Fourth Time Around by Bob Dylan. The story behind this song is quite interesting actually.
If you compare the overall melody of this song to Norwegian Wood by The Beatles, it is very similar. Lennon himself half-thought that this song was Dylan "tributing" his own song, but he also thought that Dylan was warning him not to use guitar riffs which he had showed Lennon originally. The origin of this idea was spelled out in the last line of the song which states "I never asked for your crutch Now dont ask for mine." Turns out in late 1964, early 1965 Dylan had played this for Lennon in some hotel (what I would give to hear that recording) and Lennon later "borrowed and modified it" for Norwegian Wood.
Whatever the case, both are amazing songs, some of the best in their respective careers in my opinion. Dare I say, I like electric ('65-'66) Dylan a tiny bit more than his earlier ('63-'64) acoustic protest songs. That being said, my all time favorite Dylan song (nearly impossible to pick) still remains Boots of Spanish Leather off his famous The Times They Are a-Changin' .
If you compare the overall melody of this song to Norwegian Wood by The Beatles, it is very similar. Lennon himself half-thought that this song was Dylan "tributing" his own song, but he also thought that Dylan was warning him not to use guitar riffs which he had showed Lennon originally. The origin of this idea was spelled out in the last line of the song which states "I never asked for your crutch Now dont ask for mine." Turns out in late 1964, early 1965 Dylan had played this for Lennon in some hotel (what I would give to hear that recording) and Lennon later "borrowed and modified it" for Norwegian Wood.
Whatever the case, both are amazing songs, some of the best in their respective careers in my opinion. Dare I say, I like electric ('65-'66) Dylan a tiny bit more than his earlier ('63-'64) acoustic protest songs. That being said, my all time favorite Dylan song (nearly impossible to pick) still remains Boots of Spanish Leather off his famous The Times They Are a-Changin' .
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