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LizKat

macrumors 604
Aug 5, 2004
6,770
36,283
Catskill Mountains
The Canon by Johann Pachelbel.

A piece that brings to mind some rather special memories.

Dare I say "I had no idea....!!" Anyway, thank God Pachelbel's Canon was not among the pieces of music that the football team was supposed to learn how to recognize in their Music Appreciation 101 the year that one of my part time jobs at the music library was to help those guys pass the course. I taught them nonsense rhymes for the front end of each track the professor had assigned. You know stuff like "The moon has no tune but we'll make it to June" and so forth. To this day I can't listen to that little collection of assignments, and furthermore have embarrassed myself by bursting out laughing in someone else's kitchen or car if a radio station happens to play one.
 
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Scepticalscribe

macrumors Haswell
Jul 29, 2008
65,197
47,579
In a coffee shop.
Dare I say "I had no idea....!!" Anyway, thank God Pachelbel's Canon was not among the pieces of music that the football team was supposed to learn how to recognize in their Music Appreciation 101 the year that one of my part time jobs at the music library was to help those guys pass the course. I taught them nonsense rhymes for the front end of each track the professor had assigned. You know stuff like "The moon has no tune but we'll make it to June" and so forth. To this day I can't listen to that little collection of assignments, and furthermore have embarrassed myself by bursting out laughing in someone else's kitchen or car if a radio station happens to play one.

Well, given that the memories were being revisited, it seemed only right and proper to revisit the piece of music, as well.
 

Scepticalscribe

macrumors Haswell
Jul 29, 2008
65,197
47,579
In a coffee shop.
I'll keep it in mind for future purchase, thanks.

On a second listen, there are some tracks which I really - really - like, - which is what I had thought yesterday, and will be 'ripped' in due course - to my iTunes Library (still on my computer, not the Cloud or elsewhere), and a few I may - nay, will - decline to 'rip'.

But, that is a matter of personal taste.
 
Pardon the tl;dr. For this post it makes more sense to link videos (and NPR streams) instead of embedding them.

Been taking a much needed self-induced hiatus from the forum (thanks, PRSI). During my recently-ended free Google Music trial I listened to stuff I now need to buy. A few standouts: (links go to songs I particularly enjoyed): The Avalanches' Wildflowers, Nicholas Jaar's Sirens, Chance the Rapper's Coloring Book, Sturgill Simpson's A Sailor's Guide to Earth.

And I've managed to squeeze in a few focused listens of Leonard Cohen's new and economically elegiac album You Want It Darker. November 9th can't come soon enough. This album may be on heavy rotation thereafter.

Today NPR posted a very generous fifteen track sampler of the forthcoming Live 1966 36-CD set by Bob Dylan. That's eaten up a chunk of today; for sanity's sake I'll parcel out the whole box set over a few months. Personal highlights: Visions of Johanna, Desolation Row, and Mr. Tambourine Man are positively hypnotic. Just Like Tom Thumb's Blues opens with engagingly loopy stage patter, and the last performance of that tour is a sneering Like a Rolling Stone with searing guitar work by Robbie Robertson that's absolutely sweet sour. NPR also sum up that schizophrenic tour better than I could (emphases in this short excerpt are mine).

The shows followed a standard format: an acoustic set, then an intermission followed by an electric set. Dylan worked from a thick songbook that included material from the just-completed Blonde On Blonde, the third landmark studio work to come from an 18-month fever burst of creativity. The acoustic sets mix older songs with pieces, like Blonde On Blonde's "Visions of Johanna," that had not yet become standards; Dylan varies the phrasing and emphasis of these newer, word-drunk gems, in search of subtle (and not-so subtle) ways to amplify their meanings. To hear him developing alternate pathways for his songs, working in real time to adjust shading and mood, check out the version of "Desolation Row" from Liverpool.

The full-band sets are more unhinged, notable for the contrast between Dylan's impulsive wildness and the low-key poise of the accompaniment. Backed by the Canadian band The Hawks (later The Band), Dylan charges right at those who wanted him to remain a folk singer. He shouts. He rips into some of his pretty melodies as though determined to destroy their contours — from one perspective, the tour registers as his long experiment in how far he can push tunes like "Ballad Of A Thin Man." He leans into some phrases until they become outrageously exaggerated, sings others with the leering, barely concealed delight of an antagonist.
 
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mobilehaathi

macrumors G3
Aug 19, 2008
9,368
6,353
The Anthropocene
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mobilehaathi

macrumors G3
Aug 19, 2008
9,368
6,353
The Anthropocene
Are these a particularly good set of recordings? I have quite a bit of his work on CDs (and on my computer's music library).

Actually, I am very partial to the music of Erik Satie; he has been one of my favourite composers since I was an undergrad.
Quite good, in fact. I've read a few places that Aldo Ciccolini's are some of the best performances of Satie's works. I've only listened to a handful of other performances, but these are quite nice...
 

Fozzybadfeet

macrumors 6502a
Oct 7, 2009
511
486
Still on Chance The Rapper's album and going to check out Empire of the Sun's latest.

Also realized that I don't listen to music as much as I used to.
 
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