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Trying to outcrazy the remnants of rain-filled storm Florence by playing Handel’s Water Music at her, with the volume cranked up this afternoon. Think it might be working... the sun is finally starting to peek out. :D

The Water Music was written in response to a request by King George I for a concert on the river Thames back in 1717. I’m just hoping it helps keep the western headwaters of the Delaware River system in banks this weeks all these 301 years later.

No clue what Handel may have thought of a French group ever having at his works... but I like it fine, so below is embedded the audio of Suite 2 in D Major from the Water Music as performed by the Jean-François Paillard Chamber Orchestra.


Noted in passing: The late conductor Paillard was who brought “Pachelbel’s Canon” from dusty shelves of middle Baroque sheet music to daylight again in 1968, ornamenting it with some ad libitum insertions found so welcome by performers that they were eventually treated as obligato and the work is rarely heard without those parts today. The canon topped “classical” charts in the late 1970s, and if you haven’t heard it played somewhere then truly you’ve been living in a cave devoid of movies, TV shows, ads, intros to audiobooks and God knows what else. The last of the great middle Baroque South German composers, Pachelbel apparently didn’t have much influence on Handel, who was born in Germany but became a naturalized British citizen and whose works reflected more the northern German and Italian Baroque styles.

Great post and terrific choice in music.

While I love Handel's music, I must say that "Pachelbel's Canon" is a piece I find utterly unforgettable.
 
Ran through my normal playlist so there was a lot of music, but the standout was this one, a favourite.
"Sober" by Little Big Town. I love the vocals in this one. They are masters of harmony.
 
The Magnetic Fields – In My Car


Seems like an homage to Gary Numan, whose songs they've covered before and who has provided guest vocals on The Sailor in Love With the Sea.
 
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John Carpenter, Son & friend take on one of Carpenter's greatest themes and revise it.


This is fantastic.

Adding to that, I'm so ready for a decent Halloween movie again. Having enjoyed much of Rob Zombie's cinematic (and musical) output it is my unwavering opinion that his Halloween movies were pure and utter garbage. Simply put, they lacked basically everything that made the original Halloween the classic it is.
 
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Francis Poulenc - Sonate pour hautbois & piano, FP 185 (1962)

This performance is from the album Poulenc Intégrale - Edition du 50e anniversaire 1963-2013

Oboe: Maurice Bourgue
Piano: Jacques Février

1. Elégie (paisiblement)
2. Scherzo (très animé) [at 5:08]
3. Déploration (très calme) [at 9:05]


Love this piece. It was written only a year before Poulenc died, and was dedicated to the memory of Sergei Prokofiev. If an oboist can get through the first four notes then he or she may not relax but can possibly enjoy playing at least the rest of the first movement. The scherzo is difficult throughout but perhaps not as unnerving as those first four high notes at the very opening of the work. Poulenc was noted for extreme scoring no matter the instrument and this sonata was no exception. There may be instruments more treacherous than the human voice, the oboe and the French horn, but they don’t come to my mind immediately. This work is sometimes chosen for a graduation recital from conservatory.
 
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This is fantastic.

Adding to that, I'm so ready for a decent Halloween movie again. Having enjoyed much of Rob Zombie's cinematic (and musical) output it is my unwavering opinion that his Halloween movies were pure and utter garbage. Simply put, they lacked basically everything that made the original Halloween the classic it is.

I hope Rob doesn’t screw up the threequel Firefly film, Three From Hell. I still have a mild soft spot for The Devil’s Rejects (I see you’re a Spaulding fan. I dig Otis myself).

As far as Halloween (I agree with your comments) and I am debating if I will see the 2018 sequel theatrically. Knowing me, I will probably rent that and the Suspiria reimagining
(which I was looking forward until I heard the soundtrack (freaking KEOMA levels of awful) and I read way too many reviews of what I hoped it wouldn’t be. Seriously, how can the Suzy Banion character be a bit player when she was the lead in the original?!?)


Update: Does it help that I was listening to Goblin’s soundtrack for the original Suspiria when I typed this?
 
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I hope Rob doesn’t screw up the threequel Firefly film, Three From Hell. I still have a mild soft spot for The Devil’s Rejects (I see you’re a Spaulding fan. I dig Otis myself).

As far as Halloween (I agree with your comments) and I am debating if I will see the 2018 sequel theatrically. Knowing me, I will probably rent that and the Suspiria reimagining
(which I was looking forward until I heard the soundtrack (freaking KEOMA levels of awful) and I read way too many reviews of what I hoped it wouldn’t be. Seriously, how can the Suzy Banion character be a bit player when she was the lead in the original?!?)

I'm going to spoilerize everything here, since it's not exactly music-related. No real spoilers here.
Yeah, I have high hopes for 3 From Hell, but we'll see. It's his own turf, so he should do OK. And yes, the Captain is a great character, but in my case the admiration is shared between Sid Haig and the character he so gracefully portrays. Otis did have one of the better lines (delivery wise), which always elicits a giggle from me, in TDR during the siege on the Firefly compound. Yes, sometimes mere profanity makes me laugh.

Regarding Suspiria, I agree wholeheartedly. I love the original, but this new one frightens me, without even having seen the trailer. We'll see what comes of it, I suppose.

Since it fits here, here's a great tune to get us back on topic.

 
Screen Shot 2018-09-21 at 5.54.44 AM.png
 
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One more from "The Basement Storage Unit"-archives. Having just bought a new shelf for storing CDs, some more selected titles have finally made the five story migration into my apartment. One of the CDs was Leonard Cohen's The Future.

The first time I heard this track was when I first saw Oliver Stone's Natural Born Killers. After all these years I'm still not sure exactly how I feel about the film, but the soundtrack is exquisite. As is the voice of ol' dearly departed Mr. Cohen.

 
One more from "The Basement Storage Unit"-archives. Having just bought a new shelf for storing CDs, some more selected titles have finally made the five story migration into my apartment. One of the CDs was Leonard Cohen's The Future.

The first time I heard this track was when I first saw Oliver Stone's Natural Born Killers. After all these years I'm still not sure exactly how I feel about the film, but the soundtrack is exquisite. As is the voice of ol' dearly departed Mr. Cohen.


Leonard Cohen is sublime, love his music, a great choice.
 
Leonard Cohen is sublime, love his music, a great choice.

He really is. It's not like he's in my daily, or even necessarily monthly rotation of music to listen to, but still every time I do listen to his albums, there's always that certain feeling that precious few artists evoke. As you correctly put it, sublime.
 
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