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Awesome image. If you want to get into self digitizing with your digital camera - you may want to investigate this; The Essential Film Holder.


I used to process b&w film - it's all in the timing - and the stinky chemicals - I think the fixer was the worst.

God yeah, the chemicals honk! Also as the developer is clear and the stop bath is clear, first batch, I put the developer and stop in the same water.... so that was a couple of pounds spent on learning that a simple sticker on the tube makes it a whole lot easier!

Then yes, opening the 35mm film canister blind with a bottleopener, thats fun. Lets not forget how warm it gets in the dark changing bag. That was fun. Oh and my personal favourite, my elderly dad phoned while I was agitating and timing the developer so the stop start switch to the stop bath was an interesting fumble "hang on a minute let me put you on speaker dad" moment! - he thought I was having a fight with someone! of course that is the logical conclusion he jumped to... ha ha ha...

The EFH looks interesting. As you can see on my "scan" the upper half gets a bit soft as it was curled - again simple fix.... RTFM, put a clip on the bottom so it dries straight duh!



Welcome back! It's been a while since you posted an image.

Thank you. Yeah been lurking about a bit but just not had anything worth posting - not saying I have now, just this was an interesting (to me at least) adventure into processing.
 
I smiled at this .... also processed my own b&w film 1984 in college, took photography as art elective.
Dodge and burn were what they meant then exposing negative with enlarger onto print sheets.
Ahhh, doing contact sheets first, then selecting which negative(s) to expose, and how.

Yep I always have been a late developer... he he he sorry, the dad jokes are back!

I kind of like it. I am sure I will get bored but for now it is fun.
 
IMG_9507 (1).jpg
 
Hope everyone is having a fun safe labor day today. So glad that we are able to go out and shoot again in public... especially the portrait shooters. This is a portrait I edited early on when the "Stay at Home" orders first started... when we were all locked indoors...

stayathome_edit.jpg


Here is a quick animation of the edit if interested (please excuse the typos... lol). I took the portrait before the stay at home orders, the backdrop isn't mine... even if the location is local. I reread the thread rules to see if this is allowed. Please let me if it's not and I'll delete, or have it deleted. Happy Labor Day!!!!

I enjoyed watching the animation. I find it fascinating how the colour matching is done but I am terrible at it.
 
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I've never done any darkroom processing (although I am old enough to have shot film that was just sent off to a lab) but my daughter is going to take a darkroom photography class this year in high school. 🙂 I am wondering if she happens to be in online school during that segment if I am going to have to set up a darkroom in my studio bathroom! 😂 Then I will also have to buy a film camera. I stupidly sold mine when I started digital photography.
 
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God yeah, the chemicals honk! Also as the developer is clear and the stop bath is clear, first batch, I put the developer and stop in the same water.... so that was a couple of pounds spent on learning that a simple sticker on the tube makes it a whole lot easier!

Then yes, opening the 35mm film canister blind with a bottleopener, thats fun. Lets not forget how warm it gets in the dark changing bag. That was fun. Oh and my personal favourite, my elderly dad phoned while I was agitating and timing the developer so the stop start switch to the stop bath was an interesting fumble "hang on a minute let me put you on speaker dad" moment! - he thought I was having a fight with someone! of course that is the logical conclusion he jumped to... ha ha ha...

The EFH looks interesting. As you can see on my "scan" the upper half gets a bit soft as it was curled - again simple fix.... RTFM, put a clip on the bottom so it dries straight duh!





Thank you. Yeah been lurking about a bit but just not had anything worth posting - not saying I have now, just this was an interesting (to me at least) adventure into processing.
I’ve seen stuff worth posting on your Flickr account. Just clearly holding out on us!
 
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Haven't had much time to share anything over the last few days and won't have the time or space to do so for the next ten days or so either, so I'll leave this one of the place I have dubbed 'the fairy cottage', captured on my phone. Next week is looking epic as I head out into the mid-North of my state for another week of roaming around old ruin sites, but first I get to spend two days at a wombat sanctuary that a dear friend established back in the late 70's!

IMG_0044.jpeg
 
I've never done any darkroom processing (although I am old enough to have shot film that was just sent off to a lab) but my daughter is going to take a darkroom photography class this year in high school. 🙂 I am wondering if she happens to be in online school during that segment if I am going to have to set up a darkroom in my studio bathroom! 😂 Then I will also have to buy a film camera. I stupidly sold mine when I started digital photography.

There is something....magical about working in a properly set-up darkroom, moving beyond the fairly straightforward and simple process of developing a roll of B&W film, which indeed can be done in a home bathroom. It's the next steps in the process which can be really breath-taking, especially if one had never experienced this before. It can be so rewarding and yet at the same time frustrating, spending time laboring over a negative in the enlarger, exposing the piece of photo paper to hopefully bring out what you saw and imagined at the time of taking the shot, and now waiting to see if the final results are what were intended. Yes, it can be very frustrating at times when the final results on the paper mean a return to the enlarger and another stab at getting what you really want from that negative. Yes, the chemicals smell and yes, those chemicals can stain whatever clothing one is wearing.....but all of that somehow fades away in importance when standing in the dimly-lit darkroom gently rocking a tray back-and-forth, listening to the photo paper softly knock back-and forth against the sides of the container, and all of sudden it happens: you are watching the image you shot coming to life on what had seemingly been a blank piece of photo paper..... Even if later after the print has dried you realize that, oops, not enough contrast or you overlooked something that should have been corrected while the neg was still under the enlarger, etc., etc......it doesn't take away the experience of watching that image come to life, regardless of how perfect or imperfect it might turn out to be. This is an experience every photographer should have at least once. Working on one's images in the computer in whatever software program is chosen is simply just not the same experience.

I love the convenience, speed and amazing things we can do today with digital shooting and digital post-processing. It's just really cool to run out on my deck and fire off a few photos of Alfred, my favorite GBH, or of a turtle dozing in the sunshine on a log, and come back in the house and pop the SD memory card out of my camera into the card reader connected to my computer and within a few minutes have the images ready for viewing by me and others..... This sure beats the time that it took in the past to go through the process of shooting->developing->analyzing in the enlarger and making adjustments ->printing ->viewing the finished product....

But you know what? Even today, years since I last set foot in a darkroom, I still remember the magic and the mystique of that particular type of experience -- the smells, the sounds, the incredible sense of peace and "being in the moment" as I stood at my tray rocking a slowly developing image and watching it come to life..... even though at the same time I remember the frustration and the smells and having to toss away some t-shirts that just couldn't be salvaged from the stains, etc., etc..... There really is just nothing like being in the darkroom and forging a unique connection with one's own images from start to finish.

I am glad to hear that they are still teaching PHT 101 or whatever it might be called in today's high schools and community colleges, four-year colleges and universities. The darkroom is an experience which teaches an awful lot about photography, not just about taking the photo from the get-go, but moves the student along to the processing of that just-shot roll of film to the point at which one stands at the enlarger and works with the image, and then carefully takes it over to the trays and waits for the magic to happen......and then shares it with the world.
 
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Shooting on film and doing film developing/printing in the 80's was special. Not many people were doing it and those who touched a film camera were skilled in it's use. Today it is point and shoot, with in camera processing or auto post processing. It is awesome to have the instant visual access to an image, but the wait to develop the film and with thoughtful calculation to print the image was magical.
 
I never developed my own film, but I do remember the days of going to the photo-lab section of the store, filling out my customer info on the envelope, and dropping my roll inside. Then you had to wait a week to see how you did!

My dad also used to get vacation rolls on slides. I still remember setting up the screen and slide projector to view our old trips. Now that's as simple as casting to your HDTV or posting them on SM. This POTD thread is about as "delayed gratification" as it gets in the digital age!
 
I also did plenty of taking my rolls of film to a local mall and whatever camera shop (usually Ritz Camera) was in it to have them do fast processing of my photos.....and unsurprisingly, much of the time I was not very happy with the results.

I'll admit that in some ways I much preferred the times when after I became more serious about photography and was past the snapshot stage, I could simply swing by the professional photo lab (not a shop in a mall) and drop off my rolls of film and then later go back to pick up the results -- not 4x5 or 5x7 prints, but simply contact sheets, and then I'd stand there and mark up the images I thought would be good prints and let the lab take care of that....

The problem with this, though, was that I still didn't have full control over my images, and this is what we now have with digital imaging and processing. I no longer need to stare at a small contact sheet image and decide/guess on the fly that the lab should crop it here, burn in here, dodge there..... and make another trip back to the lab to pick up the final prints. Now I can sit at home at my computer and make those decisions while staring at the image but also can make additional adjustments when I see, oops, that's not really working well, need to back off a bit, or need to clone out that errant piece of paper on the ground there.....

I love what we can do these days with digital photography and our images.....but I will also always have a nostalgic fondness for what we used to do.....
 
I currently have a Fujifilm X100 series camera - wanted one when they originally came out in 2011. It is a joy to use. I use the rangefinder most of the time, and utilize the back screen for settings. It takes me back to the days of film photography. Composing through a viewfinder. Physically adjusting shutter dial and aperture ring. Taking time to think about the shot. Isolating from a point and click world.
 
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I've never done any darkroom processing (although I am old enough to have shot film that was just sent off to a lab) but my daughter is going to take a darkroom photography class this year in high school. 🙂 I am wondering if she happens to be in online school during that segment if I am going to have to set up a darkroom in my studio bathroom! 😂 Then I will also have to buy a film camera. I stupidly sold mine when I started digital photography.

Check out Lab-Box - it is a daylight film processing system. I am considering one
 
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Last in the series, off on its own power. Given that the horizon level was so photographically poor, I didn't hang around to see if rocket returned to launch area for soft landing where would be visible, or out to sea for ship landing. That is a new twist that they developed in the past year or so to reuse the rocket for future launches.

This was a small rocket, however they do have a Delta Heavy pending reschedule, so don't know day or time of day, but last time had two stages return for soft landing and the third stage ship landing.
Falcon Morning Launch - 2500px-16.JPG
 
I spent 25+ years working in a commercial photo lab. I started in the 80's when we closed up shop we were all digital. Working it the dark for 8 hours a day was a magical experience.
 
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Check out Lab-Box - it is a daylight film processing system. I am considering one
Thanks! At first we will just do whatever her school recommends. Hopefully she will have that class on campus and just be able to use whatever their supplies are. I'm not sure what the class entails as they aren't even required to have a camera; I guess they provide those at school. I'm hoping not so I can buy one and use it when she is done! 😂)
 
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