Avid isn't easy to learn; it's a bit less drag and drop than premiere/fcp, and the interface is dated in some ways.
But I wouldn't use anything else, given the choice...
Cool. Thanks for delineating the two respective Mac Pro models. For someone on a budget, do you think a single trayed MP one will be "good" enough. Say, a quad-core Mac Pro with HD5770 or upgraded GPU like 280x or RX460?
I am not sure if I need dual cpu's for FCPX and Motion. Even, if I am dealing with 4K.
Does 4K RAW files, if ever I come across them, depend on CPU or GPU in FCPX workflow?
Also, thanks for letting me know that 2.5" SSD's are fast enough for 4K editing. I figured that they would be, even though, they will be limited to SATA2 speed.
PS--Yeah. I know about gaming GPU's and workstation cards. By gaming, I just mean, the ability to push pixels and thus the amount of silicon in the gpu. Such as the RX470, heralded as a great affordable gaming card, can be an awesome FCPX card on a mac if it is supported.
My 2010 Mac Pro is still quite capable.
Hey, I just finished doing 40 hours of 4K television on a D700 trash can and it was hell. The thing is barely capable and has all kinds of render problems in Davinci Resolve (thankfully, I found the Baselight plugin for Media Composer).
I work on crazy deadlines and can tell you point-blank that Premiere failed us right out of the gate. It's probably great for short projects without a lot of media to manage, but for television it wasn't a good choice. Mostly issues with media linking and render management.
Media Composer never failed me. Some people moan and whine about the dated GUI and the learning curve, but it's a tank. For the 40 hours I onlined, I also had to make multiple versions (XDCAM op1a, textless masters, PAL versions) and Media Composer (with the proper hardware) easily managed all this.
Back to the Mac Pro. Now that I've got time to stop, I'm ditching the trash can and bringing in my old 5,1 Mac Pro. Going to install a Titan X and bounce back between Resolve and Baselight.
If you're doing serious colour-grading, I can't recommend Baselight plugin enough. Amazing tools, including excellent tracking, stabilization, power windows, etc, etc. For like a thousand bucks.
Good luck!
EDIT: what I hate most about the trash can...the nest of cables you end up with and the inability to easily plug/unplug cables. I learned quickly to never touch a thunderbolt cable when I had a show open. Most times, it will tug a TB just enough to send all your devices offline. Not fun.
Agreed 100% on this. In the pursuit of minimalist plugs, they forgot that professionals need a positively locking interface.EDIT: what I hate most about the trash can...the nest of cables you end up with and the inability to easily plug/unplug cables. I learned quickly to never touch a thunderbolt cable when I had a show open. Most times, it will tug a TB just enough to send all your devices offline. Not fun.
The look can be adjusted but I don't know anyone that's looks at a bright/light setup for hours on end.Looks familiar! Lol! Except, it's gone dark mode!
Does it leverage GPU's for realtime editing?
Interesting.
I am still on the fence about getting a cMP.... there are like more modern Macs like iMacs and even MBP's that trounce it (at least for the Quad-core Mac Pro's that are within my budget).
Interesting. What about FCP X? I know Avid is a mainstay in the industry. And, I think, in some capacity, the old Final Cut Pro from 7 down... was also a mainstay for smaller TV companies. How is FCPX now in terms of dealing with the same workload you mentioned above?
If you have the money for something new, then sure, sometimes it's better. According to Barefeats (http://barefeats.com/imac5k18.html) iMac 5k in full setup is a quite capable machine. But as you can see in those charts, cMP is still there, fighting quite capably, often beating the competition.I am still on the fence about getting a cMP.... there are like more modern Macs like iMacs and even MBP's that trounce it (at least for the Quad-core Mac Pro's that are within my budget). And, I am afraid of a desktop worksation being so stationarily heavier to move around... if and when I do need to move...
yep FC7 is still used by a lot of professionals as well as indie people still, it works it's stable and dose 99% of what you want. software is not cheep so if it works, hay stick with it.
i think my problem with the cmp is not that it will not work it's that for the cost to pick one up then upgrade/buy parts you can get a faster new windows box/hackbox or even faster used windows/hack box.
are you not willing to do the cpu upgrade yourself? it tends to be cheaper that way
rams fairly cheep on ebay so id buy it from there as upgrades tend to cost to much (32gb is about £50 UK)
are you going to have to buy a gpu?
if your total budget is $700 American it may still be tight once you add in a SSD & two HD's (i use WD black)
ps lots of people sell 4.1's that have been flashed to a 5.1 as a macpro 5.1 worth checking the lable on the back to see what the original model is
I'm a big fan of this thread. I bought a 2009 MacPro 2 quad core, 16gb ram and stock video card in '10 from a friend. Good machine. Ran hot working on Adobe apps or Civilization. After I got a '12 MBP, it's just been sitting there. As much as I like the esthetics of the new MP, I'd love to rehab this one or find it a good home.
I still have not flashed it to the 5,1. I'd love to max it out as much as I can for under $1000. MacNN had started a thread on upgrading them but then they shut down this summer. A step by step sticky, I think, would be a great service to the community. Tons of knowledge. I didn't even know that some video cards are better for FCPX vs Adobe.
And if you have advice one what components NOT to get, please, let me know. I had previously installed a pci-USB 3.0 card to add 4 usb 3.0 ports and it would constantly crash.Probably a cheapo part. But I digress.
Give us your best build advice and part recommendation.
I wanted to get folks thoughts on my mac pro situation. I have a 2010 which I just upgraded with more ram and a hex cpu. Initial impressions are its a bit more snappy in the gui. I haven't tried anything taxing yet. So, very pleased with that--its a keeper. I also have a 2009 with dual cpu. I know I can flash it to 5.1 and upgrade the cpus. There are kits for this on ebay--$400-$500. OTOH, I can get a mac pro 2010 for about $700 on ebay, and one with a hex cpu for $875--perfectly reflecting my $175 hex cpu cost.
So, I can get another mac pro 2010 as a backup computer and sell my 2009, or mess around with my 2009, getting some good multi-core cpu power. I am inclined to get a 2010, as the whole lidless cpu thing bothers me. Got to either take an iron to a cpu, or do the washers thing and get the little heat sink strip--maybe that's not such a big deal. In any case, is the 2009 a lesser machine otherwise due to slower bus speeds or other reasons; if I upgrade it will it be worth the investment?
PS. Looking at craigslist and ebay, I see what look to me like ridiculously high asking prices for tricked out 2009s, and even 2008. Am I the only one who things some of these folks are dreaming?
In this post, I was wrestling with whether to upgrade my mac pro 2009. Well, I put in a bid on a mac pro 2012 and just won it, so gonna sell my 2009 and upgrade the cpu in this one just like I did in my 2010. $800 before shipping. I will order another hex w3680 for $175 and off to the races. I suppose this will become the alpha dog of the pack--my wife gets the lesser one, and uses it very little.