Sure about that?
It isn't laptop panel and according to Kodawarisan 20" is 8bit.
It is a TN panel, which means it is 8 bit with dittering
Sure about that?
It isn't laptop panel and according to Kodawarisan 20" is 8bit.
It is a TN panel, which means it is 8 bit with dittering
Do you know this for a fact for this particular panel? If you take a look at linked specs they clearly state 8 bit. On the same spec table there are others spec'd 6 bit + FRC so it is not like they are trying to hide the fact that some panels can only produce 6 bit colors.
It is a TN panel, which means it is 8 bit with dittering
I always thought that the old 20" iMacs used S-IPS panels, and thus delivering true 8 bit.
I am a professional designer and am posting this reply from my work machine is...(*gasp*) an iMac. If you are only using layout and 2d design apps it is plenty fine. My PowerBook at home has a single core 1.33 ghz processor that was state of the art 3 years ago and did everything I needed it to do fine...and now that there is something out there that has over double the power I should consider it garbage because it has an "i" in front of it's name? PLEASE! Besides, many design firms prefer iMacs because they are "good enough" power wise and more cost effective than say a $3,000+ Mac Pro. Also, the bashing of the glossy screen is totally out of control...I was playing with one yesterday at the Apple store and thought it was fine. The truth of the matter is everyone on this board feels the need to make mountains out of mole hills and complain about new products....its just confusing.
Please don't burn me, this is an honest question:
How does the glossiness of a screen mess up its ability to display true colors?
I understand how glare could be an issue, but assuming someone could position their computer without glare, are glossy screens inherently less able to produce accurate color, even once calibrated?
People who have already bought the new iMac and calibrated the screen and then done test prints on a calibrated printer are saying the screen is showing colours that are to saturated and that is far from 'fine'.
Call me crazy but i never go by the color on the screen when working for print under any circumstance. I work with a $500,000 nexpress digital press every day and know that the only way to match a color is offset printing. Buy a pms swatch book to be sure. On the other hand i see how this can be an issue when working for web.We are not making a mountain out of a mole hill, we are perhaps a lot more fussy about calibration than you are though. Maybe for what you do you do not need to calibrate the screen. To say that you played with one in the Apple store and thought it was fine is no way to test a screen. You cannot tell by doing just that that it will calibrate. People who have already bought the new iMac and calibrated the screen and then done test prints on a calibrated printer are saying the screen is showing colours that are to saturated and that is far from 'fine'.
Is that true for the 24" aswell? It has 178 degrees viewing angle so I doubt it. Probably pva/mva/ips.Well, graphics pros shouldn't be using an iMac anyway because it's LCD is only 6-bit w/dithering. That ain't true color folks.
People who have already bought the new iMac and calibrated the screen and then done test prints on a calibrated printer are saying the screen is showing colours that are to saturated and that is far from 'fine'.
This panel tech is a bit out there... The 20" is stated to have a 160-160 degree viewing-angle at the US apple site. On many (if not all) international sites it says 170-170.
Call me crazy but i never go by the color on the screen when working for print under any circumstance. I work with a $500,000 nexpress digital press every day and know that the only way to match a color is offset printing. Buy a pms swatch book to be sure. On the other hand i see how this can be an issue when working for web.
Some links to these calibrating 'people' you mention would be great.
One more thing about that reflection... when we were all using crt monitors they all had glass in front of them, and most of the time it didn't bother us. I doubt the reflection on the glass of the new iMac can be any worse than the reflection on an old crt. Or is this logic wrong?
While that's true, they also usually had a mat (anti-glare) coating on the glass. I don't believe that there's a anti-glare coating on the new iMac, because it's all about extra glossy, these days.
Well me making a note of the sites would have been really sensible would'nt it! lol. Ok think it was on http://www.dpreview.com and then going into the mac section.
DPreview is the first site I went to trying to find more info on this potential "calibration" issue. Again, lot's of speculation but I haven't found a single thread about someone that actually owns one of the new iMacs and have tried to calibrate it. There is lots on the MPB glossy screen reporting issues but the iMac seems to be different because it's a matte screen with a piece of glass in front.
Again, I'm not trying to be a pain but if you have links to anything non-speculative about someone that owns a new iMac and that tried to calibrate it that would be nice...
No, it's 170-170 degrees for the previous 20" iMac panel on the US site too. Where do you get your information from?
The NEW 20" iMac uses TN Film from LG.Philips
Whether it is 6 or 8bit is still unknown