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rm5

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Anything by Oscar Peterson (and whoever accompanies him on that particular recording) is always well worth listening to.
True!! Honestly, as someone who plays all three instruments - piano, bass, and drums - I can say that all three are all of equal importance when it comes to the overall groove (which is essential). Obviously with piano being my primary instrument, I know a bit more.

With the piano, accenting some parts of each measure helps it swing even more. Specifically, since swing is built from triplets, accenting parts of those helps tremendously. During the bass solo, playing on downbeats to help keep the time.

On drums, you hold the stick so that it's loose in your hand, so that it can flop easily. (This is different from classical drumming where (at least how I was taught) you hold the sticks with your index finger on top.) This makes it so you don't have to move your wrist as much when you play swing time on the ride cymbal. Hitting snare accents on the triplets (sort of the same thing as on piano) is essential, too. Obviously keeping time (beats 2 and 4 usually) on the hi-hat is the most important thing.

On bass - and this is something that a lot of people struggle with (that I did, too when I first started playing) - you need to play legato - that is, notes connected, not separate. This is a challenge for beginner bassists, because doing this while moving around the fretboard is very hard. Just takes a lot of practice! In fact, I was just teaching someone how to do this yesterday! Playing legato (and being so much on the quarter note that you're almost a little bit early) is what makes the whole band swing. This is why I say the bass is the most important instrument in a jazz group. Also, adding in some pulls/ghosted notes here and there is good.
 

S.B.G

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IMG_0082.png
 
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rm5

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Listening to "Music in Twelve Parts" by Phillip Glass. Really cool, and definitely worth listening to the whole thing! If you think it's "boring," you just need to listen way more closely.
 
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rm5

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Watched Koyaanisqatsi last night (which absolutely blew me away—see the movie thread), and now I can't stop listening to the soundtrack (also composed by Phillip Glass)! My goodness! Both the film and the soundtrack are absolutely perfect. I can't think of any other word—the two fit so incredibly well together.
 
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Scepticalscribe

macrumors Haswell
Jul 29, 2008
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In a coffee shop.
Listening to "Music in Twelve Parts" by Phillip Glass. Really cool, and definitely worth listening to the whole thing! If you think it's "boring," you just need to listen way more closely.

Watched Koyaanisqatsi last night (which absolutely blew me away—see the movie thread), and now I can't stop listening to the soundtrack (also composed by Phillip Glass)! My goodness! Both the film and the soundtrack are absolutely perfect. I can't think of any other word—the two fit so incredibly well together.
Philip Glass can be wonderful (especially when you are in the mood for that sort of music.)

He wrote the (brilliant) soundtrack for The Hours.

Among other works of his, I would also (strongly) recommend Dance Pieces, Glassworks, the extraordinary and compelling Symphony No 2, and Akhnaten (which is simply stunning), all of which I have as CDs, and on my computer's music library.
 
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BotchQue

macrumors 6502a
Dec 22, 2019
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Watched Koyaanisqatsi last night (which absolutely blew me away—see the movie thread), and now I can't stop listening to the soundtrack (also composed by Phillip Glass)! My goodness! Both the film and the soundtrack are absolutely perfect. I can't think of any other word—the two fit so incredibly well together.
Several of you sang the praises of PhG quite a few pages ago on this thread, I bought that soundtrack, and a double-CD of PhG's Greatest Hits, but there was nothing on it from Koyaanisqatsi (which I'd seen in the theater many, many years ago and I was equally blown away). The rest of it, well, I guess I "need to listen more closely". :p

Today I dug this one out. I'm not a huge fan of AutoTuned vox, and there's a bit of it on this LP. But I had forgotten how incredibly well-recorded this thing was, not to mention the rhythm guitar parts:

Daft_Punk_-_Random_Access_Memories.png


Yeah, I said Rhythm Guitar! The Great Nile Rodgers plays rhythm on about half these tracks, and they Smoke! He first came to recognition for playing/producing Chic, back in '77-78? And he's constantly added his magic to artists such as David Bowie, Bryan Ferry, and here with Daft Punk. (and a few others, I'm just going to copy/paste from Wikipedia:)

With Edwards, Rodgers wrote and produced music for other artists, including the songs "He's the Greatest Dancer" and "We Are Family" (for Sister Sledge) and "I'm Coming Out" and "Upside Down" (for Diana Ross).[10] After Chic's breakup in 1983, Rodgers produced albums and singles for other artists, including David Bowie's Let's Dance; "Original Sin" by INXS; Duran Duran's "The Reflex" and "Notorious"; and Madonna's Like a Virgin.[11] He worked with artists including The B-52s, Jeff Beck, Daft Punk, Mick Jagger, Grace Jones, The Vaughan Brothers, Bryan Ferry, Christina Aguilera and Lady Gaga. He won three Grammy Awards in 2014 for his work on Daft Punk's Random Access Memories,[12][13] and two in 2023 for his work with Beyoncé on her album Renaissance.

Killer album.
 
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rm5

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This awful-sounding version of "Caprice Rag," which I've started to learn. This recording actually has numerous mistakes (note the missing accidental 4 measures before B on both repeats--should be an F sharp), but it's good to at least get a sense of how it's supposed to sound. I found a much better transcription I'm actually learning it from (but there isn't a recording of that exact transcription from what I can find).

I have really small hands, so ragtime/stride is vaguely tricky, but I've found my ways...

EDIT: Actually, come to think of it, the piano on this rendition sounds like the patch Yamaha used for many years, known as "Live! Grand Piano" on their consumer boards, "Power Grand" on some of their synths, and "Grand Piano" on their stage keyboards. I'm sure you all have heard it or played it at some point. Anyway, sounds like someone used a Yamaha keyboard, imported the MIDI at max velocity (cause there's no dynamic range), and then just recorded the MIDI file playing through the keyboard. Don't ask me how I know that, cause I literally have no clue... just a bit of the random, useless information I know that you all probably don't care about.


EDIT #2: No way, it’s actually on my keyboard, what the hell. Just buried deep in the patch list, had to scroll through a lot to get to it. WHAT?! Yeah, see the attached picture—it’s called Live CF3, and sounds identical to the sound used in the recording!!

IMG_2317.jpeg
 
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HDFan

Contributor
Jun 30, 2007
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A YouTube video that made me laugh (excellent voices):

The Little Singers of Paris - Cat Duet (Duetto buffo di due gatti) - HD​



and one which had various performances of the Nessun Dorma finale so you could compare them. My favorites were the 3 tenors and Jussi Bjorling versions. The Aretha Franklin version was interesting.

 

BotchQue

macrumors 6502a
Dec 22, 2019
572
777
This song has haunted me since it came out, and its weird as I hadn't had a breakup, nor girlfriend, first kiss, or maybe even puberty when it did; it just has a haunting quality that has stuck with me for half a century now.

I'm just tryin' to find me, a pretty smile that I
Can get into... it's true,
I'm lost without you

Another lonely park, another Sunday,
Why is it Life turns out that way?
Just when you think you've got a good thing,
It seems to slip away...

 

rm5

macrumors 68030
Mar 4, 2022
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United States
I actually personally know all the guys on this! Played with this exact group just last week in fact. (I did not play piano on the album though, that's my friend--I did their live show). This is a legitimately great song in my opinion! Really expanded my horizons playing with them. On the show, we did a mix of this stuff plus straight-ahead jazz.

 
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pachyderm

macrumors G4
Jan 12, 2008
10,746
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Smyrna, TN
I remember singing this in high school! We had the orchestra and the whole thing--it was a lot of fun! My high school choir director was absolutely amazing--probably one of the best choir directors I've ever known, honestly, so I was lucky to be a part of it.
Vivaldi is my all time favorite !
 
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