This is such an interesting thread again! The Mac Pro seems to have disappeared to the Big Tower in the sky....let's assume something, and I hope a lot of people would agree...traditionally, when everyone used Macs to do video/film editing (often Final Cut Pro but all the others too), lots of studios certainly that I saw and visited (I used to write music to picture) stayed loyal to Apple hardware, though more and more would use the various proprietary software/hardware systems that dominate TV/movies now. With music, Logic/Performer always scored highest and mostly on Macs. Twas traditional! ProTools is in nearly all high end studios now, and still mostly but not exclusively on Macs. Finally Photoshop/In Design work seems to be done on both main platforms, but because the trashcan Mac Pro failed, and there's huge numbers of configurable HPs and Dells etc that are decent value, and very configurable, the whole range of sizes of workplace can be more catered for outside of the Mac. Stating the obvious, I guess.
So, Apple "simply" needs to combine a Mac Mini style case, swappable motherboards (could be tricky to be easily upgradable but doable), user installable solid state storage and RAM, graphics card flexibility and some really decent 2019 monitors. Change the design every 5 years, and allow for low end systems for smaller studios and artists by being $5000 up to $15000 for more high end video houses....and at least, AT LEAST, Apple has a chance to get back some its lost business. If it doesn't do this, the iMac Pro will never be the number one machine in my opinion...people still love Macs, OS X and nicely designed gear...my studio computer is STILL the 2008 Mac Pro running 10.6.8 (I love a whole bunch of older plugins that aren't available on newer systems!). In London, practically every music studio I visit has the cheese grater tower, and I believe that reasonable price pointed systems that can run ProTools would be VERY popular!
Just my 25p.
So, Apple "simply" needs to combine a Mac Mini style case, swappable motherboards (could be tricky to be easily upgradable but doable), user installable solid state storage and RAM, graphics card flexibility and some really decent 2019 monitors. Change the design every 5 years, and allow for low end systems for smaller studios and artists by being $5000 up to $15000 for more high end video houses....and at least, AT LEAST, Apple has a chance to get back some its lost business. If it doesn't do this, the iMac Pro will never be the number one machine in my opinion...people still love Macs, OS X and nicely designed gear...my studio computer is STILL the 2008 Mac Pro running 10.6.8 (I love a whole bunch of older plugins that aren't available on newer systems!). In London, practically every music studio I visit has the cheese grater tower, and I believe that reasonable price pointed systems that can run ProTools would be VERY popular!
Just my 25p.