with 16GB of HBM2 as standard with an upgrade option to a 32GB card.
The base spec makes no sense, please no one buy the base. Either get the upgraded spec or look at another system entirely in my opinion.
Good better best. Apple doesn't actually want you to buy the base spec. They want you to upgrade it, because the higher-than-base tier is their bread and butter with even sweeter profit margins. It's like the 64GB iPhone 11 Pro Max. They want you to upgrade to the middle one by making the "cheap" entry one obviously underpowered and overpriced. They're smart enough to make good margins no matter what you buy, though.
Yeah, but that still wasn't the xMac, which is the domain of people who cling to the prices of the PowerMac G4 as The Way Things Should Be, when looking historically the prices were aberrant for Apple's pro lineup, and also frankly Apple from an incredibly weak position (Intel competition pretty quickly stomped on G4 performance, and all the Velocity Units in the world didn't help with that.)
I agree that the higher price ceiling of the Mac Pro prices more people out of owning it; that's inarguable. Time will tell if this is the entire summation of Apple's strategy to reposition the Mac Pro as a high-end workstation, or whether they're just targeting the high end but will offer a cheaper option (if they do, I doubt it gets back down to $3K either way.) But it was never going to be a machine that would replace their hackintosh with gaming GPUs.
Part of the problem is what defines a "pro machine" has shifted substantially, as well as what defines a "pro machine" depends on the pro, who have different workflows and needs, and finally Apple's use of "pro" really just means high-end; sometimes that covers "professional", and sometimes that's just "the best X we make".I think it is clear Apple’s strategy is buy an iMac or a Mini w/eGPU. Now that Thunderbolt and USB have merged and devicemakers will not have to shell out royalties to Intel, the modular option might actually be viable/cost effective and the iMac is a solid value for what you get anyway.
To your point, I don’t feel Apple had a true Pro workstation machine until the early multi socket Xeons, but even then there was a single socket option in an obtainable price range.
Also, my argument really doesn’t have anything to do with performance/value, it’s about the entry point to a common platform. Take canon DSLR cameras for example. You can buy a camera from their xxD range for half the price of one from the flagship xD lineup. The software, the features and how to actually operate the camera are 99% the same and you can take that knowledge to any DSLR they make.
When you purchase the 7.1, you are GONE! And Apple knows it. You don't need to make another purchase from them for this machine for the next 5 to 12 years (for the dedicated mac pro hanger oners). They are getting their money upfront with an expensive base model and waving you adios and anticipate you will enjoy the ride for the coming decade. Not a bad quid pro quo.Apple has a live scale of 4-5 years for a produkt. The MacPro has one of 10 years. That's why it has the double prize as it has to regarding components.