On a completely different note, I'm tracking down a copy of the bilingual Irish poet Eithne Strong's long poem "Flesh: The Greatest Sin". The work has sometimes been described as a feminist parallel to Patrick Kavanaugh's poem "The Great Hunger" in terms of the historical struggles of the Irish to self-identify within the deep embrace of the Roman Catholic church.
I'm putting this part of my post into a spoiler because it's impossible not to have it appear to be about religion or politics, since it's about both. Anyway when I popped into this thread, this in fact was what I was reading about. So here I am in a spoiler LOL instead of over in PRSI, what can I say, quit reading now if you like!
I ran into excerpts of Strong's work in an academic paper published in
3L: The Southeast Asian Journal of English Language Studies (a publication of the National University of Malaysia), and decided I wanted to get the poem. The paper is titled "The Body and Female Identity in Eithne Strong’s Flesh: The Greatest Sin". A pdf of the paper is available at
http://ejournal.ukm.my/3l/article/view/19285/7201
Here is the abstract of the paper:
Bodily discourse, constantly appropriated as a symbol of Irish famine and hunger in the wake of British maladministration of the land and its people since the Great Famine, is prevalent in Irish culture. However, this bodily discourse is dominated by nationalistic and patriarchal narratives. An increasing number of women in contemporary Ireland look at themselves anew through their own bodies. Through the reading of Eithne Strong’s poetry collection, Flesh: The Greatest Sin (1980), this paper discusses how the conflation of body and sin is entangled in the Irish context, how the female writer manages to untangle the fine line fabricated between the two categories and reaffirm her female identity simultaneously, and finally the significance of such an attempt in the history of Irish literature.