Canon ... inertia
I'm shooting Canon, partly because of the "inertia" from existing 35mm equipment.
Around ten years ago now, I was looking at finally moving up to an autofocus SLR from a fully manual Pentax K-1000, and I had the "no significant legacy" luxury of being able to compare Pentax, Minolta, Nikon & Canon on pretty equal footings. There were a couple of things that nudged me to Canon, including:
- I preferred Canon's ergonomics (mostly, the left wheel selector)
- This was after their adoption of the EF mount
- there was some 'rumbling' of if Nikon was going to change mounts
- The choice really seemed to be Nikon vs Canon (vs others)
In hindsight, I've been happy with my choice, and having since learned what a hodgepodge mess the backwards-compatible Nikon lens familes are, so I'm just as happy to not have to learn all of the nuaces of what lenses fits/doesn't, what sorta works, etc, even though intellectually I know that it theoretically narrows my choices. As far as I'm concerned, there's plenty of lens choices within Canon's EF line, which is similar to the Win/Mac debate of "Just how many word processor Apps do you really need?"
Fast-forward ten years to 2005, and more seriously looking at dSLRs. My prior investment in Canon glass really wasn't all that great ... maybe only $1500 ... but the question of having common glass for film+bits is pretty compelling, so I added a 20D as well as my first L lens (70-200 IS f/2.8) for a planned Christmas trip, which has locked me in tighter with Canon for the next several years.
And while digital is on the rise, I figure that I'll probably compliment this all by picking up an EOS 3 film camera in the next few months, so assure myself of having a good 35mm camera to last for the next decade or two before the choices narrow too much.
-hh
I'm shooting Canon, partly because of the "inertia" from existing 35mm equipment.
Around ten years ago now, I was looking at finally moving up to an autofocus SLR from a fully manual Pentax K-1000, and I had the "no significant legacy" luxury of being able to compare Pentax, Minolta, Nikon & Canon on pretty equal footings. There were a couple of things that nudged me to Canon, including:
- I preferred Canon's ergonomics (mostly, the left wheel selector)
- This was after their adoption of the EF mount
- there was some 'rumbling' of if Nikon was going to change mounts
- The choice really seemed to be Nikon vs Canon (vs others)
In hindsight, I've been happy with my choice, and having since learned what a hodgepodge mess the backwards-compatible Nikon lens familes are, so I'm just as happy to not have to learn all of the nuaces of what lenses fits/doesn't, what sorta works, etc, even though intellectually I know that it theoretically narrows my choices. As far as I'm concerned, there's plenty of lens choices within Canon's EF line, which is similar to the Win/Mac debate of "Just how many word processor Apps do you really need?"
Fast-forward ten years to 2005, and more seriously looking at dSLRs. My prior investment in Canon glass really wasn't all that great ... maybe only $1500 ... but the question of having common glass for film+bits is pretty compelling, so I added a 20D as well as my first L lens (70-200 IS f/2.8) for a planned Christmas trip, which has locked me in tighter with Canon for the next several years.
And while digital is on the rise, I figure that I'll probably compliment this all by picking up an EOS 3 film camera in the next few months, so assure myself of having a good 35mm camera to last for the next decade or two before the choices narrow too much.
-hh